Bands
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Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h764105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66293
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k507
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k361
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.3k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k344
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k373
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k249
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h937104
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k211
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k147
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k204
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k224
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.4k306
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.2k664
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k187
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k284
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.6k499
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h76278
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k597
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.5k422
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k950
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k358
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h42953
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23118
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h493
7d1026
30d57334
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
3:12:13
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142742.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- This is a fix of shnid=142681 (Playing In The Band) -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:12:12
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142681.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168858.fm.ksan.menke.miller.fixed.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168857.fm.ksan.menke.miller.fixed.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168844.fm.ksan.menke.miller.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168843.fm.ksan.menke.miller.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Tim Dalton
3:18:00
Rating:
10.00 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - This is a remaster of shnid 141329. - It became apparent when Charlie Miller was preparing the sbd for this show that Set II of this source was a little off pitch. That has now been corrected. - I found a small cut in "The Other One" which has now been patched with the sbd. - Pre-Emphasis has now been added to this source Thanks to Joe B. Jones for advice in respect of pitch correction and Rob Eaton for providing the sbd source. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer and subsequent help. edited and remastered SIRMick July 2018
Taper: Tim Dalton
3:16:47
Rating:
10.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - DC offset removed. - Low level hum attentuated. - Patches Several small patches have been made for continuity purposes. "Next Time You See Me" - first 5 seconds "Not Fade Away" through to the end of the show were missing and have been patched on. It was necessary to pitch correct the patches which, of course, come from the only other source in circulation - Thank you George Lanum and Brian Proctor. They also needed to be inverted - During "GDTRFB" and towards the end of "Not Fade Away (reprise)" there is some tape flutter. It's still there but I have been able to reduce it. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer. edited and mastered SIRMick March 2018
Source 9 of 9
2:56:26
Rating:
9.17 / 52 ratings
SHNID:
gd71-12-31.fm.lanum.135.sbeok.shnf
Source:
Soundboard - FM
Lineage:
FM > Reel > Dat > CDR
Taper Notes:
View NotesFM > Reel > Dat > CDR; via G. Lanum