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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
3:12:13
SBD
Rating:
10.00 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142742.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- This is a fix of shnid=142681 (Playing In The Band) -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
3:12:12
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-12-31.142681.sbd.miller.flac1648
Source:
SBD > Master Reel > Dat (48k)
Lineage:
Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 >Samplitude Pro X3 Suite > FLAC/
Taper Notes:
View NotesNotes: -- Most of the first set tunings were edited out on Rob's Dat -- The mix for El Paso is all over the place -- Donna's first show (One More Saturday Night) -- The patch source for The Other One has a cut 3 seconds into it -- The patch source was remastered to better match the soundboard -- Thanks to Rob Eaton for the Dats -- Thanks to Tim Dalton and SIRMick for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168858.fm.ksan.menke.miller.fixed.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Recording by Bob Menke
3:30:49
Taper:
Recording by Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 21, 2024
SHNID:
gd1971-12-31.168857.fm.ksan.menke.miller.fixed.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Fixed a dropout in Big River -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168844.fm.ksan.menke.miller.flac2496
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Bob Menke
3:30:49
Taper:
Bob Menke
Transferrer:
Transfer by Bob Menke Mastering by Charlie Miller [email protected] September 18, 2024
SHNID:
gd1971-12-31.168843.fm.ksan.menke.miller.flac1648
Source:
FM (KSAN-FM) > Master Reel (Teac/3.75ips)
Lineage:
Transfer Info: Master Reel (Technics 1506) > Behringer Ultralink Pro MX882 > KORG MR-2000S (DSF 1-bit/5.6MHz) > KORG AudioGate (WAV 24-bit/96k) Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite (16-bit/48k) > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Bob Menke for sharing his recording -- Thanks to Joe B. Jones for confirming the pitch
Taper: Tim Dalton
3:18:00
Rating:
10.00 / 3 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.142687.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - This is a remaster of shnid 141329. - It became apparent when Charlie Miller was preparing the sbd for this show that Set II of this source was a little off pitch. That has now been corrected. - I found a small cut in "The Other One" which has now been patched with the sbd. - Pre-Emphasis has now been added to this source Thanks to Joe B. Jones for advice in respect of pitch correction and Rob Eaton for providing the sbd source. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer and subsequent help. edited and remastered SIRMick July 2018
Taper: Tim Dalton
3:16:47
Rating:
10.00 / 2 ratings
Taper:
Tim Dalton
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1971-12-31.141329.fm.dalton.miller.sirmick.flac1644
Source:
Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
Taper Notes:
View NotesComments - During Set I Weir explained that the organ and piano weren't in tune with each other, and they were going to have to decide which to tune to. Hence the constant tuning breaks. - With Donna Jean Godchaux, her first performance with the boys (1) Notes: - DC offset removed. - Low level hum attentuated. - Patches Several small patches have been made for continuity purposes. "Next Time You See Me" - first 5 seconds "Not Fade Away" through to the end of the show were missing and have been patched on. It was necessary to pitch correct the patches which, of course, come from the only other source in circulation - Thank you George Lanum and Brian Proctor. They also needed to be inverted - During "GDTRFB" and towards the end of "Not Fade Away (reprise)" there is some tape flutter. It's still there but I have been able to reduce it. Thanks to Tim Dalton for this knockout upgrade and to Charlie Miller for the transfer. edited and mastered SIRMick March 2018
Source 9 of 9
2:56:26
Rating:
9.17 / 52 ratings
SHNID:
gd71-12-31.fm.lanum.135.sbeok.shnf
Source:
Soundboard - FM
Lineage:
FM > Reel > Dat > CDR
Taper Notes:
View NotesFM > Reel > Dat > CDR; via G. Lanum