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Today In History
June 15th
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1976
6/3/76
Might As Well
6:00
Cassidy
5:30
Row Jimmy
11:47
Looks Like Rain
8:51
They Love Each Other
8:54
Lazy Lightening -> Supplication
7:17
Candyman
7:54
Musice Never Stopped
7:08
Scarlet Begonias
12:11
Dancin' In The Streets
12:50
Samson And Delilah
6:07
Crazy Fingers ->
11:41
Wharf Rat ->
13:10
Let It Grow -> Drums -> Let It Grow
14:02
IT Must Have Been The Roses
7:17
Around And Around
6:45
Help Is On The Way ->
5:32
Slipknot! ->
13:00
Franklin's Tower
11:11
FIN
View on archive.org
Sources
Taper: Betty Cantor
3:13:52
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
Source:
Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Taper Notes:
View Notes- Previous version had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel", thus the need for this fixed version - Thanks to miles1960 for bringing the channel swap issue to my attention - Thanks to anonymous for the updated tracks - Upgrade to all copies in general circulation (10/2017) - Thanks to Keith Kreider for the PCM source - Thanks to Charlie Miller for the PCM transfer - Thanks to Charlie Miller for shnid123607 which supplies the tuning and first several seconds of Might As Well (t01), the final 0:34 of "Supplication" (t07) and the tuning before "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the between song tuning between "Let It Grow" (t15) and "It Must Have Been The Roses" (t16), the first 0:14 of "It Must Have Been The Roses"(t16),the final 0:04 of "One More Saturday Night" (t21),as well as the tuning before, and the entire "The Wheel" (t22)encore. - 2nd Set Let It Grow is always a treat - Help On The Way-> Slipknot!-> Franklin's Tower clocks in at 29:36 - IMO, a beautiful capture and transfer - Pass the popcorn and enjoy!
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123608.sbd.miller.flac24
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123607.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Hunter Seamons
3:20:37
SBD
Rating:
9.44 / 19 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
Transferrer: Pitch correction by Hunter Seamons using Final Cut Pro
3:01:39
SBD
Rating:
9.23 / 13 ratings
Transferrer:
Pitch correction by Hunter Seamons using Final Cut Pro
SHNID:
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
Source:
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Taper Notes:
View NotesSpeed was increased by 3.41%.
Source 6 of 16
3:07:54
SBD
Rating:
8.62 / 40 ratings
SHNID:
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Transferrer: Jay Ashley
2:57:07
SBD
Transferrer:
Jay Ashley
SHNID:
gd1976-06-03.sbd.bertha.17266.shnf
Source:
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on August 20, 2002. (*)Missing One More Saturday Night and The Wheel.
Source 8 of 16
2:44:12
SBD
Rating:
9.36 / 28 ratings
SHNID:
gd76-06-03.sbd.serafin.7719.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD
Taper Notes:
View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="ugc nofollow">reseed</a> with encores also circulates
Source 9 of 16
2:58:52
SBD
Rating:
8.00 / 2 ratings
Source:
MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Taper Notes:
View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.
Taper: Reinhart Holwein
3:13:47
Rating:
8.50 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123464.akgD224E.holwein.miller.flac16
Source:
Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Reinhardt Holwein -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Hunter Seamons
3:23:28
Rating:
9.75 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.ht06.123898.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
Transferrer: Rob Berger
2:59:10
Transferrer:
Rob Berger
SHNID:
gd1976-06-03.aud.berger.99910.flac16
Lineage:
mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy
Taper: Pat Lee
3:19:12
Rating:
7.00 / 4 ratings
Taper:
Pat Lee
Transferrer:
Noah Weiner
SHNID:
gd76-06-03.lee.weiner.14263.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Transferrer: Dale Shepherd
3:01:13
Rating:
6.50 / 4 ratings
Transferrer:
Dale Shepherd
SHNID:
gd76-06-03.aud.vernon.7825.sbeok.shnf
Source:
Audience Recording