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June 12th
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k185
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k321
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k628
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.3k910
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k355
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k304
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.2k499
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k178
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k301
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k275
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k213
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k267
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.2k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.2k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k258
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k192
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k170
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56972
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9114
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h504
7d1368
30d63237
2 shows
2 tapes
1969
11/8/69
Easy Wind
8:44
Good Lovin?
9:04
Dark Star >
14:42
The Other One >
12:00
Dark Star >
1:05
Uncle John's Jam >
2:33
Dark Star
3:23
Saint Stephen >
7:00
The Eleven >
14:33
Caution >
17:42
Main Ten Jam>
3:12
Caution >
8:26
Feedback >
8:33
And We Bid You Goodnight
3:30
Tuning
2:54
FIN
View on archive.org
Sources
Transferrer: Jim Wise
1:57:21
SBD
Rating:
10.00 / 8 ratings
Transferrer:
Jim Wise
SHNID:
gd1969-11-08.sbd.wise.17433.shnf
Source:
MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD
Taper Notes:
View NotesThis is the same seed as http://db.etree.org/shninfo_detail.php?shnid=82, with md5s d1c & d2c, with the tracks renamed to etree yy-mm-dd convention in the correct order. Saint Stephen and AWBYGN were incorrectly labelled as d2t07 & d2t01, respectively. These have had their names swapped to obtain the correct tracking. ======================= Jim Wise's essay About 11/8/69 It wasn't too long after I met Dick in person when he let me in on what he really was into for a 2-track pick from 1969. When he started coming east for Dicks Picks parties several years ago he found comfortable accommodations at my home. I had already an internet & telephone correspondence with this fascinating man for 2 years prior but had never met him in person, & luckily for me, Dick & I had several long time mutual taper friends who vouched for me, so the ice was broken in advance. I credit my wife Dani for rounding him up. He could have fun with her (and vice versa) & we could bullshit about tapes all night long. I had 11/8 in my collection in several different forms for years, but never really sat down with it the way Dick showed me how to. Dick was like Santa Claus & whenever he would show up (once he called with little advance warning & said he was only one hour away, so get ready for him) he literally had a bag full of tapes, both cassette & dats. He good naturedley would love to see me squirm in anticipation & enjoyed teasing me, 'cause he knew that I was a tape addict, much like himself. On a visit 2 years ago he sat me down in my living room, we smoked a fatty, & he pulled out his dat of 11/8 & said "sit down, shut up, & listen". As the opening notes of "Dark Star" rang out I watched him curl up, close his eyes, & immerse himself in the sound. The last words he uttered for the next hour & one half were" Its quiet now, but it gets LOUD" This is when 11/8 really made it's impression on me, & so did the infamous clicks! This was Dick's dilemma; he loved this set so much, but knew that there were tech flaws on the master. He also had enough experience with his teammates John Cutler & Jeffrey Norman, to realize that this would be extremely difficult to persuade them to do the work in order for its official release as a DP. He was also afraid that it would be rejected as a pick, like so many other shows he wanted in the past were. It was only a few months prior that I had started experimenting with a PC based hard disk recording & editing system, so we grabbed his dat & downloaded a sample to look at the wav file as it appears on screen. We farted around for a bit & I found some clicks visually & zoomed in & simply re drew the glitch with something called the "pencil tool". This smoothed out the wav & that single click disappeared both visually & on more importantly, on playback, auditory. When Dick's business was concluded on the East Coast, he left his dat with me the play with. His aim was to give John Cutler a reasonable tape to listen too, in order to introduce him (JC) to the performance. What Dick had left with me specifically was a dat clone from his personal cassette copy of Bears 7inch-?-track 7/5-ips master reel. The redrawing of the glitches was unbelievably tedious, but relatively easy during the quiet passages, so I spent several days working & sent him back a dat of the first few minutes of "Dark Star". He called me back in a whirlwind of enthusiasm & a week later the Dat clones direct from the masters arrived at my PO box. Now I really went to work & believe me when I tell you this was truly a labor of love. Upon inspection this is what I found; the clicking was present on the right channel of the entire show to 11/7, & the entire show of 11/8, that is up until the reel flip in the "Other One", when it mysteriously vanishes! I uploaded the 94-minute Dark Star & ensuing jam onto hard disk. There is a brief segment before Dark Star begins where you can really capture what's known as a "noise print". This was basically just pure clicks without any music, or other noise in the background, & would be needed if it I could determine that a noise reduction run would be effective. The 3 facts that saved this recording are; #
Transferrer: Jim Wise
1:57:21
SBD
Rating:
8.67 / 3 ratings
Transferrer:
Jim Wise
SHNID:
gd69-11-08.sbd.wise.82.sbeok.shnf
Source:
Soundboard
Lineage:
MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD
Taper Notes:
View NotesMR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree (<a href="http://www.users.uswest.net/~zeejay/110869/index.html" rel="ugc nofollow">more info</a>); d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69 (thanks to Barry Lasky for clue); note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04ÃÂ Dropout @ 11:01; d1t06ÃÂ Dropout @ 00:27; d1t07ÃÂ Dropout @ 00:09, another bump 1:37; d2t02ÃÂ Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups- see <a href="http://www.etree.org/Sources/gdead/gd691108new-tracking.txt" rel="ugc nofollow">guide</a>; note a third source (c) may be up too, no dropouts; <a href="http://www.pasewark.com/gd" rel="ugc nofollow">covers</a>; <b>note this show is now released as Dick's Picks 16- <a href="http://www.dead.net/merchandising/music/grateful_dead/Dicks_Picks_5/index.html" rel="ugc nofollow">go buy it!</a></b>
Taper: Marty Weinberg
15:06
Rating:
7.50 / 9 ratings
Taper:
Marty Weinberg
Transferrer:
Jack Warner
SHNID:
gd69-11-08.weinberg.warner.26331.sbeok.flacf
Source:
Audience: AKG 190E
Lineage:
AKG190E > Uher 400L MR; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking > SHN
Taper Notes:
View Notes<b>flac16</b>; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner