Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h55073
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k187
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3k411
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.2k292
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.6k575
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k944
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k359
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k127
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k292
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h935106
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k211
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k504
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k177
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k153
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k298
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.3k265
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k215
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k251
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.3k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h19.1k2.5k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k494
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.5k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h1.9k242
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k182
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k168
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56472
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h7811
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h47330
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h554
7d1368
30d63237
2 shows
2 tapes
1971
Sources
Taper: Rob Eaton, Steve Whitaker
2:33:22
SBD
Rating:
10.00 / 2 ratings
Taper:
Rob Eaton, Steve Whitaker
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1971-04-06.152611.sbd.betty.eaton.miller.clugston.flac16
Source:
Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Lineage:
DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the digital transfer of Steve Whitaker's PCM/0 source. Rob made this DAT for Dick Latvala, who later gave it to David Gans, who later gave it to Charlie Miller - Thanks to Charlie Miller for the DAT transfer and coordinating this effort - Tape flips in "Playin' In The Band", between "Johnny B. Goode" and "Loser" causing the beginning of "Loser" to be clipped, and "Goin' Down The Road Feeling Bad" - First "Oh Boy" - Thanks to Joe B. Jones for his assistance with the pitch correction
Taper: Betty Cantor
2:34:33
SBD
Rating:
10.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Steve Martin,Matt SMith, Sirmick, Scott Clugston
SHNID:
gd1971-04-06.154656.sbd.betty.martin.smith.clugston.sirmick.flac16
Source:
Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage:
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
Taper Notes:
View NotesTHE BETTYS RESTORATION PROJECT Upon recognizing that the Betty tapes were Dolby and DBX encoded I gave out samples of the reencoded tape samples to the inner circle. When I got the original tapes to decode I decided to make safety copies with nothing decoded. It seemed to me that the technology would eventually improve and someday better copies could yet be made. I had a Japanese musician friend send me a Sony D-10 pro DAT deck at a wholesale price, there were no versions of this deck in the States at this point of time. Thus, I made copies with no decoding along with the decoded versions on PCM Beta. The versions I sent out to collectors at this point in 1987 were from the Beta sources decoded. I wore out a lot of decks making copies. Being a long time friend of Dick Latvala I told him about Betty's tapes being auctioned off. He thought at first I was full of shit. At that time I tried to get the tapes back to the Dead... I'm glad that eventually that happened. Meanwhile my DAT copies sat in their boxes. I made a very few copies of those tapes for a couple friends. Now in 2021 Matt Smith has gone to great lengths to repair and playback these DAT's. I thank him greatly for his hard work in striving for the greatest fidelity offered in these tapes. Turn up the volume and dance to these new copies you crazy hippies, I know I am. Oh yes, there is more music to come from Matt and I. Steven Martin This has turned out to be a restoration project as DAT tapes from 1987 have turned out to be extremely fragile. I’ve painstakingly repaired and spliced numerous tapes for them in order to play. I manually rewind instead of using the deck just to insure the tape won’t snap and sometimes they’ve snapped just doing that. What I’m hearing is IMHO the best sounding transfers of the Betty’s. Incredibly clean with crisp highs and better low end. Matt Smith - Pitch corrected - A number of small dropouts have been repaired - A small cluster of digital errors in "Truckin" have been patched with shn id 152611 - "PITB" and "Loser" have been patched with Jerry Moore's reel - Thanks to Rob Berger Original transfer - Steve Martin Final transfer - Matt Smith Pitch correction - Scott Clugston Editing and mastering - SIRMick December 2021
Transferrer: Jamie Waddell and Matt Smith
2:17:15
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Jamie Waddell and Matt Smith
SHNID:
gd1971-04-06.sbd.ifthir.smith.gems.109026.flac24
Taper: Betty Cantor
2:35:07
SBD
Rating:
10.00 / 8 ratings
Taper:
Betty Cantor
Transferrer:
Bill Koucky
SHNID:
gd1971-04-06.sbd.cantor.gmb.96299.flac16
Source:
7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz
Lineage:
Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Taper Notes:
View NotesSource/Mastering Notes: The unfortunate cuts in Playing In The Band, Loser and Goin' Down The Road remain but were edited by cutting out tape squeeze and smoothed over with very minor fades and no crossfades. Drop outs for other reel changes were removed and crossfaded before Dire Wolf, Loser and Not Fade Away
Transferrer: Dan Stephens
2:35:00
SBD
Rating:
8.33 / 12 ratings
Transferrer:
Dan Stephens
SHNID:
gd71-04-06.sbd.stephens.18735.sbeok.shnf
Source:
Soundboard
Lineage:
7inch 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz > analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) > PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4 > Audiophile 2496 > SoundForge 6.0 (48>44.1) > CD Wave > SHN
Taper Notes:
View Notes* first "Oh Boy" ** last "I'm A Hog For You Baby": 03/25/66 [634 shows] This seed is a direct copy from a DAT WBOTB (11/1996) source. No whine removal, no noise reduction, no remastering, no fades, jarring reel flips left intact.
Transferrer: Mike Lai
2:35:30
SBD
Rating:
10.00 / 3 ratings
Transferrer:
Mike Lai
SHNID:
gd1971-04-06.sbd.lai.118.sbefail.shnf
Source:
Soundboard
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170450.aud.lamarre.vernon.andrewF.flac2496
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Taper: Tape provided by Doug Lamarre
1:26:18
Taper:
Tape provided by Doug Lamarre
Transferrer:
Transfer By: Matt Vernon Mastering by: Andrew F
SHNID:
gd1971-04-06.170449.aud.lamarre.vernon.andrewF.flac1648
Taper Notes:
View NotesNotes: - Here's a listenable stereo AUD; unusual for the period, it includes the between-song turnings. - The taper is heard speaking softly on-mic before Dire Wolf, it appears he arrived late. - Small ID-100040 patches; PITB 3:22 > 3:24, Midnight Hour 7:38 > 7:40, Loser 5:29 > 5:32. - Minor speed issues remain, particularly in Midnight Hour and Loser. - About 6:30 missing from the end of Good Lovin', this was left unpatched. - Wavelab used for patching, slight EQ, speed & gain adjustments. Comment 'Dance Marathon' - Other artist(s): NRPS
Transferrer: Rob Berger
1:30:00
Rating:
6.00 / 1 rating
Transferrer:
Rob Berger
SHNID:
gd1971-04-06.aud.berger.100040.flac16
Lineage:
mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac