Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h53972
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k191
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3k398
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.2k284
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.6k569
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k944
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k356
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k127
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.5k289
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h928105
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k506
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k177
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k153
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k295
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.3k260
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k215
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k252
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h18.7k2.4k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21323
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.7k490
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.4k1.5k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h1.9k241
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k180
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.2k165
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h57673
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7811
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h554
7d1368
30d63237
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
3:12:13
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142742.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- This is a fix of shnid=142681 (Playing In The Band) -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:12:12
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142681.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168858.fm.ksan.menke.miller.fixed.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168857.fm.ksan.menke.miller.fixed.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168844.fm.ksan.menke.miller.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168843.fm.ksan.menke.miller.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Tim Dalton
3:18:00
Rating:
10.00 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - This is a remaster of shnid 141329. - It became apparent when Charlie Miller was preparing the sbd for this show that Set II of this source was a little off pitch. That has now been corrected. - I found a small cut in "The Other One" which has now been patched with the sbd. - Pre-Emphasis has now been added to this source Thanks to Joe B. Jones for advice in respect of pitch correction and Rob Eaton for providing the sbd source. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer and subsequent help. edited and remastered SIRMick July 2018
Taper: Tim Dalton
3:16:47
Rating:
10.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - DC offset removed. - Low level hum attentuated. - Patches Several small patches have been made for continuity purposes. "Next Time You See Me" - first 5 seconds "Not Fade Away" through to the end of the show were missing and have been patched on. It was necessary to pitch correct the patches which, of course, come from the only other source in circulation - Thank you George Lanum and Brian Proctor. They also needed to be inverted - During "GDTRFB" and towards the end of "Not Fade Away (reprise)" there is some tape flutter. It's still there but I have been able to reduce it. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer. edited and mastered SIRMick March 2018
Source 9 of 9
2:56:26
Rating:
9.17 / 52 ratings
SHNID:
gd71-12-31.fm.lanum.135.sbeok.shnf
Source:
Soundboard - FM
Lineage:
FM > Reel > Dat > CDR
Taper Notes:
View NotesFM > Reel > Dat > CDR; via G. Lanum