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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h785118
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.2k438
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k685
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.3k806
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k355
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k357
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k152
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5.1k573
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h997112
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k205
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k424
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k181
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.9k240
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k746
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k230
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k274
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.7k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h20.8k2.7k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h29231
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k474
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.4k736
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k211
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k167
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42453
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15020
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h39828
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h202
7d1268
30d63237
2 shows
2 tapes
1969
5/3/69
01 Introduction
2:05
02 He Was A Friend Of Mine
9:22
03 That's It For The Other One
21:42
04 Doin' That Rag
7:31
05 Me And My Uncle
3:31
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
40:52
SBD
Rating:
2.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.sbd.partial.miller.95138.sbeok.flac16
Source:
SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF
Lineage:
AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC (1 Disc Audio / 1 Disc FLAC)
Taper Notes:
View NotesNotes: -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: droncit
43:49
SBD
Rating:
10.00 / 5 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124068.mtx.dusborne.droncit.flac16
Source:
This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
Taper Notes:
View Notes- For the sbd reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think sbd is actually a PA tape, not a soundboard as it appears to be mono. We modified it to align better with the l-r distribution on the audience tape. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly.
Taper: droncit
43:29
SBD
Rating:
10.00 / 2 ratings
Taper:
droncit
Transferrer:
droncit and dusborn
SHNID:
gd1969-05-03.124067.PA.dusborne.droncit.flac16
Source:
SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
Taper Notes:
View Notes- This reel was in droncit's collection for about 40 years. - For the reel, we added harmonics, minor eq adjustment, and used light noise reduction. - For the audience files we used the Reel as a source and a spectral difference filter to match the overall sound of the audience to the reel. - The opening notes to cryptical sound like there are digital artifacts, but that's the way it sounds on the straight transfer. - We think it is a PA tape, not a soundboard, as it appears to be mono. - We modified it to align better with the l-r distribution on the audience tape. - This version was developed as part of the syncing process for the matrix. - The Introduction is noticeably louder than it is on the audience tape so that it can be heard better. Because it comes from the audience tape, the sound is muffled and boomy, but it's a fun part of the show so we included it this way. - Final edits to the PA and MTX files were done separately, so they do not match exactly. There is still noise evident.
Transferrer: Charlie Miller
44:11
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139576.pcm.miller.flac24
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD (analog outs) >Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 >Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: Charlie Miller
43:34
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1969-05-03.139575.pcm.miller.flac16
Source:
(Stage) Sony Stereo Mic > Master Reel > PCM
Lineage:
PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- The patch needs to be upgraded
Transferrer: [email protected]
43:10
Rating:
9.11 / 27 ratings
Transferrer:
[email protected]
SHNID:
gd69-05-03.aud.phunk1.73.sbeok.shnf
Source:
Audience: Sony Stereo mic
Lineage:
Sony Stereo mic (stage-lip) > Reel > PCM > DAT > Tascam DA-20 > Audio Magic Presto > Prodif Plus > Soundforge > CD Wave > SHN
Taper Notes:
View Notesall that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto>Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match gd69-05-03 is not a sbd. It was made with a stereo sony mic on the front of the stage in front of the keyboards... that is why you don't hear any vocals.