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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h53371
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h841110
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.8k371
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k289
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.4k1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.4k432
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k128
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k217
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h80088
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k177
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h979129
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k197
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.9k730
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k177
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k226
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k427
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81879
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.9k630
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k527
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k352
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k188
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7k715
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h39050
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9213
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21616
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1976
6/3/76
Tuning
2:24
Might As Well*
5:53
Cassidy
5:19
Row Jimmy
11:21
Looks Like Rain
9:10
They Love Each Other
9:02
Lazy Lightning* ->
2:55
Supplication*
5:56
Candyman
7:39
The Music Never Stopped
6:53
Scarlet Begonias
11:48
Dancing In The Street
13:01
Tuning
1:09
Samson And Delilah*
7:04
Crazy Fingers ->
11:08
Wharf Rat ->
12:43
Let It Grow
18:31
It Must Have Been The Roses
8:25
Around And Around
8:36
Help On The Way ->
5:46
Slipknot! ->
11:59
Franklin's Tower
15:09
One More Saturday Night
6:36
The Wheel*
5:01
FIN
View on archive.org
Sources
Taper: Betty Cantor
3:13:52
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
Source:
Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Taper Notes:
View Notes- Previous version had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel", thus the need for this fixed version - Thanks to miles1960 for bringing the channel swap issue to my attention - Thanks to anonymous for the updated tracks - Upgrade to all copies in general circulation (10/2017) - Thanks to Keith Kreider for the PCM source - Thanks to Charlie Miller for the PCM transfer - Thanks to Charlie Miller for shnid123607 which supplies the tuning and first several seconds of Might As Well (t01), the final 0:34 of "Supplication" (t07) and the tuning before "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the between song tuning between "Let It Grow" (t15) and "It Must Have Been The Roses" (t16), the first 0:14 of "It Must Have Been The Roses"(t16),the final 0:04 of "One More Saturday Night" (t21),as well as the tuning before, and the entire "The Wheel" (t22)encore. - 2nd Set Let It Grow is always a treat - Help On The Way-> Slipknot!-> Franklin's Tower clocks in at 29:36 - IMO, a beautiful capture and transfer - Pass the popcorn and enjoy!
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123608.sbd.miller.flac24
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123607.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Hunter Seamons
3:20:37
SBD
Rating:
9.44 / 19 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
Transferrer: Pitch correction by Hunter Seamons using Final Cut Pro
3:01:39
SBD
Rating:
9.23 / 13 ratings
Transferrer:
Pitch correction by Hunter Seamons using Final Cut Pro
SHNID:
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
Source:
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Taper Notes:
View NotesSpeed was increased by 3.41%.
Source 6 of 16
3:07:54
SBD
Rating:
8.62 / 40 ratings
SHNID:
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Transferrer: Jay Ashley
2:57:07
SBD
Transferrer:
Jay Ashley
SHNID:
gd1976-06-03.sbd.bertha.17266.shnf
Source:
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on August 20, 2002. (*)Missing One More Saturday Night and The Wheel.
Source 8 of 16
2:44:12
SBD
Rating:
9.36 / 28 ratings
SHNID:
gd76-06-03.sbd.serafin.7719.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD
Taper Notes:
View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="ugc nofollow">reseed</a> with encores also circulates
Source 9 of 16
2:58:52
SBD
Rating:
8.00 / 2 ratings
Source:
MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Taper Notes:
View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.
Taper: Reinhart Holwein
3:13:47
Rating:
8.50 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123464.akgD224E.holwein.miller.flac16
Source:
Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Reinhardt Holwein -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Hunter Seamons
3:23:28
Rating:
9.75 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.ht06.123898.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
Transferrer: Rob Berger
2:59:10
Transferrer:
Rob Berger
SHNID:
gd1976-06-03.aud.berger.99910.flac16
Lineage:
mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy
Taper: Pat Lee
3:19:12
Rating:
7.00 / 4 ratings
Taper:
Pat Lee
Transferrer:
Noah Weiner
SHNID:
gd76-06-03.lee.weiner.14263.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Transferrer: Dale Shepherd
3:01:13
Rating:
6.50 / 4 ratings
Transferrer:
Dale Shepherd
SHNID:
gd76-06-03.aud.vernon.7825.sbeok.shnf
Source:
Audience Recording