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Today In History
June 8th
9 shows
70 tapes
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1976
6/3/76
Might As Well
6:05
Cassidy
5:18
Row Jimmy
11:22
Looks Like Rain
8:31
They Love Each Other
9:03
Lazy Lightning ->
2:55
Supplication
5:06
Candyman
7:38
The Music Never Stopped
6:52
Scarlet Begonias
11:47
Dancing In The Street
12:50
Tuning
0:41
Samson And Delilah
7:03
Crazy Fingers ->
11:12
Wharf Rat ->
12:39
Let It Grow
17:54
It Must Have Been The Roses
8:25
Around And Around
8:35
Help On The Way ->
5:47
Slipknot! ->
11:58
Franklin's Tower
15:10
One More Saturday Night
6:36
The Wheel
4:52
FIN
View on archive.org
Sources
Taper: Betty Cantor
3:13:52
SBD
Rating:
10.00 / 3 ratings
Taper:
Betty Cantor
Transferrer:
Charlie Miller, Scott Clugston
SHNID:
gd1976-06-03.139643.sbd.betty.pcm.kreider.miller.clugston.fixed.flac16
Source:
Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
Taper Notes:
View Notes- Previous version had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel", thus the need for this fixed version - Thanks to miles1960 for bringing the channel swap issue to my attention - Thanks to anonymous for the updated tracks - Upgrade to all copies in general circulation (10/2017) - Thanks to Keith Kreider for the PCM source - Thanks to Charlie Miller for the PCM transfer - Thanks to Charlie Miller for shnid123607 which supplies the tuning and first several seconds of Might As Well (t01), the final 0:34 of "Supplication" (t07) and the tuning before "Candyman" (t08), the final 0:21 of "Let It Grow" (t15), the between song tuning between "Let It Grow" (t15) and "It Must Have Been The Roses" (t16), the first 0:14 of "It Must Have Been The Roses"(t16),the final 0:04 of "One More Saturday Night" (t21),as well as the tuning before, and the entire "The Wheel" (t22)encore. - 2nd Set Let It Grow is always a treat - Help On The Way-> Slipknot!-> Franklin's Tower clocks in at 29:36 - IMO, a beautiful capture and transfer - Pass the popcorn and enjoy!
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123608.sbd.miller.flac24
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
3:18:19
SBD
Rating:
9.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123607.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k)
Lineage:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Stella Blue tease after Let It Grow -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Hunter Seamons
3:20:37
SBD
Rating:
9.44 / 19 ratings
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.91912.sbeok.shnf
Source:
MATRIX MIX: SBD/AUD (About 60%/40%)
Taper Notes:
View Notes--------------------------------------------------------------- SBD: Bertha Remaster of the Master Reel Source. SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A Pitch correction by Hunter Seamons (8/10/07) --------------------------------------------------------------- AUD: MC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on. A > D and SHN by Noah Weiner ([email protected]) - November, 2002 ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
Transferrer: Pitch correction by Hunter Seamons using Final Cut Pro
3:01:39
SBD
Rating:
9.23 / 13 ratings
Transferrer:
Pitch correction by Hunter Seamons using Final Cut Pro
SHNID:
gd1976-06-03.sbd.seamons.fix-20004.86745.sbeok.shnf
Source:
SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN -
Taper Notes:
View NotesSpeed was increased by 3.41%.
Source 6 of 16
3:07:54
SBD
Rating:
8.62 / 40 ratings
SHNID:
gd76-06-03.sbd.bertha-ashley.20004.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> DAT> WAV> SHN> DAW (Bertha)> CDA/SHN
Taper Notes:
View NotesSBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
Transferrer: Jay Ashley
2:57:07
SBD
Transferrer:
Jay Ashley
SHNID:
gd1976-06-03.sbd.bertha.17266.shnf
Source:
SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on August 20, 2002. (*)Missing One More Saturday Night and The Wheel.
Source 8 of 16
2:44:12
SBD
Rating:
9.36 / 28 ratings
SHNID:
gd76-06-03.sbd.serafin.7719.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD
Taper Notes:
View NotesSBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; <a href="http://db.etree.org/shninfo_detail.php?shnid=12946" rel="ugc nofollow">reseed</a> with encores also circulates
Source 9 of 16
2:58:52
SBD
Rating:
8.00 / 2 ratings
Source:
MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR
Taper Notes:
View NotesMissing Saturday Night and Wheel (Encore) after Franklin's Tower.
Taper: Reinhart Holwein
3:13:47
Rating:
8.50 / 4 ratings
Taper:
Reinhart Holwein
Transferrer:
Charlie Miller
SHNID:
gd1976-06-03.123464.akgD224E.holwein.miller.flac16
Source:
Recording Info: AKG D224E -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Reinhardt Holwein -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148568.fob.sony.ecm18n.lee.smith.clugston.flac2496
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Pat Lee
3:18:52
Taper:
Pat Lee
Transferrer:
Matt Smith and Scott Clugston
SHNID:
gd1976-06-03.148567.fob.sony.ecm18n.lee.smith.clugston.flac1648
Source:
Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120)
Lineage:
Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Pat Lee for the master (FOB) cassette source - Thanks to Matt Smith for the transfer - Pitch corrected Mastered by Scott Clugston December 2019
Transferrer: Hunter Seamons
3:23:28
Rating:
9.75 / 9 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1976-06-03.mtx.seamons.ht06.123898.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
Transferrer: Rob Berger
2:59:10
Transferrer:
Rob Berger
SHNID:
gd1976-06-03.aud.berger.99910.flac16
Lineage:
mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
Taper Notes:
View Notessource: aud 1st gen reel Jerry Moore's copy
Taper: Pat Lee
3:19:12
Rating:
7.00 / 4 ratings
Taper:
Pat Lee
Transferrer:
Noah Weiner
SHNID:
gd76-06-03.lee.weiner.14263.sbeok.shnf
Source:
Audience Recording: Sony ECM18N
Lineage:
AUDMC > DAT > WAV > SHN; 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Taper Notes:
View NotesAUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
Transferrer: Dale Shepherd
3:01:13
Rating:
6.50 / 4 ratings
Transferrer:
Dale Shepherd
SHNID:
gd76-06-03.aud.vernon.7825.sbeok.shnf
Source:
Audience Recording