Bands
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Bands
Grateful Dead
Today In History
June 9th
9 shows
89 tapes
Years
1995
30.1k
PlaybackListensHours
48h54573
7d7k942
30d30.1k4.2k
49 shows
341 tapes
1994
8.6k
PlaybackListensHours
48h1.4k170
7d1.7k245
30d8.6k1.2k
85 shows
460 tapes
1993
38.4k
PlaybackListensHours
48h2.5k310
7d8.6k1.2k
30d38.4k5.1k
83 shows
656 tapes
1992
36.1k
PlaybackListensHours
48h2.2k281
7d4.5k577
30d36.1k4.8k
57 shows
539 tapes
1991
42k
PlaybackListensHours
48h3.8k541
7d11.8k1.6k
30d42k5.7k
78 shows
973 tapes
1990
35.2k
PlaybackListensHours
48h7.6k939
7d6.7k884
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h2.4k295
7d8.9k1.1k
30d47.8k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k135
7d3.3k377
30d21.8k2.5k
82 shows
882 tapes
1987
35.1k
PlaybackListensHours
48h1.6k173
7d6.6k713
30d35.1k3.8k
88 shows
1,025 tapes
1986
14.3k
PlaybackListensHours
48h63671
7d2.3k259
30d14.3k1.6k
47 shows
683 tapes
1985
21.9k
PlaybackListensHours
48h1.4k165
7d4.8k565
30d21.9k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.6k198
7d3.4k440
30d15.8k2k
67 shows
1,075 tapes
1983
33.7k
PlaybackListensHours
48h1.3k173
7d3.9k502
30d33.7k4.5k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d4.6k569
30d42.1k5.2k
63 shows
753 tapes
1981
52.1k
PlaybackListensHours
48h1.6k200
7d5.7k734
30d52.1k6.5k
92 shows
868 tapes
1980
72.7k
PlaybackListensHours
48h6.7k726
7d13.1k1.5k
30d72.7k8.4k
91 shows
794 tapes
1979
25.8k
PlaybackListensHours
48h1.4k202
7d3.4k480
30d25.8k3.6k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h1.7k232
7d12.2k1.6k
30d56.3k7.7k
87 shows
592 tapes
1977
299.2k
PlaybackListensHours
48h20.2k2.8k
7d40.6k5.5k
30d299.2k41.2k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h3.9k544
7d27.7k3.9k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h64863
7d1.9k184
30d6.3k650
25 shows
63 tapes
1974
99.8k
PlaybackListensHours
48h7.3k963
7d11.5k1.5k
30d99.8k12.6k
42 shows
324 tapes
1973
80.6k
PlaybackListensHours
48h4.3k557
7d11.1k1.5k
30d80.6k10.3k
75 shows
445 tapes
1972
74.3k
PlaybackListensHours
48h2.4k293
7d8.3k1k
30d74.3k9k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.5k172
7d5.8k647
30d34.3k3.9k
82 shows
357 tapes
1970
45.2k
PlaybackListensHours
48h2.9k296
7d17.7k1.8k
30d45.2k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h2k329
7d6.2k1k
30d26.6k3.9k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h837112
7d1.3k156
30d6.8k854
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12817
7d32346
30d1.5k208
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21510
7d1k70
30d8k536
32 shows
78 tapes
1965
592
PlaybackListensHours
48h392
7d1156
30d59235
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:24:50
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105815.flac24
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24
Taper Notes:
View NotesNotes: -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:51
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105814.flac16
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Will Boswells copy Peter Kafer
2:21:40
SBD
Taper:
Will Boswells copy Peter Kafer
Transferrer:
Will Boswell, Matt Smith, Sirmick
SHNID:
gd1971-04-26.145130.sbd.kafer.boswell.smith.sirmick.flac1644
Source:
Master Soundboard Reel 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Taper: Will Boswell, Peter Kafer
2:21:40
SBD
Taper:
Will Boswell, Peter Kafer
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.143159.sbd.kafer.boswell.smith.sirmick.flac2496
Source:
Master Soundboard Rell 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Transferrer: Matt Smith
2:20:29
SBDREMASTER
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.126270.sbd.kafer-boswell-smith.flac16
Source:
MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer;
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013
Taper Notes:
View Noteswith Duane Allman"Big Boss Man", "Wharf Rat" and "Mama Tried" appear on "Skull Fuck Wharf Rat was patched using alternate source
Taper: Will Boswell
2:23:26
SBD
Rating:
9.67 / 6 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.113839.sbd.smith.boswell.flac16
Source:
Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
Taper Notes:
View NotesTuning at the end of tracks *w/ Duane Allman ^speed issue 2:47-2:54 #China Cat starts at 4:26 on track 4 Matt's notes: 'Boss Man' cuts in. could not be patched since there are overdubs or stuff from another show that were edited in from the album 'Mama Tried' and the patch in 'Wharf Rat' from the 'skulls' album(16 tracks).. I Know you Rider cuts out Good Loving cuts in I decided to put this out for a number of reasons but mainly it's a big improvement as to what circulates. The main reason being Will's reels are in prime condition and have never had to be baked over a number of times. The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them.. According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden "purchased" the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973. Will's are 7.5 ips. and Pat's are 3.3/4 ips. Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself. I realize in some circles this is considered heresy but it's true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility. We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy! My notes: Big Thanks to Matt, bless you Sir! Cd to Flac dbpoweramp, checksums TLH 5/27/2011 gballen
Transferrer: Bill Gadsden
3:34:07
SBD
Rating:
9.07 / 16 ratings
Transferrer:
Bill Gadsden
SHNID:
gd71-04-26.sbd.murphy.4991.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > Shure line mixers > Sony R2R (7.5 ips) > BASF 90m > Revox B77 > Alesis Masterlink ML9600 > CDR > EAC > SHN
Taper Notes:
View Notes* with Duane Allman GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's <a href="http://students.engr.scu.edu/~joleynic/covers26/" rel="ugc nofollow">covers</a>
Transferrer: Unknown
3:05:07
SBD
Source:
Soundboard
Taper Notes:
View Notes(1) w/ Duane Allman Glitches d2t01 9:37 - static. Not digi-noise, on reel (Hard to Handle) (between songs) d2t02 9:22 - pop or percussion? (Dark Star) d2t03 0:35 - splice Intro cuts to "Everyone says, I'd come to no good" (Wharf) 1:30 - Tape speed major flutter d3t06 5:52-6:27 - left channel drops out (GDTRFB)
Transferrer: shn conversion & ftp uploading by Bob Murphy
3:05:06
SBD
Rating:
10.00 / 5 ratings
Transferrer:
shn conversion & ftp uploading by Bob Murphy
Source:
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
Taper Notes:
View Notes* w/ Duane Allman