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June 7th
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1971
2/24/71
Casey Jones
5:11
Me & My Uncle
4:27
Cumberland Blues
5:04
Next Time You See Me
3:34
Bird Song
7:46
Me And Bobbie McGee
6:04
Bertha
5:26
Hard To Handle
6:36
Loser
6:07
Playin' In The Band
4:28
Good Lovin' -> Drums -> Good Lovin'
17:05
tuning
0:10
Sugar Magnolia
5:37
I'm A King Bee
7:30
Greatest Story Ever Told ->
4:13
Johnny B. Goode
4:00
Deal
4:41
New Minglewood Blues
4:16
Truckin'
8:39
Not Fade Away ->
3:33
Goin' Down The Road Feelin' Bad ->
9:06
Not Fade Away ->
2:23
Turn On Your Lovelight
19:53
FIN
View on archive.org
Sources
Taper: Betty Cantor
2:51:18
SBD
Rating:
8.00 / 1 rating
Taper:
Betty Cantor
Transferrer:
Charlie Miller and Scott Clugston
SHNID:
gd1971-02-24.140834.sbd.betty.pcm.miller.clugston.flac1644
Source:
Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Charlie Miller for the source PCM - Thanks to Charlie Miller for the transfer - Beginning of "Casey Jones" clipped - Reel flip at the beginning of "Not Fade Away" has been smoothed in much the same way as the WBOTB release - the noodle into "Not Fade Away" is incomplete, impossible to say how much is missing, most likely less than a minute - "Just write out your requests on $1000 dollar bills and pass 'em up to the front like good boys, we'll be glad to honor them " Mastered by Scott Clugston January 25, 2018 Set I: 01 //Casey Jones 02 Me And My Uncle 03 Cumberland Blues 04 Next Time You See Me 05 Bird Song 06 Me And Bobby McGee 07 Bertha 08 Hard To Handle 09 Loser 10 Playing In The Band 11 Good Lovin' > Drums > Good Lovin'
Transferrer: Charlie Miller
2:52:13
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-24.121065.sbd.miller.digitalrbb.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Master Reel transferred to CD at the Mastering Plant in L.A.
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:51:11
SBD
Rating:
8.00 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by Chris Ladner.
SHNID:
gd1971-02-24.sbd.cantor-crouch-diebert-gmb.87570.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View Notes- First note of "Casey Jones" clipped.
Transferrer: Leigh Orf and Bob Clevenger
4:51:34
SBD
Rating:
6.00 / 1 rating
Transferrer:
Leigh Orf and Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6190.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. Remastered by Leigh Orf The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf
Transferrer: Lee Orf;retracked by Bob Clevenger
2:25:49
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Lee Orf;retracked by Bob Clevenger
SHNID:
gd1971-02-24.sbd.clevenger.6189.sbefail.shnf
Source:
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Taper Notes:
View NotesThe short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://members.home.net/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the originnal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades. Leigh Orf ************************* Further note: I retracked this show so that it fits each set onto one CDR. I don't believe any changes were made to the shn's but the MD5's are new. Bob Clevenger [email protected]
Transferrer: Leigh Orf
2:51:34
SBD
Rating:
8.00 / 4 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-24.sbd.orf.114.sbeok.shnf
Source:
Soundboard
Taper Notes:
View Notesvia Leigh Orf; <a href="http://www.oakland.edu/~crouch/wbotb.htm" rel="ugc nofollow">WBOTB</a> source > distortion removed digitally (see <a href="http://orf.cx/notch.html" rel="ugc nofollow">notes</a>) The short story: 1) I removed the whine (~8000 kHz tone at about +25 dB) from this show that was present with the source reels using Sonic Foundry's Noise Reduction algorithm, as I did with the earlier uploaded Port Chester shows (2/18 and 2/21). For an explanation of the noise and how I removed it, see http://www.mailbag.com/users/orf/notch.html 2) There are a couple of very minor dropouts/glitches which I have cleaned up as well as I can. These occurred when the DAT tape was "ripped" to disk. 3) This show is as good as you're gonna get as far as I know because of the NR and the excellent remastering from the orinal reels! 4) I've kept in all the intersong tuning/whatever. I figure others can edit them down if the wish. I like having it there, sometimes funny things are said and done :) plus you can always just hit FFWD on your CD player remote to get to the next song! The long story with regards to 2) above: The DAT tape, a clone from the "whatever became of the bettys" tree a while back, was borrowed and was read in on an old SGI indigo which has firmware which can read DAT audio tapes and dump them to 48 kHz AIFF files. Alas, I do not own a DAT machine and digital sound card, but I am saving my money! Anyhow, the error correction on the SGI DAT drive was pretty crappy, and there were a few dropouts/glitches on the read which lasted anywhere from less than 1/75 s to a second or two. I have at my behest a professional quality DAT machine at a community radio station I volunteer for (WORT) and brought my home tape deck in which is a Harmon Kardon TD 4600, one of the earlier Dolby S decks (WORT does not have a computer with a digital sound card). It is a very good deck for analogue. The DAT deck at WORT was able to handle *almost* all of the bad spots that were not handled well by the SGI. I made a dobly S copy of the bad spots, and pasted over (using an analogue AWE64 Soundblaster to go A->D) the glitches/droputs on the SGI read using Sound Forge. The result is as good as i could do. You won't even hear most of the original glitches, and the ones that remain were due to bad spots on the DAT, that the WORT deck was unable to handle. Bear in mind that the total amount I had to paste over represent a total of about 15 seconds across the entire show, and I was able to 'fix' 99% of them completely. There are one or two dropouts/bad reads that are very short (mostly in Casey Jones which Betty fucked up anyway ;) For the curious I left about 1 second of the original noise that I filtered out. It's at the very very end of track 1 on disk 2 after the crowd noise fades.
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162395.akgd1909e.weinberg.lamarre.vernon.sirmick.flac24
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > CD Wave > flac24
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg? From the collection of Doug Lamarre
1:17:54
Taper:
Marty Weinberg? From the collection of Doug Lamarre
Transferrer:
Matt Vernon, SirMick
SHNID:
gd1971-02-24.162394.akgd1909e.weinberg.lamarre.vernon.sirmick.flac16
Lineage:
Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 Hz) > Tascam Hi Res Editor (DSF concatenate & 24/96 PCM) Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 10 Advanced > iZotope Neutron 3 Advanced > iZotope RX 10 Advanced > wav 16/44.1 > CD Wave > flac16
Taper Notes:
View NotesComments: - After they have played "Casey Jones" or it could be after "Me And My Uncle" somebody is trying to guess the next track. Could it be Marty Weinberg? Same voice comments after Love Light. Notes: - This derives from the same source as shnid but we get 6 more songs from Set II. - All tracks have been speed corrected and some wow and flutter has been repaired. - The sounds varies, possibly it has been put together from tapes of different generations. I have tried to match it up as far as possible. - There is about 1:38 missing with the cut in "Love Light." The parts have been crossfaded together. - Most tracks are clipped at the start. Thanks to Doiug Lamarre for this source. Thanks to Matt Vernon for the transfer and facilitatings edited and mastered SIRMick January 2023
Taper: Marty Weinberg
44:46
Taper:
Marty Weinberg
Transferrer:
Rob Berger, Michael Parish, Morgan Evans
SHNID:
gd1971-02-24.125171.Weinberg-parish-evans-berger.flac16
Source:
akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
Taper Notes:
View Notesnotes: superb.