Bands
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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h52069
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.4k221
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k367
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k594
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.5k592
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k369
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k362
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k165
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7.2k856
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k123
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k203
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5.1k592
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k183
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k185
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h9.2k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k244
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.2k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.1k2.1k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37238
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.9k497
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k708
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k375
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k205
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.7k195
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k194
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h49662
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14720
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h31823
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h171
7d1268
30d63237
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:24:50
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105815.flac24
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24
Taper Notes:
View NotesNotes: -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:51
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105814.flac16
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Will Boswells copy Peter Kafer
2:21:40
SBD
Taper:
Will Boswells copy Peter Kafer
Transferrer:
Will Boswell, Matt Smith, Sirmick
SHNID:
gd1971-04-26.145130.sbd.kafer.boswell.smith.sirmick.flac1644
Source:
Master Soundboard Reel 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Taper: Will Boswell, Peter Kafer
2:21:40
SBD
Taper:
Will Boswell, Peter Kafer
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.143159.sbd.kafer.boswell.smith.sirmick.flac2496
Source:
Master Soundboard Rell 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Transferrer: Matt Smith
2:20:29
SBDREMASTER
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.126270.sbd.kafer-boswell-smith.flac16
Source:
MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer;
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013
Taper Notes:
View Noteswith Duane Allman"Big Boss Man", "Wharf Rat" and "Mama Tried" appear on "Skull Fuck Wharf Rat was patched using alternate source
Taper: Will Boswell
2:23:26
SBD
Rating:
9.67 / 6 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.113839.sbd.smith.boswell.flac16
Source:
Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
Taper Notes:
View NotesTuning at the end of tracks *w/ Duane Allman ^speed issue 2:47-2:54 #China Cat starts at 4:26 on track 4 Matt's notes: 'Boss Man' cuts in. could not be patched since there are overdubs or stuff from another show that were edited in from the album 'Mama Tried' and the patch in 'Wharf Rat' from the 'skulls' album(16 tracks).. I Know you Rider cuts out Good Loving cuts in I decided to put this out for a number of reasons but mainly it's a big improvement as to what circulates. The main reason being Will's reels are in prime condition and have never had to be baked over a number of times. The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them.. According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden "purchased" the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973. Will's are 7.5 ips. and Pat's are 3.3/4 ips. Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself. I realize in some circles this is considered heresy but it's true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility. We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy! My notes: Big Thanks to Matt, bless you Sir! Cd to Flac dbpoweramp, checksums TLH 5/27/2011 gballen
Transferrer: Bill Gadsden
3:34:07
SBD
Rating:
9.07 / 16 ratings
Transferrer:
Bill Gadsden
SHNID:
gd71-04-26.sbd.murphy.4991.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > Shure line mixers > Sony R2R (7.5 ips) > BASF 90m > Revox B77 > Alesis Masterlink ML9600 > CDR > EAC > SHN
Taper Notes:
View Notes* with Duane Allman GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's <a href="http://students.engr.scu.edu/~joleynic/covers26/" rel="ugc nofollow">covers</a>
Transferrer: Unknown
3:05:07
SBD
Source:
Soundboard
Taper Notes:
View Notes(1) w/ Duane Allman Glitches d2t01 9:37 - static. Not digi-noise, on reel (Hard to Handle) (between songs) d2t02 9:22 - pop or percussion? (Dark Star) d2t03 0:35 - splice Intro cuts to "Everyone says, I'd come to no good" (Wharf) 1:30 - Tape speed major flutter d3t06 5:52-6:27 - left channel drops out (GDTRFB)
Transferrer: shn conversion & ftp uploading by Bob Murphy
3:05:06
SBD
Rating:
10.00 / 5 ratings
Transferrer:
shn conversion & ftp uploading by Bob Murphy
Source:
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
Taper Notes:
View Notes* w/ Duane Allman