Bands
Featured
Bands
Bob Weir
Today In History
June 15th
Years
2025
650
PlaybackListensHours
48h263
7d639
30d65091
6 shows
7 tapes
2024
233
PlaybackListensHours
48h319m
7d558
30d23333
6 shows
13 tapes
2023
729
PlaybackListensHours
48h426
7d14123
30d729117
38 shows
90 tapes
2022
795
PlaybackListensHours
48h122
7d609
30d795121
29 shows
56 tapes
2021
648
PlaybackListensHours
48h162
7d36455
30d64898
8 shows
16 tapes
2020
68
PlaybackListensHours
48h00m
7d00m
30d6810
10 shows
12 tapes
2019
108
PlaybackListensHours
48h101
7d253
30d10814
20 shows
27 tapes
2018
188
PlaybackListensHours
48h00m
7d132
30d18828
19 shows
28 tapes
2017
63
PlaybackListensHours
48h122
7d173
30d6310
7 shows
15 tapes
2016
332
PlaybackListensHours
48h507
7d669
30d33241
10 shows
18 tapes
2014
44
PlaybackListensHours
48h00m
7d253
30d445
3 shows
4 tapes
2013
61
PlaybackListensHours
48h00m
7d00m
30d615
5 shows
11 tapes
2012
678
PlaybackListensHours
48h647m
7d597
30d67877
23 shows
38 tapes
2011
6
PlaybackListensHours
48h00m
7d536m
30d646m
4 shows
4 tapes
2010
7
PlaybackListensHours
48h00m
7d00m
30d745m
1 show
3 tapes
2002
44
PlaybackListensHours
48h433m
7d131
30d445
2 shows
2 tapes
2000
12
PlaybackListensHours
48h00m
7d00m
30d121
2 shows
2 tapes
1998
4
PlaybackListensHours
48h00m
7d125m
30d41
3 shows
3 tapes
1997
52
PlaybackListensHours
48h29m
7d202
30d526
9 shows
15 tapes
1995
43
PlaybackListensHours
48h00m
7d222
30d434
1 show
1 tape
1994
46
PlaybackListensHours
48h00m
7d738m
30d464
1 show
1 tape
1993
25
PlaybackListensHours
48h00m
7d00m
30d252
2 shows
2 tapes
1992
16
PlaybackListensHours
48h00m
7d853m
30d161
3 shows
3 tapes
1991
105
PlaybackListensHours
48h212m
7d322m
30d1059
10 shows
11 tapes
1990
55
PlaybackListensHours
48h00m
7d528m
30d555
5 shows
5 tapes
1989
107
PlaybackListensHours
48h151
7d212m
30d1079
10 shows
14 tapes
1988
22
PlaybackListensHours
48h00m
7d00m
30d222
2 shows
3 tapes
1986
17
PlaybackListensHours
48h00m
7d00m
30d171
2 shows
4 tapes
1985
1
PlaybackListensHours
48h00m
7d00m
30d13m
1 show
1 tape
1984
53
PlaybackListensHours
48h17m
7d17m
30d535
9 shows
10 tapes
1983
72
PlaybackListensHours
48h202
7d151
30d727
7 shows
13 tapes
1982
204
PlaybackListensHours
48h210m
7d565
30d20419
20 shows
33 tapes
1981
20
PlaybackListensHours
48h00m
7d00m
30d202
3 shows
5 tapes
1980
78
PlaybackListensHours
48h00m
7d162
30d788
7 shows
12 tapes
1978
145
PlaybackListensHours
48h742m
7d192
30d14514
12 shows
21 tapes
1975
182
PlaybackListensHours
48h00m
7d00m
30d18213
7 shows
8 tapes
1972
21
PlaybackListensHours
48h00m
7d31
30d217
1 show
1 tape
2012
Sources
Taper: Scott Bernstein
1:48:19
SBD
Rating:
8.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
bw2012-09-07.tlm170.flac16
Source:
Audience
Lineage:
Neumann TLM-170s (cardoids, GA floor, just left of SBD) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Pro 10.0d (L/R channel time sync to compensate for being slightly off center in the room; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap removal, targeted EQ to reduce feedback and a couple of whistles/yells) Tracked in CDWav.
Taper Notes:
View Notes* = w/Warren Haynes on guitar / vocals + = w/Grace Potter on Vocals # = w/Bobby Keys on saxophone ^ = w/o Bob Weir *** Note that I spent DAYS scrubbing tons of loud claps from this quiet performance from T3(27 claps, 1 burst of feedback), T4(14 claps), T5(24 claps + 1 burst of feedback), T6(57 claps), T7(28 claps), T8(61 claps + 3 bursts of feedback), T9(81 claps, EQ to reduce a whistle, a yell, and 3 bursts of feedback), T10(11 claps, 1 burst of bad feedback), T11(37 claps + 4 bursts of bad feedback), T13(106 claps!), T15(50 claps + EQ to minimize 2 whistles), T16(11 claps), T18(1 clap + 1 burst of feedback), T20(12 claps) *** Unfortunately there's nothing I could do about the extremely chatty crowd during this set. I was running on a very tall mic stand, so it's quite listenable, but still...The crowd used Bobby's set as their "social hour" and were barely paying attention to the music. :( Note Bobby's comment at the end of Lost Sailor "I can hardly hear myself" saying he couldn't play "Saint of Circumstance" because it was too loud and needed to go in a different direction. Luckily a few people who WERE paying attention yelled back and convinced him otherwise. :) This was the 2nd show at the newly-reopened Capitol Theatre. It was a benefit concert for <a href="http://www.headcount.org" rel="ugc nofollow">Headcount</a>. It was also Pete Shapiro's 40th birthday concert. Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/15-24/2012) Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="ugc nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="ugc nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a> The Roots (+ Friends) set from later on this same night is available for download here: <a href="https://archive.org/details/theroots2012-09-07" rel="ugc nofollow">https://archive.org/details/theroots2012-09-07</a>
Source 2 of 3
1:48:38
SBD
SHNID:
bw2012-09-07
Source:
SBD > flac file > TLH > WAV >
Lineage:
Sound Forge Pro 17.0 > CDWav > TLH > .flac files
Taper: Tom G
1:48:25
Rating:
9.00 / 3 ratings
Taper:
Tom G
Transferrer:
Tom G
SHNID:
bw2012-09-07.nak700
Source:
Nakamichi 700's w/cp701's>Naiant Tinybox>Sony M-10
Lineage:
M-10>Audacity>TLH>FLAC
Taper Notes:
View Notesclamped to loge rail, dead center, 3 feet out, 110 degrees/25cm