Bands
Featured
Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h61583
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.8k344
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k255
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k437
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k127
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70378
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k167
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.8k445
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k136
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k189
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.5k402
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k214
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k239
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.7k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h38842
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.5k734
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.3k937
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k218
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h857113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32819
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:24:50
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105815.flac24
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24
Taper Notes:
View NotesNotes: -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:24:51
SBD
Rating:
8.50 / 4 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-04-26.sbd.miller.105814.flac16
Source:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips)
Lineage:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Sugar Magnolia, It Hurts Me Too and BIODTL with Duane Allman -- I Know You Rider is cut at "north bound train" -- Thanks to Bill Gadsden for supplying the reels -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Will Boswells copy Peter Kafer
2:21:40
SBD
Taper:
Will Boswells copy Peter Kafer
Transferrer:
Will Boswell, Matt Smith, Sirmick
SHNID:
gd1971-04-26.145130.sbd.kafer.boswell.smith.sirmick.flac1644
Source:
Master Soundboard Reel 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Taper: Will Boswell, Peter Kafer
2:21:40
SBD
Taper:
Will Boswell, Peter Kafer
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.143159.sbd.kafer.boswell.smith.sirmick.flac2496
Source:
Master Soundboard Rell 7.5 ips > Reel - Will Boswells copy Peter Kafer
Lineage:
Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith
Taper Notes:
View NotesNotes: - Patches: "Big Boss Man" - first 2:07.544 "Loser" - 0:17.779-0:21.733 "Wharf Rat" - 0:25.187-2:11.318 and 2:45.765-2:52.314 "Mama Tried" - all patch source used shnid 105815 - Thank you David Gans and Charlie Miller. - Pitch corrected - The dropout in "Goin' Down The Road" has been repaired by increasing the gain in the left channel and removing some artifacts. It does not have the same degree of fidelity as the right channel though. - A number of level adjustments have been made. Thanks to Will Boswell for providing his copy. Thanks to Matt Smith for the transfer. edited and mastered SIRMick September 2018
Transferrer: Matt Smith
2:20:29
SBDREMASTER
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.126270.sbd.kafer-boswell-smith.flac16
Source:
MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer;
Lineage:
Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013
Taper Notes:
View Noteswith Duane Allman"Big Boss Man", "Wharf Rat" and "Mama Tried" appear on "Skull Fuck Wharf Rat was patched using alternate source
Taper: Will Boswell
2:23:26
SBD
Rating:
9.67 / 6 ratings
Taper:
Will Boswell
Transferrer:
Matt Smith
SHNID:
gd1971-04-26.113839.sbd.smith.boswell.flac16
Source:
Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
Taper Notes:
View NotesTuning at the end of tracks *w/ Duane Allman ^speed issue 2:47-2:54 #China Cat starts at 4:26 on track 4 Matt's notes: 'Boss Man' cuts in. could not be patched since there are overdubs or stuff from another show that were edited in from the album 'Mama Tried' and the patch in 'Wharf Rat' from the 'skulls' album(16 tracks).. I Know you Rider cuts out Good Loving cuts in I decided to put this out for a number of reasons but mainly it's a big improvement as to what circulates. The main reason being Will's reels are in prime condition and have never had to be baked over a number of times. The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them.. According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden "purchased" the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973. Will's are 7.5 ips. and Pat's are 3.3/4 ips. Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself. I realize in some circles this is considered heresy but it's true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility. We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy! My notes: Big Thanks to Matt, bless you Sir! Cd to Flac dbpoweramp, checksums TLH 5/27/2011 gballen
Transferrer: Bill Gadsden
3:34:07
SBD
Rating:
9.07 / 16 ratings
Transferrer:
Bill Gadsden
SHNID:
gd71-04-26.sbd.murphy.4991.sbefail.shnf
Source:
Soundboard
Lineage:
SBD > MR > Shure line mixers > Sony R2R (7.5 ips) > BASF 90m > Revox B77 > Alesis Masterlink ML9600 > CDR > EAC > SHN
Taper Notes:
View Notes* with Duane Allman GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's <a href="http://students.engr.scu.edu/~joleynic/covers26/" rel="ugc nofollow">covers</a>
Transferrer: Unknown
3:05:07
SBD
Source:
Soundboard
Taper Notes:
View Notes(1) w/ Duane Allman Glitches d2t01 9:37 - static. Not digi-noise, on reel (Hard to Handle) (between songs) d2t02 9:22 - pop or percussion? (Dark Star) d2t03 0:35 - splice Intro cuts to "Everyone says, I'd come to no good" (Wharf) 1:30 - Tape speed major flutter d3t06 5:52-6:27 - left channel drops out (GDTRFB)
Transferrer: shn conversion & ftp uploading by Bob Murphy
3:05:06
SBD
Rating:
10.00 / 5 ratings
Transferrer:
shn conversion & ftp uploading by Bob Murphy
Source:
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
Taper Notes:
View Notes* w/ Duane Allman