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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h66089
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k403
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k309
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k469
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.8k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k311
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k144
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k207
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76886
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k178
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k360
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k147
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k181
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.9k554
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k236
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k255
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h21.1k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k918
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h44847
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k976
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.3k801
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k312
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k197
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k220
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k281
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h956129
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13819
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29016
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1969
12/11/69
Casey Jones
2:02
Cold Rain and Snow
5:05
Mama Tried
5:39
TC plays Bach
3:55
Yellow Dog Story
2:38
Dire Wolf
4:31
It Hurts Me Too
5:22
China Cat Sunflower
7:00
I Know You Rider
4:40
Black Peter
11:37
Me and My Uncle
3:48
Hard To Handle
6:11
Dark Star
21:04
Saint Stephen
12:22
The Eleven
7:30
Cumberland Blues
5:08
Morning Dew
11:02
Next Time You See Me
3:43
Sitting on Top of the World
4:46
Beat it on Down the Line
3:01
Big Boss Man
4:13
Good Lovin'
8:43
High Time
7:49
Dancin' in the Streets
9:44
Easy Wind
6:28
Cryptical Envelopment
2:11
Drums
7:39
The Other One
8:49
Cryptical Envelopment
1:14
Cosmic Charlie
6:44
FIN
View on archive.org
Sources
Transferrer: Dave Greenberg, Jack Warner, Scott Clugston, Jim Powell, Jay Gerland
3:14:38
SBD
Rating:
7.00 / 6 ratings
Transferrer:
Dave Greenberg, Jack Warner, Scott Clugston, Jim Powell, Jay Gerland
SHNID:
gd69-12-11.sbd.gerland.10987.sbeok.shnf
Source:
Soundboard
Lineage:
MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD
Taper Notes:
View NotesCopies from the soundboard reels of these shows have circulated since the '70s, sometimes mislabled "Kaleidoscope Theater, LA," often with dates and sequences mixed up, usually in badly degraded sound quality. This set assembles complete copies of the 11th and the 12th in the best quality circulating. Except for the middle portion of the 11th, sound is excellent throughout; this inferior segment is listenable while leaving definite room for improvement if an upgrade shows up; we haven't been able to find one & don't want to delay further. Many people gave help on the way to creating this set of CDs. Dave Greenberg did the final masters. Jack Warner was instrumental in providing the difficult composite for the 2nd disc of 12/11/69, which was first mastered by Scott Clugston. RB, KW, JN and HB also provided important assistance. Jim Powell instigated the project and writes these notes. SHN conversion by Jay Gerland.
Transferrer: Paul Bottiglio, Jack Warner, JCotsman
3:18:31
SBD
Rating:
7.33 / 7 ratings
Transferrer:
Paul Bottiglio, Jack Warner, JCotsman
SHNID:
gd69-12-11.sbd-aud.cotsman.8998.sbeok.shnf
Source:
Soundboard and Audience Composite
Lineage:
See notes
Taper Notes:
View NotesA very good mono audience recording supplies the first ~75 minutes of this show, up until the final verse of Dark Star. The recording was stopped in between most songs, and only the first few notes of a few songs are clipped. A somewhat degraded SBD supplies the rest of the show. There are several small portions of this SBD that have level/channel problems. Sound Forge was used for editing: slight pitch correction for both sources, smoothing cuts, patching dropouts, normalizing, and removal of many pops that were present on the SBD portion, presumably from a PCM transfer. ---d/o @ 0:55 in Me & My Uncle patched with SBD ---d/o @ 3:36 in Dark Star patched with SBD ---splice @ 5:20 of The Eleven ---splice in Good Lovin' @ 5:45 during drum solo ---channel fluctuations at end of Good Lovin' ---channel problems for first 2:39 of Easy Wind ---right channel fluctuates at end of drums, just before O1 intro ---splice @ 5:30 of The Other One I believe the SBD was mastered on cassette, though most lineages seem to be listed as a reel master. The frequent mix problems, varying pitch/speed, and lack of trademark reel-to-reel zip-outs during cuts strongly support this being a cassette master.
Taper: Rion Brady
1:20:29
Taper:
Rion Brady
Transferrer:
SirMick
SHNID:
gd1969-12-11.140676.partial.fob.sbeok.flac1644
Source:
Partial Set 1 source: aud>mac>wav>flac; fob recording by Rion Brady
Taper Notes:
View NotesThis is the same source that was used for shnid 8998, but that was from a higher gen. It has been cleaned up to remove most of the pops, clicks, etc. The tape was paused between most tracks, crossfades have been applied to smooth the transitions. Levels have been adjusted to center the sound. * This is what Rion emailed to Deadlists: "Dear Mr. Marshall: I came across your web site while looking for old GD performances. I am the person who taped the Dead at Thelma's on 12/10 and 11., l969. I attended the first show on each night and taped them with cheapest possible Sony cassette recorder that I had carried with me in Vietnam, from which I had returned about six weeks earlier. I can still remember how exciting it was to listen to the tape on the way home, and probably several times a day in the weeks thereafter. Thelma's was a real small place, which is why the tape turned out as good as it did. At some point, I dubbed both cassettes onto a reel, which is where most of the copies came from. Amazingly, I still have the original cassette with Dark Star, but managed to lose the others. I would be glad to expound on this at greater length if you wish. You may respond to this email or I can be reached during the day at ...... Rion Brady"
Taper: Rion Brady
1:20:27
Rating:
8.50 / 4 ratings
Taper:
Rion Brady
Transferrer:
Adam Egert and Derek McCabe and MOTB
SHNID:
gd1969-12-11.fob.brady.motb.91152.sbeok.flac16
Source:
1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesMastering Notes -- This is a synthesized stereo version of original monaural source, produced using Mid-Side stereo processing techniques. The mastered mono version of this show is available as MOTB 0063 (shnid=91109). -- Software - Bias Peak / Ozone / Nomad Factory EQs / Audiofile Engineering Sample Manager -- Crossfaded the tape stop/start interruptions present in between every song break. -- d2t04 - Patched cut off at 19:59 of "Dark Star" with about 33 seconds of gd69-12-11.sbd.gerland.10987.sbeok.shnf (shnid=10987). Notes -- The tape was stopped in between every song break. -- d1t03 - Lead in to "Cold Rain And Snow" fades in on opening notes. -- d1t07 - Lead in to "It Hurts Me Too" fades in on opening notes. -- d1t08 - Lead in to "China Cat Sunflower" fades in on opening notes. -- Big thanks and good karma to Norm Bowen and Andy Foust for helping to secure Rion's master cassette, so this live music and its history could be shared. -- More big thanks and more good karma to John Hance who fixed and re-shelled Rion's cassette in order to facilitate its audio sound preservation.
Taper: Rion Brady
1:21:50
Rating:
9.80 / 11 ratings
Taper:
Rion Brady
Transferrer:
Adam Egert and Derek McCabe and MOTB
SHNID:
gd1969-12-11.fob.brady.motb.91109.sbeok.flac16
Source:
1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > (see notes)
Taper Notes:
View NotesMastering Notes -- Software - Bias Peak / Ozone / Nomad Factory EQs / Audiofile Engineering Sample Manager -- d2t04 - Patched cut off at 19:59 of "Dark Star" with about 33 seconds of gd69-12-11.sbd.gerland.10987.sbeok.shnf (shnid=10987). -- There is also a synthesized stereo version of this MOTB source, produced using Mid-Side stereo processing techniques. Notes -- The tape was stopped in between every song break. -- d1t03 - Lead in to "Cold Rain And Snow" cuts in abruptly as tape was started right at the opening notes. -- d1t07 - Lead in to "It Hurts Me Too" cuts in abruptly as tape was started right at the opening notes. -- d1t08 - Lead in to "China Cat Sunflower" cuts in abruptly as tape was started right at the opening notes.