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June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.7k492
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h66895
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.6k356
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1k136
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k219
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.7k473
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k131
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h947105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k213
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k178
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k192
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.7k210
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k258
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4k452
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.2k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.2k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h13.2k1.8k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h63564
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k534
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.8k506
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.9k351
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.3k253
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.4k521
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.5k398
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h51965
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h16021
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42831
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1971
2/24/71
gd71-02-24 t01 Casey Jones
6:29
gd71-02-24 t02 Me & My Uncle
5:08
gd71-02-24 t03 Cumberland Blues
6:28
gd71-02-24 t04 Next Time You See Me
4:27
gd71-02-24 t05 Bird Song
9:46
gd71-02-24 t06 Me & Bobby McGee
6:39
gd71-02-24 t07 Bertha
7:10
gd71-02-24 t08 Hard To Handle
8:33
gd71-02-24 t09 Loser
10:57
gd71-02-24 t10 Playin' In The Band
7:03
gd71-02-24 t11 Good Lovin'
16:50
gd71-02-24 t12 Tuning
1:50
gd71-02-24 t13 Sugar Magnollia
6:18
gd71-02-24 t14 I'm A King Bee
9:12
gd71-02-24 t15 Greatest Story Ever Told
4:14
gd71-02-24 t16 Johnny B. Goode
4:47
gd71-02-24 t17 Deal
5:21
gd71-02-24 t18 New Minglewood Blues
6:08
gd71-02-24 t19 Truckin'
8:57
gd71-02-24 t20 Not Fade Away
3:45
gd71-02-24 t21 Goin' Down The Road Feeling Bad
5:46
gd71-02-24 t22 Not Fade Away
5:39
gd71-02-24 t23 Turn On Your Lovelight
19:51
FIN
View on archive.org
Sources
Taper: Betty Cantor
2:51:18
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1971-02-24.140834.sbd.betty.pcm.miller.clugston.flac1644
Source:
Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the source PCM - Thanks to Charlie Miller for the transfer - Beginning of "Casey Jones" clipped - Reel flip at the beginning of "Not Fade Away" has been smoothed in much the same way as the WBOTB release - the noodle into "Not Fade Away" is incomplete, impossible to say how much is missing, most likely less than a minute - "Just write out your requests on $1000 dollar bills and pass 'em up to the front like good boys, we'll be glad to honor them " Mastered by Scott Clugston January 25, 2018 Set I: 01 //Casey Jones 02 Me And My Uncle 03 Cumberland Blues 04 Next Time You See Me 05 Bird Song 06 Me And Bobby McGee 07 Bertha 08 Hard To Handle 09 Loser 10 Playing In The Band 11 Good Lovin' > Drums > Good Lovin'
Transferrer: Charlie Miller
2:52:13
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Master Reel transferred to CD at the Mastering Plant in L.A.
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:51:11
SBD
Rating:
8.00 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by Chris Ladner.
SHNID:
gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View Notes- First note of "Casey Jones" clipped.
Transferrer: Leigh Orf and Bob Clevenger
4:51:34
SBD
Rating:
6.00 / 1 rating
Transferrer:
Leigh Orf and Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6190.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf
Transferrer: Lee Orf;retracked by Bob Clevenger
2:25:49
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Lee Orf;retracked by Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf ************************* Further note: I retracked this show so that it fits each set onto one CDR. I don't believe any changes were made to the shn's but the MD5's are new. Bob Clevenger [email protected]
Transferrer: Leigh Orf
2:51:34
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-24.sbd.orf.114.sbeok.shnf
Source:
Soundboard
Taper Notes:
View Notesvia Leigh Orf; <a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source > distortion removed digitally (see <a href="http://orf.cx/notch.html" rel="ugc nofollow">notes</a>) The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades.
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162394.akgd1909e.weinberg.lamarre.vernon.sirmick.flac16
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg
44:46
Taper:
Marty Weinberg
Transferrer:
Rob Berger, Michael Parish, Morgan Evans
SHNID:
gd1971-02-24.125171.Weinberg-parish-evans-berger.flac16
Source:
akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
Taper Notes:
View Notesnotes: superb.