Bands
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Bands
Grateful Dead
Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1969
Sources
Taper: Leon Komar
2:03:00
SBD
Rating:
6.40 / 7 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.sbd-patch.komar.miller.31939.sbeok.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: Morning Dew through Doin' That Rag patched from SBD>Cm>Cass>Dat>CD. AUD Recorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 14, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
Transferrer: Matrixing by Dan Haugh
43:22
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1969-04-15.mtx.dan.33952.sbefail.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Transferrer: Kevin Gills
29:45
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Kevin Gills
SHNID:
gd1969-04-15.sbd.oswley.9073.sbeok.shnf
Source:
Owsley's Master Sounboard Cassette > cass > DAT > CD
Source 4 of 8
29:35
SBD
Rating:
6.00 / 2 ratings
SHNID:
gd69-04-15.sbd.cotsman.6288.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Bear's MC > ? > CD > EAC > SHN
Taper: Leon Komar
2:01:25
Rating:
8.75 / 9 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.komar.miller.31523.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesRecorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 3, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- Flaw in d2t05 fixed on November 15, 2005
Taper: Leon Komar
2:01:27
Rating:
9.00 / 12 ratings
Taper:
Leon Komar
Transferrer:
Jeremy Garrett, Scott Allan and Charlie Miller
SHNID:
gd69-04-15.aud.miller.31435.sbeok.flacf
Source:
Audience: Aiwa hand-held Microphone
Lineage:
Aiwa hand-held microphone > Master Reel (Aiwa 5 inch reel-to-reel) > Alesis Masterlink 9600 > Hard Drive > CD > EAC > Samplitude Professional v7.02 > shntool > FLAC16
Taper Notes:
View Notes-- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- The Eleven cuts at the end.
Taper: See info file
43:22
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1969-04-15.dts.danhaugh.34269.flac
Source:
DTS-Audio-5.1 Mix
Lineage:
See info file
Taper: Leon Komar
2:01:35
Taper:
Leon Komar
Transferrer:
Bob Bihlmayer
SHNID:
gd69-04-15.aud.komar.31672.sbefail.flac16
Source:
portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON.
Lineage:
AUDMR->Alesis Masterlink 9600->HD->CD->EAC->SoundEdit 16->FLAC
Taper Notes:
View NotesTape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. the cuts at the beginnings of tracks omit only a few notes; the taper was pleasantly quick on the "Start" button. the cut in "Lovelight" appears minimal. the cut in "The Eleven" is substantial, with a segment from the third line of the "William Tell Bridge" (tracked with "The Eleven") to the transition to the second (11/8, key of "A") theme missing; as much as three to four minutes could be missing here. The end of "The Eleven" fades out; this fade was present on the source discs. the entire segments from d1t5-d1t7 and d2t1-the cut at 0:34 of "The Eleven" are contiguous, with no start/stops of the recorder. the edits to the "fixed" version are confined to removal of tape start/stop pops between tracks and/or at tape edits; no music or audience noise was removed.