Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h55374
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k291
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k351
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h4.1k549
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.8k498
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k415
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k379
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k179
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.4k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k127
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k225
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h6k684
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k246
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h10.3k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k251
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2.1k278
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.2k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h14.2k1.9k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41043
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4.1k525
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.6k741
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k205
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k235
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k227
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62878
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12718
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h33225
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1972
Sources
Transferrer: Charlie Miller
1:17:54
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways. The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I used a continuous noise artifact reduction filter as a last step to enhance listening pleasure for those who are bothered by nasty noise. If it doesn't bother you, there is a version without the noise reduction. My take is that no noise reduction is more vibrant sounding, but this version is definitely cleaner in sound. You should be able to hear the drums, guitars and vocals more prominently than earlier versions. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original. One fun note: Appears to be a "Rocky Top" tease from Phil at 8:13 into The Other One.
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways.The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I decided not to use any noise reduction because the drums/cymbals were so low that their signal was about equivalent to the noise level at some points. In this version, you will notice the noise more between songs and when the songs are relatively quiet, but you'll also be able to hear the drums, guitars and vocals more prominently. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original.
Transferrer: rbbert
1:11:45
SBDREMASTER
Rating:
8.67 / 6 ratings
Transferrer:
rbbert
SHNID:
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC
Taper Notes:
View NotesI attempted to improve the most annoying aspects of this recording - Balanced the channels - improved the volume fluctuations in Truckin' - Lowered the bass slightly after about 3:44 in Truckin' - cut out some "dead air" Notes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: JerryRocks
1:18:02
SBD
Rating:
8.67 / 10 ratings
Transferrer:
JerryRocks
SHNID:
gd1972-10-21.sbd.pset2.91505.flac16
Source:
MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
Taper Notes:
View NotesFirst circulated 4/22/2008