Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h54973
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.4k178
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k432
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.5k330
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k631
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h6.9k863
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k348
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.8k314
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h982111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k212
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4k474
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k174
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.3k289
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.5k284
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k210
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h9.9k1.3k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h19.7k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h20522
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k499
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h9.8k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.1k261
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.6k181
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k167
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56871
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9414
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48431
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h322
7d1368
30d63237
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:51:22
SBD
Rating:
8.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-21.sbd.miller.116618.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 2 of 7
2:49:16
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1971-02-21.sbd.orf.98034.flac16
Source:
SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R;
Taper Notes:
View Notes03/19/09 : This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:46:17
SBD
Rating:
8.89 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by C.Ladner.
SHNID:
gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View NotesThere are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
Transferrer: Leigh Orf
2:49:16
SBD
Rating:
8.53 / 15 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-21.sbd.lunz.1980.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Taper Notes:
View NotesSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from <a href="http://db.etree.org/shninfo_detail.php?shnid=112" rel="ugc nofollow">previously-circulating</a> Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different. The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Taper: John Pape
1:48:27
Taper:
John Pape
Transferrer:
Doug Rice, AndrewF
SHNID:
gd1971-02-21.177600.aud.pape.rice.andrewF.flac2448
Source:
AUD > Mono MAR(?) > ? > 7-inch Reel, via the John Pape Collection, dubbed in the mid-70's.
Lineage:
cotch 202 Dynarange > Technics 1506 > Komplete-6 interface > Audacity 2448 capture > Izotope-RX (De-hum) > Wavelab (gain & speed adjustments, edits) > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Andrew F, May 2026.
Taper Notes:
View NotesNotes: - This recording does not match the one found on ID-123830/123885. - Antique tape, runs the gamut of issues: speed variations, drop-outs, garbled passages; most adjusted, some not repairable. - Missing about 90-seconds in the China Cat > IKYR transition jam; also, tape stopped briefly at start of SSDD - All tracks start & end abruptly as the taper operated the recorder, with a few seconds missing in most cases. - THANKS to Doug Rice for the expert transfer to WAV from old shedding, mildewed reels!
Taper: Jim Cooper
2:26:45
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123885.aud.cooper.berger.flac16
Taper Notes:
View NotesTHIS IS AN IMPROVED TRANSFER so you can delete my recent upload of shn ID 123830 notes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems starting with King Bee and continues as the batteries run down.
Transferrer: Rob Berger
2:27:00
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123830.cooper-berger.flac16
Taper Notes:
View Notesnotes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems towards the end...