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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h51968
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.1k170
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k385
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.6k612
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5k650
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k159
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6.5k761
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k125
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k206
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.8k551
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.4k172
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k219
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.2k978
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k240
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k264
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h17.4k2.3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36739
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k488
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k715
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.8k353
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k206
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k182
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43454
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14920
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h30521
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1976
6/3/76
Might As Well
5:06
Cassidy
4:24
Row Jimmy
9:50
Looks Like Rain
7:39
They Love Each Other
7:17
Lazy Lightnin' >
3:01
Supplication
3:53
Candyman
7:06
The Music Never Stopped
5:21
Scarlet Begonias
10:29
Dancin' in the Streets
12:43
Samson And Delilah
5:42
Crazy Fingers >
11:41
Wharf Rat >
13:04
Let It Grow >
6:51
Drums >
0:35
Let It Grow
6:34
It Must Have Been the Roses
6:57
Around and Around
6:39
Help On the Way >
5:21
Slipknot! >
12:56
Franklin's Tower
11:03
FIN
View on archive.org
Sources
Taper: Betty Cantor
3:13:52
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
Source:
Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Taper Notes:
View Notes- Previous version had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel", thus the need for this fixed version - Thanks to miles1960 for bringing the channel swap issue to my attention - Thanks to anonymous for the updated tracks - Upgrade to all copies in general circulation (10/2017) - Thanks to Keith Kreider for the PCM source - Thanks to Charlie Miller for the PCM transfer - Thanks to Charlie Miller for shnid123607 which supplies the tuning and first several seconds of Might As Well (t01), the final 0:34 of "Supplication" (t07) and the tuning before "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the between song tuning between "Let It Grow" (t15) and "It Must Have Been The Roses" (t16), the first 0:14 of "It Must Have Been The Roses"(t16),the final 0:04 of "One More Saturday Night" (t21),as well as the tuning before, and the entire "The Wheel" (t22)encore. - 2nd Set Let It Grow is always a treat - Help On The Way-> Slipknot!-> Franklin's Tower clocks in at 29:36 - IMO, a beautiful capture and transfer - Pass the popcorn and enjoy!
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123608.sbd.miller.flac24
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123607.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Hunter Seamons
3:20:37
SBD
Rating:
9.44 / 19 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
Transferrer: Pitch correction by Hunter Seamons using Final Cut Pro
3:01:39
SBD
Rating:
9.23 / 13 ratings
Transferrer:
Pitch correction by Hunter Seamons using Final Cut Pro
SHNID:
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
Source:
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Taper Notes:
View NotesSpeed was increased by 3.41%.
Source 6 of 16
3:07:54
SBD
Rating:
8.62 / 40 ratings
SHNID:
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Transferrer: Jay Ashley
2:57:07
SBD
Transferrer:
Jay Ashley
SHNID:
gd1976-06-03.sbd.bertha.17266.shnf
Source:
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on August 20, 2002. (*)Missing One More Saturday Night and The Wheel.
Source 8 of 16
2:44:12
SBD
Rating:
9.36 / 28 ratings
SHNID:
gd76-06-03.sbd.serafin.7719.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD
Taper Notes:
View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="ugc nofollow">reseed</a> with encores also circulates
Source 9 of 16
2:58:52
SBD
Rating:
8.00 / 2 ratings
Source:
MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Taper Notes:
View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.
Taper: Reinhart Holwein
3:13:47
Rating:
8.50 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123464.akgD224E.holwein.miller.flac16
Source:
Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Reinhardt Holwein -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Hunter Seamons
3:23:28
Rating:
9.75 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.ht06.123898.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
Transferrer: Rob Berger
2:59:10
Transferrer:
Rob Berger
SHNID:
gd1976-06-03.aud.berger.99910.flac16
Lineage:
mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy
Taper: Pat Lee
3:19:12
Rating:
7.00 / 4 ratings
Taper:
Pat Lee
Transferrer:
Noah Weiner
SHNID:
gd76-06-03.lee.weiner.14263.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Transferrer: Dale Shepherd
3:01:13
Rating:
6.50 / 4 ratings
Transferrer:
Dale Shepherd
SHNID:
gd76-06-03.aud.vernon.7825.sbeok.shnf
Source:
Audience Recording