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Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h57778
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.9k242
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.4k308
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h1.6k208
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h2.9k417
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k125
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.9k217
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h69279
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k181
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h5k584
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k157
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k133
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.7k216
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h2.7k311
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.4k200
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h17.3k2.3k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h10.6k1.5k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h33435
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h4.1k552
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h9.7k1.3k
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k258
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k192
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.8k194
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.1k174
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h73792
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9715
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h40826
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h664
7d1076
30d59434
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
3:12:13
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142742.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- This is a fix of shnid=142681 (Playing In The Band) -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:12:12
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142681.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168858.fm.ksan.menke.miller.fixed.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168857.fm.ksan.menke.miller.fixed.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168844.fm.ksan.menke.miller.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168843.fm.ksan.menke.miller.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Tim Dalton
3:18:00
Rating:
10.00 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - This is a remaster of shnid 141329. - It became apparent when Charlie Miller was preparing the sbd for this show that Set II of this source was a little off pitch. That has now been corrected. - I found a small cut in "The Other One" which has now been patched with the sbd. - Pre-Emphasis has now been added to this source Thanks to Joe B. Jones for advice in respect of pitch correction and Rob Eaton for providing the sbd source. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer and subsequent help. edited and remastered SIRMick July 2018
Taper: Tim Dalton
3:16:47
Rating:
10.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - DC offset removed. - Low level hum attentuated. - Patches Several small patches have been made for continuity purposes. "Next Time You See Me" - first 5 seconds "Not Fade Away" through to the end of the show were missing and have been patched on. It was necessary to pitch correct the patches which, of course, come from the only other source in circulation - Thank you George Lanum and Brian Proctor. They also needed to be inverted - During "GDTRFB" and towards the end of "Not Fade Away (reprise)" there is some tape flutter. It's still there but I have been able to reduce it. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer. edited and mastered SIRMick March 2018
Source 9 of 9
2:56:26
Rating:
9.17 / 52 ratings
SHNID:
gd71-12-31.fm.lanum.135.sbeok.shnf
Source:
Soundboard - FM
Lineage:
FM > Reel > Dat > CDR
Taper Notes:
View NotesFM > Reel > Dat > CDR; via G. Lanum