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June 14th
Years
1995
30.1k
PlaybackListensHours
48h46562
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k300
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.5k317
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.9k384
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3k395
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.9k384
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k349
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.6k936
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1k114
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2k237
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.2k604
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k169
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k195
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k225
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.8k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.6k226
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.8k241
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.5k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11.1k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37239
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k475
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5k665
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k190
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k218
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.4k214
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h66582
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h9014
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h25019
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h362
7d1037
30d62737
2 shows
2 tapes
1971
2/24/71
Casey Jones
5:14
Cumberland Blues
4:56
Me//And Bobby McGee
5:47
Bertha
5:16
Hard To Handle
6:44
Playing In The Band
4:22
Sugar Magnolia
5:23
I'm A King Bee
4:28
I'm A King Bee continued
2:15
Greatest Story Ever Told >
3:18
Johnny B. Goode
3:36
Deal
4:24
New Minglewood Blues
4:10
Turn//On Your Love Light
18:01
FIN
View on archive.org
Sources
Taper: Betty Cantor
2:51:18
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1971-02-24.140834.sbd.betty.pcm.miller.clugston.flac1644
Source:
Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the source PCM - Thanks to Charlie Miller for the transfer - Beginning of "Casey Jones" clipped - Reel flip at the beginning of "Not Fade Away" has been smoothed in much the same way as the WBOTB release - the noodle into "Not Fade Away" is incomplete, impossible to say how much is missing, most likely less than a minute - "Just write out your requests on $1000 dollar bills and pass 'em up to the front like good boys, we'll be glad to honor them " Mastered by Scott Clugston January 25, 2018 Set I: 01 //Casey Jones 02 Me And My Uncle 03 Cumberland Blues 04 Next Time You See Me 05 Bird Song 06 Me And Bobby McGee 07 Bertha 08 Hard To Handle 09 Loser 10 Playing In The Band 11 Good Lovin' > Drums > Good Lovin'
Transferrer: Charlie Miller
2:52:13
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Master Reel transferred to CD at the Mastering Plant in L.A.
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:51:11
SBD
Rating:
8.00 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by Chris Ladner.
SHNID:
gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View Notes- First note of "Casey Jones" clipped.
Transferrer: Leigh Orf and Bob Clevenger
4:51:34
SBD
Rating:
6.00 / 1 rating
Transferrer:
Leigh Orf and Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6190.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf
Transferrer: Lee Orf;retracked by Bob Clevenger
2:25:49
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Lee Orf;retracked by Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf ************************* Further note: I retracked this show so that it fits each set onto one CDR. I don't believe any changes were made to the shn's but the MD5's are new. Bob Clevenger [email protected]
Transferrer: Leigh Orf
2:51:34
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-24.sbd.orf.114.sbeok.shnf
Source:
Soundboard
Taper Notes:
View Notesvia Leigh Orf; <a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source > distortion removed digitally (see <a href="http://orf.cx/notch.html" rel="ugc nofollow">notes</a>) The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades.
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162394.akgd1909e.weinberg.lamarre.vernon.sirmick.flac16
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg
44:46
Taper:
Marty Weinberg
Transferrer:
Rob Berger, Michael Parish, Morgan Evans
SHNID:
gd1971-02-24.125171.Weinberg-parish-evans-berger.flac16
Source:
akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
Taper Notes:
View Notesnotes: superb.