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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54173
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k292
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k346
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.9k523
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.7k478
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k407
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k369
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k176
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.2k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k226
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k664
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k190
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k242
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.9k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k248
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k273
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.1k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h13.5k1.8k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h38140
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k514
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.5k730
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k201
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k223
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62878
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12217
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32324
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1976
6/3/76
Tuning
2:24
Might As Well
5:52
Cassidy
5:17
Row Jimmy
11:20
Looks Like Rain
9:08
They Love Each Other
8:59
Lazy Lightning ->
2:53
Supplication
5:54
Candyman
7:07
The Music Never Stopped
6:52
Scarlet Begonias
11:43
Dancing In The Street
12:35
Tuning
1:05
Samson And Delilah
7:05
Crazy Fingers ->
11:09
Wharf Rat ->
12:36
Let It Grow
15:11
It Must Have Been The Roses
7:40
Around And Around
7:46
Help On The Way ->
5:43
Slipknot! ->
11:57
Franklin's Tower
12:32
One More Saturday Night
6:12
The Wheel
4:47
FIN
View on archive.org
Sources
Taper: Betty Cantor
3:13:52
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
Source:
Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Taper Notes:
View Notes- Previous version had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel", thus the need for this fixed version - Thanks to miles1960 for bringing the channel swap issue to my attention - Thanks to anonymous for the updated tracks - Upgrade to all copies in general circulation (10/2017) - Thanks to Keith Kreider for the PCM source - Thanks to Charlie Miller for the PCM transfer - Thanks to Charlie Miller for shnid123607 which supplies the tuning and first several seconds of Might As Well (t01), the final 0:34 of "Supplication" (t07) and the tuning before "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the between song tuning between "Let It Grow" (t15) and "It Must Have Been The Roses" (t16), the first 0:14 of "It Must Have Been The Roses"(t16),the final 0:04 of "One More Saturday Night" (t21),as well as the tuning before, and the entire "The Wheel" (t22)encore. - 2nd Set Let It Grow is always a treat - Help On The Way-> Slipknot!-> Franklin's Tower clocks in at 29:36 - IMO, a beautiful capture and transfer - Pass the popcorn and enjoy!
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123608.sbd.miller.flac24
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123607.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Hunter Seamons
3:20:37
SBD
Rating:
9.44 / 19 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
Transferrer: Pitch correction by Hunter Seamons using Final Cut Pro
3:01:39
SBD
Rating:
9.23 / 13 ratings
Transferrer:
Pitch correction by Hunter Seamons using Final Cut Pro
SHNID:
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
Source:
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Taper Notes:
View NotesSpeed was increased by 3.41%.
Source 6 of 16
3:07:54
SBD
Rating:
8.62 / 40 ratings
SHNID:
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Transferrer: Jay Ashley
2:57:07
SBD
Transferrer:
Jay Ashley
SHNID:
gd1976-06-03.sbd.bertha.17266.shnf
Source:
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on August 20, 2002. (*)Missing One More Saturday Night and The Wheel.
Source 8 of 16
2:44:12
SBD
Rating:
9.36 / 28 ratings
SHNID:
gd76-06-03.sbd.serafin.7719.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD
Taper Notes:
View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="ugc nofollow">reseed</a> with encores also circulates
Source 9 of 16
2:58:52
SBD
Rating:
8.00 / 2 ratings
Source:
MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Taper Notes:
View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.
Taper: Reinhart Holwein
3:13:47
Rating:
8.50 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123464.akgD224E.holwein.miller.flac16
Source:
Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Reinhardt Holwein -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Hunter Seamons
3:23:28
Rating:
9.75 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.ht06.123898.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
Transferrer: Rob Berger
2:59:10
Transferrer:
Rob Berger
SHNID:
gd1976-06-03.aud.berger.99910.flac16
Lineage:
mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy
Taper: Pat Lee
3:19:12
Rating:
7.00 / 4 ratings
Taper:
Pat Lee
Transferrer:
Noah Weiner
SHNID:
gd76-06-03.lee.weiner.14263.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Transferrer: Dale Shepherd
3:01:13
Rating:
6.50 / 4 ratings
Transferrer:
Dale Shepherd
SHNID:
gd76-06-03.aud.vernon.7825.sbeok.shnf
Source:
Audience Recording