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1966
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June 18th
9 shows
70 tapes
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1995
30.6k
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85 shows
460 tapes
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83 shows
656 tapes
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44.9k
57 shows
539 tapes
1991
44.7k
78 shows
973 tapes
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54.4k
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1,139 tapes
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48.4k
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20.1k
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882 tapes
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12.7k
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33.3k
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1,357 tapes
1984
27.1k
67 shows
1,075 tapes
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20.7k
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42.3k
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30k
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70.8k
91 shows
794 tapes
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21.2k
79 shows
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1978
37.7k
87 shows
592 tapes
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241.3k
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103.1k
45 shows
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6.4k
25 shows
63 tapes
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87.5k
42 shows
324 tapes
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90.6k
75 shows
445 tapes
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57.5k
88 shows
361 tapes
1971
33.6k
82 shows
357 tapes
1970
38.8k
101 shows
376 tapes
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28.6k
112 shows
326 tapes
1968
7.5k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
7k
32 shows
78 tapes
1965
637
2 shows
2 tapes
1966
3/19/66
Viola Lee Blues
11:19
"I need some Coke..." and "There will be a slight pause..." stage talk
0:32
One Kind Favor
3:37
I Know You Rider
3:12
You See A Broken Heart
3:25
It's A Sin
3:21
PA and "tasting" and tuning stage talk
1:21
Beat It On Down The Line
3:01
"Just Bearly" PA stage talk
0:52
Heads Up
4:24
"How's the PA now" stage talk
2:08
Next Time You See Me
3:00
"take a break" and "ice cream" stage talk
1:47
Slow R and B instrumental
7:07
noodling onwards
0:37
Death Don't Have No Mercy
6:00
"a little tune now called the..." Midnight Hour
10:54
FIN
View on archive.org
Sources
Transferrer: This is a remaster of shn id 81951 by SIRMick
1:06:32
REMASTER
Rating:
9.00 / 3 ratings
Transferrer:
This is a remaster of shn id 81951 by SIRMick
SHNID:
gd1966-03-19.153760.scotton.sirmick.remaster.flac16
Source:
Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac)
Taper Notes:
View NotesNotes: This is a remaster of shn id 81951. Paul had heard the way that I had ewmastered a QMS show and wondered whether it might possible to do the same for this. It is a typical Bear mix with vocals in one channel and instruments in the other. So I agreed to see what could be done. First I joined all the files together and loaded it into iZotope RX 8 Advanced. It is possible to split tracks into component parts and I ended up with four stereo files, vocals, bass, percussion and other instruments. This effectively gave me eight channels to work with. I then loaded these four tracks into the multi-channel module of Adobe Audition 3 and set about adjusting levels track by track until I was reasonably happy with what I had. A mixdown was then made which I loaded into RX 8. I sent Paul a sample for him to listen to and he thought it sound ok but asked whether it might be possible to make the sound of Pigpen's organ more prominent as it was very low in the original mix. After several attempts I decided that the best way would ptobably be to add some eq. It has worked to some extent but not as much as we would like. I also eq'd the bass a little too. "Heads Up" has a cut around 2:36, the two parts have been crossfaded together I also removed quite a number of clicks. We think that this sounds much better overall, the mix now gives a better listening experience. Thanks to Paul for providing the original recording and his help with this project. The most surprising thing to me about this Acid Test is that Tiny Tim was billed to appear, whether he did I don't know. remastered by SIRMick October 2021