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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1972
11/26/72
Promised Land
3:08
Deal
4:38
Mexicali Blues
3:31
Sugaree
7:09
Black Throated Wind
6:46
Bird Song
11:20
Beat It On Down The Line
3:23
China Cat Sunflower >
6:01
I Know You Rider
5:14
Box Of Rain
4:57
El Paso
4:19
Big Railroad Blues
3:21
Around And Around
4:24
Casey Jones
6:03
Tuning
2:39
Playing In The Band
19:19
Brown Eyed Women
4:56
Jack Straw
4:49
Don't Ease Me In
3:15
Big River
4:15
Dark Star >
25:17
Me And Bobby McGee
5:48
Brokedown Palace
5:12
Sugar Magnolia >
8:30
Goin' Down The Road Feeling Bad
8:57
One More Saturday Night
4:31
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 26, 2022
2:51:42
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 26, 2022
SHNID:
gd1972-11-26.158749.sbd.menke.miller.fix.flac16
Source:
SBD > Master Reel > Reel > PCM > DAT (44.1k)
Lineage:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for the source
Transferrer: acetboy 2021-07-07
2:48:12
SBDREMASTER
Transferrer:
acetboy 2021-07-07
SHNID:
gd1972-11-26.152827.sbd-remaster.acetboy.flac1644
Source:
remaster of shn #9248 with short patches from shn #123022.
Taper Notes:
View NotesThe lineage for this is originally given in shn #9248 as: 1st set: SBD>MR>?>D>CD>EAC>SHN 2nd set: SBD>MR>C>D>CD>EAC>SHN In the notes for shn #127478 an earlier remaster it is stated that some kind of cassette deck with ALC (automatic level control) must have been used. When one looks at all of this closely one can see that the possibly ALC sourced tracks are actually the first 16 songs. Not just the first set but also tracks 15 and 16. Then the rest of the show, tracks 17-25 have a different source. The ALC is basically compression. Tracks 17-25 have no compression like the first 16 tracks. So I'm guessing that the original tape was fine, no compression. And then somewhere along the line the show was copied with a deck that added the ALC. Or the compression, whatever it was for sure. The first 16 tracks are very hissy from several cassette generations. One of those generations must have been where the compression entered into it. Tracks 17-25 are also somewhat hissy. But not like the first 16. In the original share you can hear during the first 16 tracks that the in-between songs and the beginnings of songs have the hiss a bit louder. Then when the track hits a certain volume level and the ALC/compression kicks in the level of hiss lessens. You can still hear hints of that here and there. The vocals and instruments get loud and bury the hiss a bit. Something like that.... lol. So anyway, I don't ever use noise reduction but here during the first 16 songs I have used a bit. I did it initially at one level and then scrapped that and pulled it back a bit. I don't want to hear any artifacts. So the other big issue with the first 16 songs is that they had serious phase problems. So serious that it makes me think that during one of the cassette generations one stereo side got inverted. shn # 9248 can sound better by inverting one of the channels. But it needs more fine tuning than just a simple inversion. So that is fixed now. The mix of the show once this is all sorted out is pretty decent although the vocals mostly hang over towards the right side, sometimes they center up a bit. And throughout the show the mix occasionally gets adjusted. For much of the show Jerry's guitar is mostly to the left and Bob's guitar is over in the right channel. Although after awhile and I think it's in the middle of some tune Jerry gets more centered and Bob is suddenly in the far left channel. The bass sometimes favors one side or the other but is centered up also sometimes. The bass comes through very clearly though. Basically everything can be heard pretty well. Piano comes through good. The vocals are sometimes maybe too loud and a bit trebly. But you can't eq them without obviously affecting the rest of the musical elements. Jerry's guitar is also quite loud sometimes. The idea was to get as much of the frequency spectrum nice and leveled out up to the hiss. There's no high-end air on this recording, that's up there in the hiss. About 20 minutes into Dark Star there was a patch. It could have been fine except you can hear like a click and a jump going into and out of the patch. So not so fine. Then towards the beginning of Me and Bobby McGee there was a gap with a chunk of the song missing. I have re-patched Dark Star and also patched Me and Bobby McGee. shn #123022 has two different versions of the complete Dark Star and Me and Bobby McGee. One version is the same tracks from shn #9248 only re-patched. And the same for Me and Bobby McGee. And then there is a second so called alternative version of the two tracks. The interesting thing is that the alternative version of the two tracks is from the same source as tracks 1-16. So the alternative has the same ALC-compression that the first 16 tracks has. But this alternative version does not have the cuts in Dark Star or Me and Bobby McGee. So I used that alternative version for the short patches that were needed. They're pretty seamless. I can't really find them without looking at a spectral view of the files. So I think this sounds pretty nice now. It's a fabulous show. Some of these songs are textbook examples of how good the Grateful Dead could be. On a side note, my antique iMac with my equally old version of Pro Tools Le has bit the dust. Gone, kaput, expired, ceased to be. I kind of want to get a new iMac or possibly a new M1 Mac Mini. Maybe get Pro Tools again or maybe not. I've thought about going with Logic or Audition. But I'm discovering that I can recreate my working procedures that I developed in Pro Tools using some other stuff that I have on my other iMac. The one that's just old. So all of this work was done in ocenaudio and Harrison Mixbus. If I get good at using Mixbus maybe that's all I need. Software like Pro Tools or Logic is really overkill for me. I don't ever use much of what they offer. That's one reason I'm thinking Audition might be the way to go. So, this is a remaster of shn #9248 with short patches from shn #123022. In the earlier notes for this show there is no mention of pitch correction. Let's just hope that it didn't need any. lol I'm sure they were in tune with the piano and the universe. At least the show is in better condition now than it was. Or I'll always think it should have been.....
Transferrer: Dan McDonald
2:53:49
SBD
Rating:
9.33 / 6 ratings
Transferrer:
Dan McDonald
SHNID:
gd1972-11-26.127478.sbd.restore.droncit.flac16
Source:
SBD
Lineage:
This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show
Taper Notes:
View Notes*very small cut at the beginning **La Cucaracha opening _________________________________________________________________ The circulating sources are generally very hissy with very little high frequency material and Very little audience sound as well. So the recording is pretty dead-sounding. According to David Lemieux the only version of this show in the vault is a cassette, so the lineages of the original ShnIDs listing the orginal source as a master reel is most likely incorrect. The show sounds like it was recorded on a cassette player with a dirty record head and using Automatic Level Control. There is a lot of hiss and mechanical noise throughout. Most of it is gone now, but it's still noticeable. Playing in the Band probably has the worst mechanical noise during the quiet parts. That's the ALC doing its thing. For this version: 1. No more cut in Dark Star at "reason tatters" or splice to a different source at 20:00; no cut in Bobby McGee (I used different versions to get pieces that had no problems). I cut approximately 2 seconds out of the space at 14:14 because it didn't seem correct. I think there's a fade out just before that, but I didn't change that, in case I have it wrong. 2. Noisey and clickey pot adjustment in Bird Song was altered by converting to mono (right channel spread across both channels). Someone had overcompensated using the noisey pot, down to almost nothing on the left channel for about half a second. I don't think it's noticeable now. There is still one pot click just before the spot I adjusted, but it was difficult to fix so I left it alone. 3. Too many level and sound modifications and adjustments throughout the show to list. 4. There is a lot going on in this show. You will probably have to adjust each stereo you play it on to get the best sound. You may have to adjust it differently for the first and second sets. 5. Still not great sound, but the best I can do right now unless someone would like to give me access to the cassette masters and I could do a flat transfer. Thanks to: Gary Field, Germain, Dusborne, Frazer, Arfarf, Freak and the people who put the other sources out: Paul Bottiglio, J. Cotsman, and Scott Z. __________________________________________________________________ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 3/26/2014
Transferrer: scottz
1:01:55
SBD
Rating:
10.00 / 1 rating
Transferrer:
scottz
SHNID:
gd1972-11-26.123022.sbd.flac
Taper Notes:
View NotesVersion One: This version is the same as db entry 9248, but has a much better patch done in the apex of the Dark Star (right after 20:00 min). Alternate Version: This alternate version has no cut in Dark Star, but is slightly hissier than the previous version. If you haven't heard this Dark Star, do yourself a favor and listen! The Feelin' Groovy jam that starts up around 19:30 is really unbelievable! Scott Z (metawhy AT yahoo.com) 11/30/12
Source 5 of 5
2:52:01
SBD
Rating:
7.83 / 12 ratings
SHNID:
gd72-11-26.sbd.cotsman.9248.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN
Taper Notes:
View NotesSBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul Bottiglio