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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h71698
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h737101
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.6k475
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.8k359
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.2k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h2.7k352
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k370
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k150
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k247
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h928102
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k207
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k143
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k205
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k219
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k291
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.4k686
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k277
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.5k485
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h86985
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.5k574
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.5k583
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.3k403
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2k222
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h9.1k926
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k361
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h36344
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11115
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h402
7d1026
30d57334
2 shows
2 tapes
1972
10/21/72
He's Gone
14:12
Greatest Story Ever Told
5:57
Bird Song
15:56
Truckin' ->
11:30
The Other One ->
18:12
Morning Dew
12:07
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:17:54
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1972-10-21.set2-partial.sbd.miller.94409.sbeok.flac16
Source:
SBD -> Master Reel -> Dat -> CD D
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
8.00 / 1 rating
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122383.sbd-pset2.nr.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways. The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I used a continuous noise artifact reduction filter as a last step to enhance listening pleasure for those who are bothered by nasty noise. If it doesn't bother you, there is a version without the noise reduction. My take is that no noise reduction is more vibrant sounding, but this version is definitely cleaner in sound. You should be able to hear the drums, guitars and vocals more prominently than earlier versions. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original. One fun note: Appears to be a "Rocky Top" tease from Phil at 8:13 into The Other One.
Transferrer: Dan McDonald
1:11:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-10-21.122342.sbd-pset2.rbbert.dan-fix.flac16
Source:
SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
Taper Notes:
View NotesRevision by Dan McDonald, Sept-Oct, 2012. Diamond Cut Forensics 8 was used to rearrange the audio. I used the spectral filter for equalization in several different ways.The main goal was to lower the prominence of the bass. Most of the bass was in the right channel, so that was just a reworking of the sonic profile for the left channel. Sometimes, the bass was in both channels. In those instances I either left it alone or lowered it (depending on what was going on at the time). Along the way I boosted the highs considerably in both channels. You should be able to hear quite a bit of difference. Booting highs lead to some increases in noise. I decided not to use any noise reduction because the drums/cymbals were so low that their signal was about equivalent to the noise level at some points. In this version, you will notice the noise more between songs and when the songs are relatively quiet, but you'll also be able to hear the drums, guitars and vocals more prominently. I don't specify all the things I did because there were too many changes. I left the space (tape cut or tape flip in the original) as it was in the source I used. There's enough hiss that either the lineage is wrong or the signal was recorded at very low levels in the original.
Transferrer: rbbert
1:11:45
SBDREMASTER
Rating:
8.67 / 6 ratings
Transferrer:
rbbert
SHNID:
gd1972-10-21.set2-partial.sbd.rbbert.fix-94410.94453.flac16
Source:
SBD -> Master Reel -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC
Taper Notes:
View NotesI attempted to improve the most annoying aspects of this recording - Balanced the channels - improved the volume fluctuations in Truckin' - Lowered the bass slightly after about 3:44 in Truckin' - cut out some "dead air" Notes: -- Possibly from a Master Cassette -- Didn't do much to this, just fixed levels and cleaned up cuts -- This has a horrible mix but it's better than nothing -- Tape flips in Greatest Story Ever Told and The Other One
Transferrer: JerryRocks
1:18:02
SBD
Rating:
8.67 / 10 ratings
Transferrer:
JerryRocks
SHNID:
gd1972-10-21.sbd.pset2.91505.flac16
Source:
MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
Taper Notes:
View NotesFirst circulated 4/22/2008