Bands
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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h43659
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.2k357
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.5k335
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.9k374
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k375
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k346
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k935
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h898102
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.4k287
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.8k566
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k161
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k189
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k229
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k997
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k209
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k253
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.7k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.6k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h44645
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k481
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k630
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k365
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k189
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.7k211
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k249
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h78997
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11516
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21416
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h352
7d1037
30d62737
2 shows
2 tapes
1971
Sources
Transferrer: Charlie Miller
2:51:22
SBD
Rating:
8.40 / 11 ratings
Transferrer:
Charlie Miller
SHNID:
gd1971-02-21.sbd.miller.116618.flac16
Source:
SBD -> Master Reel -> CD
Lineage:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Joe B. Jones for his help with the pitch correction
Source 2 of 7
2:49:16
SBD
Rating:
10.00 / 1 rating
SHNID:
gd1971-02-21.sbd.orf.98034.flac16
Source:
SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R;
Taper Notes:
View Notes03/19/09 : This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
Taper: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
2:46:17
SBD
Rating:
8.89 / 9 ratings
Taper:
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer.
Transferrer:
Transfer and mastering by C.Ladner.
SHNID:
gd1971-02-21.sbd.cantor-crouch-diebert-gmb.87134.sbeok.flac16
Source:
7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Lineage:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply.
Taper Notes:
View NotesThere are two anomalous frequency peaks throughout both sets and on previous sources. The first is centered between 7 and 8K with a second between 15.5 and 16.3K. The exact frequencies varied between each song during the first set while there were only differences between reel flips in the second set. This required mastering each section with a separate Waves Q10 paragraphic eq setting with supernotch set for the involved frequencies. Also there is some degradation in tape quality around the margins of the tape flip during Wharf Rat. The flip in Wharf Rat was crossfaded. All editing and mastering was done on 24/96 file sets prior to cd-audio rendering with MBIT+.
Transferrer: Leigh Orf
2:49:16
SBD
Rating:
8.53 / 15 ratings
Transferrer:
Leigh Orf
SHNID:
gd71-02-21.sbd.lunz.1980.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Taper Notes:
View NotesSBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from <a href="http://db.etree.org/shninfo_detail.php?shnid=112" rel="ugc nofollow">previously-circulating</a> Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different. The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details.
Taper: John Pape
1:48:27
Taper:
John Pape
Transferrer:
Doug Rice, AndrewF
SHNID:
gd1971-02-21.177600.aud.pape.rice.andrewF.flac2448
Source:
AUD > Mono MAR(?) > ? > 7-inch Reel, via the John Pape Collection, dubbed in the mid-70's.
Lineage:
cotch 202 Dynarange > Technics 1506 > Komplete-6 interface > Audacity 2448 capture > Izotope-RX (De-hum) > Wavelab (gain & speed adjustments, edits) > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Andrew F, May 2026.
Taper Notes:
View NotesNotes: - This recording does not match the one found on ID-123830/123885. - Antique tape, runs the gamut of issues: speed variations, drop-outs, garbled passages; most adjusted, some not repairable. - Missing about 90-seconds in the China Cat > IKYR transition jam; also, tape stopped briefly at start of SSDD - All tracks start & end abruptly as the taper operated the recorder, with a few seconds missing in most cases. - THANKS to Doug Rice for the expert transfer to WAV from old shedding, mildewed reels!
Taper: Jim Cooper
2:26:45
Taper:
Jim Cooper
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123885.aud.cooper.berger.flac16
Taper Notes:
View NotesTHIS IS AN IMPROVED TRANSFER so you can delete my recent upload of shn ID 123830 notes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems starting with King Bee and continues as the batteries run down.
Transferrer: Rob Berger
2:27:00
Transferrer:
Rob Berger
SHNID:
gd1971-02-21.123830.cooper-berger.flac16
Taper Notes:
View Notesnotes: only aud in circulation for this one, many thanks to taper Jim Cooper, tape develops problems towards the end...