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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1971
Sources
Taper: Rob Eaton, Steve Whitaker
2:33:22
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton, Steve Whitaker
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1971-04-06.152611.sbd.betty.eaton.miller.clugston.flac16
Source:
Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Lineage:
DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the digital transfer of Steve Whitaker's PCM/0 source. Rob made this DAT for Dick Latvala, who later gave it to David Gans, who later gave it to Charlie Miller - Thanks to Charlie Miller for the DAT transfer and coordinating this effort - Tape flips in "Playin' In The Band", between "Johnny B. Goode" and "Loser" causing the beginning of "Loser" to be clipped, and "Goin' Down The Road Feeling Bad" - First "Oh Boy" - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Betty Cantor
2:34:33
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Steve Martin,Matt SMith, Sirmick, Scott Clugston
SHNID:
gd1971-04-06.154656.sbd.betty.martin.smith.clugston.sirmick.flac16
Source:
Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage:
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
Taper Notes:
View NotesTHE BETTYS RESTORATION PROJECT Upon recognizing that the Betty tapes were Dolby and DBX encoded I gave out samples of the reencoded tape samples to the inner circle. When I got the original tapes to decode I decided to make safety copies with nothing decoded. It seemed to me that the technology would eventually improve and someday better copies could yet be made. I had a Japanese musician friend send me a Sony D-10 pro DAT deck at a wholesale price, there were no versions of this deck in the States at this point of time. Thus, I made copies with no decoding along with the decoded versions on PCM Beta. The versions I sent out to collectors at this point in 1987 were from the Beta sources decoded. I wore out a lot of decks making copies. Being a long time friend of Dick Latvala I told him about Betty's tapes being auctioned off. He thought at first I was full of shit. At that time I tried to get the tapes back to the Dead... I'm glad that eventually that happened. Meanwhile my DAT copies sat in their boxes. I made a very few copies of those tapes for a couple friends. Now in 2021 Matt Smith has gone to great lengths to repair and playback these DAT's. I thank him greatly for his hard work in striving for the greatest fidelity offered in these tapes. Turn up the volume and dance to these new copies you crazy hippies, I know I am. Oh yes, there is more music to come from Matt and I. Steven Martin This has turned out to be a restoration project as DAT tapes from 1987 have turned out to be extremely fragile. I’ve painstakingly repaired and spliced numerous tapes for them in order to play. I manually rewind instead of using the deck just to insure the tape won’t snap and sometimes they’ve snapped just doing that. What I’m hearing is IMHO the best sounding transfers of the Betty’s. Incredibly clean with crisp highs and better low end. Matt Smith - Pitch corrected - A number of small dropouts have been repaired - A small cluster of digital errors in "Truckin" have been patched with shn id 152611 - "PITB" and "Loser" have been patched with Jerry Moore's reel - Thanks to Rob Berger Original transfer - Steve Martin Final transfer - Matt Smith Pitch correction - Scott Clugston Editing and mastering - SIRMick December 2021
Transferrer: Jamie Waddell and Matt Smith
2:17:15
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1971-04-06.sbd.ifthir.smith.gems.109026.flac24
Taper: Betty Cantor
2:35:07
SBD
Rating:
10.00 / 8 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-06.sbd.cantor.gmb.96299.flac16
Source:
7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesSource/Mastering Notes: The unfortunate cuts in Playing In The Band, Loser and Goin' Down The Road remain but were edited by cutting out tape squeeze and smoothed over with very minor fades and no crossfades. Drop outs for other reel changes were removed and crossfaded before Dire Wolf, Loser and Not Fade Away
Transferrer: Dan Stephens
2:35:00
SBD
Rating:
8.33 / 12 ratings
Transferrer:
Dan Stephens
SHNID:
gd71-04-06.sbd.stephens.18735.sbeok.shnf
Source:
Soundboard
Lineage:
7inch 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz > analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) > PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 > Audiophile 2496 > SoundForge 6.0 (48>44.1) > CD Wave > SHN
Taper Notes:
View Notes* first "Oh Boy" ** last "I'm A Hog For You Baby": 03/25/66 [634 shows] This seed is a direct copy from a DAT WBOTB (11/1996) source. No whine removal, no noise reduction, no remastering, no fades, jarring reel flips left intact.
Transferrer: Mike Lai
2:35:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Mike Lai
SHNID:
gd1971-04-06.sbd.lai.118.sbefail.shnf
Source:
Soundboard
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170450.aud.lamarre.vernon.andrewF.flac2496
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170449.aud.lamarre.vernon.andrewF.flac1648
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Transferrer: Rob Berger
1:30:00
Rating:
6.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1971-04-06.aud.berger.100040.flac16
Lineage:
mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac