William Tell -> The Eleven -> | 1969-03-01 | Grateful Dead

View Notes- before the official release & Healy's 16 track mix-down, there was this beauty that blew a few minds back in '86.
- officially released as part of 'Fillmore West 1969: The Complete Recordings'
- in true Grateful Dead spirit; Phil, "Hey I don't remember it (Hey Jude)."  Jerry, "Its okay man, we'll make it up as we go along."
- Lovelight - apparently the power went out as it magically did from time to time way back when.
- the encore break has some great banter between the band & the audience.

Taper: Dan Healy

1:58:35

SBD

Dick Latvala and Jim Wise

SHNID:

gd1969-03-01.132657.healy-latvala-wise.sbd.multi.track.flac16

Source:

Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented

Taper Notes:

View NotesThis is how it was laid out on the original DAT by Dan Healy:
recording cut & fade /"Turn On Your Love light" >/Lovelight

This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented

Transferrer: Jay Ashley

gd1969-03-01.sbd.lesh-serafin.13584.shnf

Source:

SBD > DUAL 16-TRACK RTR @ 15 I.P.S. > 2-TRACK LESH VAULT MIXDOWN D > MCS D > SSSB

Taper Notes:

View NotesOFFICIAL SHOW NOTES:
LINEAGE: SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB; other artist(s): Pentangle, Sir Douglas Quintet; *=Jerry on acoustic' **="Hey Jude" is full version;  the show was mixed down in 1998 from multi-track by Phil Lesh during the early stages of a vault release project which did not happen; any/all editing, fades, NR, hiss elimination, phase shifting, time smear correction, digital jitter elimination, EQ, and quantization noise elimination (when up/down-converting audio for CD-R or DVD mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [using the "code name Harpoon" editing software V1.001.04 Build 499]

Transferrer: Jay Ashley

gd1969-03-01.sbd.ashley-bertha.9391.shnf

Source:

SBD>>MTMR>>DAT>>CDA>>DAW(Bertha>>CDA

Taper Notes:

View NotesDropout between Eleven and Lovelight, reportedly on the
master also.

Source 5 of 6

gd69-03-01.sbd.16track.kaplan.4030.sbeok.shnf

Source:

Soundboard

Lineage:

SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD

Taper Notes:

View NotesSBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW  .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning

Transferrer: DAT>WAV by Rod Nayfield [email protected]

DAT>WAV by Rod Nayfield [email protected]

SHNID:

gd1969-03-01.sbd.nayfield.60.shnf

Source:

Source: SBD 2-track reel > DAT > ZA2 > WAVs

Taper Notes:

View NotesCOMMENTS
-Jerry plays acoustic guitar during Dupree's, Mountains and the Jam following.
-The second set was mixed down from multi-track by Healy during the early stages of the vault release project.
-set II will fit on an 80 minute CD-R, but the show can be better spread over two 74 minute CD-Rs as above.

RECORDINGS
120 SB 2-track reels 74 vault multi-track SB of set 2

====================================================
Reel Flip in Lovelight, ~10 sec at beginning missing