Bands
Featured
Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58077
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k686
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k880
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k383
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k366
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k148
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.9k553
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k116
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k217
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k413
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.8k688
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k242
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h2k268
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.5k3k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28430
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.7k481
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.7k783
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k310
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k199
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k176
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43856
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h42030
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1268
30d63237
2 shows
2 tapes
1969
Sources
Taper: Leon Komar
2:03:00
SBD
Rating:
6.40 / 7 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.sbd-patch.komar.miller.31939.sbeok.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: Morning Dew through Doin' That Rag patched from SBD>Cm>Cass>Dat>CD. AUD Recorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 14, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono.
Transferrer: Matrixing by Dan Haugh
43:22
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrixing by Dan Haugh
SHNID:
gd1969-04-15.mtx.dan.33952.sbefail.flac16
Source:
SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Transferrer: Kevin Gills
29:45
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Kevin Gills
SHNID:
gd1969-04-15.sbd.oswley.9073.sbeok.shnf
Source:
Owsley's Master Sounboard Cassette > cass > DAT > CD
Source 4 of 8
29:35
SBD
Rating:
6.00 / 2 ratings
SHNID:
gd69-04-15.sbd.cotsman.6288.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > Bear's MC > ? > CD > EAC > SHN
Taper: Leon Komar
2:01:25
Rating:
8.75 / 9 ratings
Taper:
Leon Komar
Transferrer:
Charlie Miller
SHNID:
gd1969-04-15.aud.komar.miller.31523.flac16
Source:
Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD
Lineage:
CD -> EAC -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesRecorded by Leon Komar Digital transfer by Jeremy Garrett (Rainbow Music - Omaha, 9/2005) Audio discs supplied by Scott Allan Remastered by Charlie Miller [email protected] November 3, 2005 Notes: -- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- Flaw in d2t05 fixed on November 15, 2005
Taper: Leon Komar
2:01:27
Rating:
9.00 / 12 ratings
Taper:
Leon Komar
Transferrer:
Jeremy Garrett, Scott Allan and Charlie Miller
SHNID:
gd69-04-15.aud.miller.31435.sbeok.flacf
Source:
Audience: Aiwa hand-held Microphone
Lineage:
Aiwa hand-held microphone > Master Reel (Aiwa 5 inch reel-to-reel) > Alesis Masterlink 9600 > Hard Drive > CD > EAC > Samplitude Professional v7.02 > shntool > FLAC16
Taper Notes:
View Notes-- Automatic Volume Control (compressor/limiter?) switch ON. -- Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. -- The Eleven cuts at the end.
Taper: See info file
43:22
Rating:
2.00 / 1 rating
Taper:
See info file
Transferrer:
Dan Haugh
SHNID:
gd1969-04-15.dts.danhaugh.34269.flac
Source:
DTS-Audio-5.1 Mix
Lineage:
See info file
Taper: Leon Komar
2:01:35
Taper:
Leon Komar
Transferrer:
Bob Bihlmayer
SHNID:
gd69-04-15.aud.komar.31672.sbefail.flac16
Source:
portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON.
Lineage:
AUDMR->Alesis Masterlink 9600->HD->CD->EAC->SoundEdit 16->FLAC
Taper Notes:
View NotesTape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. the cuts at the beginnings of tracks omit only a few notes; the taper was pleasantly quick on the "Start" button. the cut in "Lovelight" appears minimal. the cut in "The Eleven" is substantial, with a segment from the third line of the "William Tell Bridge" (tracked with "The Eleven") to the transition to the second (11/8, key of "A") theme missing; as much as three to four minutes could be missing here. The end of "The Eleven" fades out; this fade was present on the source discs. the entire segments from d1t5-d1t7 and d2t1-the cut at 0:34 of "The Eleven" are contiguous, with no start/stops of the recorder. the edits to the "fixed" version are confined to removal of tape start/stop pops between tracks and/or at tape edits; no music or audience noise was removed.