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Today In History
June 14th
Years
1995
29.9k
PlaybackListensHours
48h48767
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.4k391
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k313
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k320
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.9k384
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k389
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.9k361
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k162
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.7k970
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h973111
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.9k343
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.9k570
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k189
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k230
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k983
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k196
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k243
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h11k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.8k471
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k382
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k175
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.8k212
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.8k271
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h822100
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12719
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22417
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h402
7d886
30d60836
2 shows
2 tapes
1976
6/10/76
Mission In The Rain
0
Mission In The Rain
7:46
Looks Like Rain
0
Looks Like Rain
10:39
Might As Well
0
Might As Well
5:55
Samson And Delilah
0
Samson And Delilah
8:30
Help Is On The Way -\> Slipknot! -\>
0
Help Is On The Way -> Slipknot! ->
12:08
Franklin\'s Tower -\>
0
Franklin's Tower ->
10:50
Let It Grow
0
Let It Grow
11:30
Friend Of The Devil
0
Friend Of The Devil
9:47
Playing In The Band -\>
0
Playing In The Band ->
13:48
Dancin\' In The Streets -\>
0
Dancin' In The Streets ->
11:30
U. S. Blues
0
U. S. Blues
5:52
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:03:23
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1976-06-10.141690.sbd.miller.flac1644
Source:
Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
Taper Notes:
View NotesNotes: -- This is pretty much mono -- Thanks to Tim Dalton for the PCM -- Two sets of masters were used to make this show complete
Taper: See info file
3:01:57
SBD
Rating:
10.00 / 7 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.matrix.tobin.84985.sbeok.flac16
Source:
SBD + AUD Matrix 2 Source Mix(65%-SBD/35%-AUD)
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD -6 SET TWO Stereo Matrix SBD -3 AUD -6
Taper: DAT from the collection of Todd Evans
3:03:04
SBD
Rating:
8.00 / 3 ratings
Taper:
DAT from the collection of Todd Evans
Transferrer:
Jamie Waddell
SHNID:
gd1976-06-10.sbd.gems.82921.flac16
Source:
SBD Master Reel -> PCM -> Dat (44.1k)
Lineage:
DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
Taper Notes:
View NotesNotes- -5 seconds of static on GEM DAT in Sugaree patched with shnid 14264 -a slight tape warble/glitch in Cassidy (exists on all sbd sources) surgically improved in Spectrum Edit Mode -Skip and short L channel static burst @ 7:13.6 of TLEO (d1t04) of 14264 NOT present on GEM DAT original transfer. -about 10 more seconds of tuning/crowd exists on GEM source between Row Jimmy and Big River than on 14264. Confirmed with comparison to circulating audience sources. -Digi Noise present on 14264 in the last 5 seconds on Row Jimmy not present on GEM DAT -about 15 missing seconds on master reel in Lazy Lightnin patched with the Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Might As Well patched with Jerry Moore Audience Recording, shnid 18425. -about 20 missing seconds on Master Reel in Let It Grow patched with Jerry Moore Audience Recording, shnid 18425. a **GEMS** Production www.shnflac.net
Source 4 of 12
2:56:56
SBD
Rating:
8.63 / 32 ratings
SHNID:
gd76-06-10.sbd.bertha-ashley.23370.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> PCM> DAT> WAV> SHN> DAW (Bertha)> WAV/SHN
Taper Notes:
View NotesBertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
Source 5 of 12
2:56:49
SBD
Rating:
8.22 / 9 ratings
SHNID:
gd76-06-10.sbd.miller.14264.sbeok.shnf
Source:
Soundboard
Lineage:
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN
Taper Notes:
View NotesSBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
Taper: Jimmy Warburton
3:08:19
Rating:
8.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Matt Smith & Sirmick
SHNID:
gd1976-06-10.145134.akg1000.warburton.smith.sirmick.flac1644
Source:
AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of loge.
Lineage:
Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496 Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: Jimmy Warburton
3:08:19
Rating:
10.00 / 4 ratings
Taper:
Jimmy Warburton
Transferrer:
SIRMick and Matt Smith
SHNID:
gd1976-06-10.143003.akg1000.warburton.smith.sirmick.flac2496
Source:
Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log;
Lineage:
MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
Taper Notes:
View NotesNotes: - 8 second patch in "Row Jimmy" - patch source shnid 18425 - Thank you to the late Jerry Moore, etc. - Tape flip after "FOTD" smoothed. Thanks to Joe B. Jones for his assistance with pitch correction. Thanks to Matt Smith for a really nice transfer. Thanks to Jimmy Warburton for lending us his reels. edited and mastered SIRMick August 2018
Taper: See info file
3:01:57
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1976-06-10.mtx.dts.tobin.85004.sbeok.flac16
Source:
DTS-Audio-5.1 Mix by Kevin Tobin
Lineage:
See info file
Taper Notes:
View NotesSHNs were decoded to wave and Audition 2.0 was used to reassemble the tracks back to 1 long wave. Audition 2.0 was used to align & synch the SBD & AUD sources. - Aud and sbd were synced while working on a dts encoded cd, matrix and audio dvd - FLAC conversion 11-MAY-2007 Audio Patching: 1) Before Promised Land, 1 minute and 16.000 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 2) During Lazy Lightning, 24.865 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 3) Between Supplication and Row Jimmy, 42.861 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 4) During Might As Well, 28.054 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 5) During Let It Grow, 26.345 seconds were missing from the sbd source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. 6) Between Let It Grow and Friend Of The Devil, 54.113 seconds were missing from the Jerry Moore audience source and filled in with audio from the Steve Hopkins audience. This portion of the audio was normalized to blend in better. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to mono -1.5db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -1.5db SBD Reel -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files.
Taper: Jimmy Warburton
3:09:06
Rating:
10.00 / 1 rating
Taper:
Jimmy Warburton
Transferrer:
Mark Cohen, David Minches
SHNID:
gd76-06-10.warburton.minches.18426.sbeok.shnf
Source:
Audience Recording: AKG 1000Es
Lineage:
AKG 1000Es> Sony TC-152. Reel -> DAT -> SHN
Taper Notes:
View NotesRecorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
Taper: Jerry Moore
3:05:50
Rating:
8.00 / 2 ratings
Taper:
Jerry Moore
Transferrer:
Mark Cohen, David Minches
SHNID:
gd76-06-10.moore.minches.18425.sbeok.shnf
Source:
Audience Recording: AKG 200Es
Lineage:
AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT > SHN
Taper Notes:
View NotesRecorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
Taper: Steve Hopkins
3:05:48
Rating:
8.50 / 4 ratings
Taper:
Steve Hopkins
SHNID:
gd76-06-10.hopkins.vernon.5918.sbeok.shnf
Source:
Audience Recording: Sony ECM 99a stereo mic
Lineage:
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic; Audience Master Cassettes > DAT > DAT clone > CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN
Taper Notes:
View NotesFOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. [Note: Dolby decoded version created 7/13/03]
Transferrer: S. Dunahee and W. Stube
1:48:15
Rating:
2.00 / 1 rating
Transferrer:
S. Dunahee and W. Stube
SHNID:
gd1976-06-10.unk.dunahee-stube.237.shnf
Source:
Soundboard
Lineage:
??? > CD > EAC > SHN