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2
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2
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1966
SBD
XX/XX
SBD
Various - See info file
Various - See info file
98
1:48:34
1
tape
12/05
SBD
Studio
San Francisco, CA
43
31:58
2
tapes
12/01
SBD
The Matrix
San Francisco, CA, USA
296
4:55:25
5
tapes
11/XX
KFRC studio
San Francisco, CA
5
30:07
1
tape
11/29
SBD
The Matrix
San Francisco, CA, USA
174
1:41:33
5
tapes
11/19
SBD
Fillmore Auditorium
San Francisco, CA, USA
166
1:20:07
4
tapes
11/18
SBD
Fillmore Auditorium
San Francisco, CA, USA
50
31:22
3
tapes
10/31
SBD
California Hall
San Francisco, CA, USA
4
9:09
1
tape
10/07
SBD
Fillmore Auditorium
San Francisco, CA, USA
15
19:01
1
tape
10/02
SBD
Commons, S.F. State College
San Francisco, CA, USA
30
1:28:19
2
tapes
9/16
SBD
Avalon Ballroom
San Francisco, CA, USA
144
1:09:13
6
tapes
8/01
SBD
Various
???, CA
7
20:00
1
tape
7/30
SBD
P.N.E. Garden Auditorium
Vancouver, British Columbia, Canada
80
1:04:39
2
tapes
7/29
SBD
P.N.E. Garden Auditorium
Vancouver, British Columbia, Canada
165
1:01:48
3
tapes
7/17
SBD
Fillmore Auditorium
San Francisco, CA, USA
49
33:50
3
tapes
7/16
SBD
Fillmore Auditorium
San Francisco, CA, USA
486
1:40:56
4
tapes
7/03
SBD
Fillmore Auditorium
San Francisco, CA, USA
485
36:39
2
tapes
7/01
SBD
Unknown (perhaps Fillmore Auditorium)
San Francisco, CA
76
32:15
1
tape
6/15
SBD
Various
Various
332
35:16
1
tape
6/01
SBD
Unknown
Unknown
270
51:51
4
tapes
5/19
SBD
Avalon Ballroom
San Francisco, CA, USA
690
1:06:48
5
tapes
3/25
SBD
Trouper's Club
Los Angeles, CA, USA
58
33:53
2
tapes
3/19
SBD
Carthay Studios
Los Angeles, CA, USA
133
1:06:37
2
tapes
3/12
SBD
Danish Center
Los Angeles, CA, USA
222
1:55:49
4
tapes
3/10
SBD
Unknown
Los Angeles, CA
12
14:17
1
tape
3/09
SBD
unknown
unknown, unknown
32
26:09
2
tapes
2/25
SBD
Ivar Theater
Los Angeles, CA, USA
228
56:36
2
tapes
2/12
SBD
Youth Opportunities Center
Compton, CA, USA
5
6:09
1
tape
2/05
SBD
The Questing Beast
Berkeley, CA
38
51:53
1
tape
1/29
SBD
Sound City Acid Test
San Francisco, CA, USA
55
33:46
2
tapes
1/08
SBD
Fillmore Auditorium
San Francisco, CA, USA
855
4:32:26
3
tapes
1/01
SBD
Viola Lee Blues Reahearsals
?, CA
383
46:52
1
tape
3/19/66
Viola Lee Blues
11:19
"I need some Coke..." and "There will be a slight pause..." stage talk
0:32
One Kind Favor
3:37
I Know You Rider
3:12
You See A Broken Heart
3:25
It's A Sin
3:21
PA and "tasting" and tuning stage talk
1:21
Beat It On Down The Line
3:01
"Just Bearly" PA stage talk
0:52
Heads Up
4:24
"How's the PA now" stage talk
2:08
Next Time You See Me
3:00
"take a break" and "ice cream" stage talk
1:47
Slow R and B instrumental
7:07
noodling onwards
0:37
Death Don't Have No Mercy
6:00
"a little tune now called the..." Midnight Hour
10:54
FIN
View on archive.org
Sources
Taper: Seed provided by Paul Scotton
1:06:37
SBD
Rating:
8.89 / 12 ratings
Taper:
Seed provided by Paul Scotton
Transferrer:
Tracking by Ihor Slabicky
SHNID:
gd66-03-19.sbd.scotton.81951.sbeok.flac
Source:
MSR>R>D>CDR>EAC>CDWav>Flac
Taper Notes:
View Notes
There is debate over whether this is 3/19/66 or 3/12/66. Deadlists has a good discussion of this issue. The consensus there is that the correct date is 3/12/66. This came to me listed as 3/19/66. This is a better copy than what has been in general circulation. That MAY mean the date that came on it is correct. I don't know.
Transferrer: This is a remaster of shn id 81951 by SIRMick
1:06:32
REMASTER
Rating:
9.00 / 3 ratings
Transferrer:
This is a remaster of shn id 81951 by SIRMick
SHNID:
gd1966-03-19.153760.scotton.sirmick.remaster.flac16
Source:
Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)
Taper Notes:
View Notes
Notes: This is a remaster of shn id 81951. Paul had heard the way that I had ewmastered a QMS show and wondered whether it might possible to do the same for this. It is a typical Bear mix with vocals in one channel and instruments in the other. So I agreed to see what could be done. First I joined all the files together and loaded it into iZotope RX 8 Advanced. It is possible to split tracks into component parts and I ended up with four stereo files, vocals, bass, percussion and other instruments. This effectively gave me eight channels to work with. I then loaded these four tracks into the multi-channel module of Adobe Audition 3 and set about adjusting levels track by track until I was reasonably happy with what I had. A mixdown was then made which I loaded into RX 8. I sent Paul a sample for him to listen to and he thought it sound ok but asked whether it might be possible to make the sound of Pigpen's organ more prominent as it was very low in the original mix. After several attempts I decided that the best way would ptobably be to add some eq. It has worked to some extent but not as much as we would like. I also eq'd the bass a little too. "Heads Up" has a cut around 2:36, the two parts have been crossfaded together I also removed quite a number of clicks. We think that this sounds much better overall, the mix now gives a better listening experience. Thanks to Paul for providing the original recording and his help with this project. The most surprising thing to me about this Acid Test is that Tiny Tim was billed to appear, whether he did I don't know. remastered by SIRMick October 2021