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Bob Weir
Today In History
June 12th
2 shows
2 tapes
Years
2025
668
PlaybackListensHours
48h125m
7d376
30d66895
6 shows
7 tapes
2024
206
PlaybackListensHours
48h142
7d273
30d20629
6 shows
13 tapes
2023
694
PlaybackListensHours
48h397
7d29949
30d694111
38 shows
90 tapes
2022
932
PlaybackListensHours
48h91
7d6910
30d932141
29 shows
56 tapes
2021
542
PlaybackListensHours
48h11817
7d38958
30d54283
8 shows
16 tapes
2020
70
PlaybackListensHours
48h00m
7d113m
30d7011
10 shows
12 tapes
2019
87
PlaybackListensHours
48h753m
7d652m
30d8712
20 shows
27 tapes
2018
242
PlaybackListensHours
48h00m
7d629
30d24235
19 shows
28 tapes
2017
79
PlaybackListensHours
48h00m
7d214m
30d7911
7 shows
15 tapes
2016
306
PlaybackListensHours
48h284
7d435
30d30636
10 shows
18 tapes
2014
26
PlaybackListensHours
48h428m
7d101
30d263
3 shows
4 tapes
2013
61
PlaybackListensHours
48h00m
7d19m
30d615
5 shows
11 tapes
2012
704
PlaybackListensHours
48h636m
7d172
30d70480
23 shows
38 tapes
2011
2
PlaybackListensHours
48h17m
7d00m
30d222m
4 shows
4 tapes
2010
7
PlaybackListensHours
48h00m
7d00m
30d745m
1 show
3 tapes
2002
31
PlaybackListensHours
48h131
7d848m
30d314
2 shows
2 tapes
2000
12
PlaybackListensHours
48h00m
7d111
30d121
2 shows
2 tapes
1998
11
PlaybackListensHours
48h125m
7d125m
30d112
3 shows
3 tapes
1997
40
PlaybackListensHours
48h636m
7d142
30d404
9 shows
15 tapes
1995
48
PlaybackListensHours
48h00m
7d202
30d485
1 show
1 tape
1994
46
PlaybackListensHours
48h00m
7d182
30d464
1 show
1 tape
1993
25
PlaybackListensHours
48h00m
7d00m
30d252
2 shows
2 tapes
1992
11
PlaybackListensHours
48h314m
7d528m
30d1150m
3 shows
3 tapes
1991
152
PlaybackListensHours
48h216m
7d212m
30d15213
10 shows
11 tapes
1990
55
PlaybackListensHours
48h213m
7d632m
30d555
5 shows
5 tapes
1989
105
PlaybackListensHours
48h00m
7d28m
30d1059
10 shows
14 tapes
1988
30
PlaybackListensHours
48h00m
7d00m
30d302
2 shows
3 tapes
1986
17
PlaybackListensHours
48h00m
7d12m
30d171
2 shows
4 tapes
1985
1
PlaybackListensHours
48h00m
7d00m
30d13m
1 show
1 tape
1984
52
PlaybackListensHours
48h00m
7d531m
30d525
9 shows
10 tapes
1983
57
PlaybackListensHours
48h00m
7d536m
30d575
7 shows
13 tapes
1982
210
PlaybackListensHours
48h303
7d575
30d21020
20 shows
33 tapes
1981
23
PlaybackListensHours
48h00m
7d00m
30d232
3 shows
5 tapes
1980
74
PlaybackListensHours
48h111
7d121
30d747
7 shows
12 tapes
1978
150
PlaybackListensHours
48h00m
7d535
30d15014
12 shows
21 tapes
1975
214
PlaybackListensHours
48h00m
7d615m
30d21416
7 shows
8 tapes
1972
19
PlaybackListensHours
48h247m
7d00m
30d196
1 show
1 tape
2012
Sources
Taper: Scott Bernstein
1:48:19
SBD
Rating:
8.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
bw2012-09-07.tlm170.flac16
Source:
Audience
Lineage:
Neumann TLM-170s (cardoids, GA floor, just left of SBD) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Pro 10.0d (L/R channel time sync to compensate for being slightly off center in the room; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap removal, targeted EQ to reduce feedback and a couple of whistles/yells) Tracked in CDWav.
Taper Notes:
View Notes* = w/Warren Haynes on guitar / vocals + = w/Grace Potter on Vocals # = w/Bobby Keys on saxophone ^ = w/o Bob Weir *** Note that I spent DAYS scrubbing tons of loud claps from this quiet performance from T3(27 claps, 1 burst of feedback), T4(14 claps), T5(24 claps + 1 burst of feedback), T6(57 claps), T7(28 claps), T8(61 claps + 3 bursts of feedback), T9(81 claps, EQ to reduce a whistle, a yell, and 3 bursts of feedback), T10(11 claps, 1 burst of bad feedback), T11(37 claps + 4 bursts of bad feedback), T13(106 claps!), T15(50 claps + EQ to minimize 2 whistles), T16(11 claps), T18(1 clap + 1 burst of feedback), T20(12 claps) *** Unfortunately there's nothing I could do about the extremely chatty crowd during this set. I was running on a very tall mic stand, so it's quite listenable, but still...The crowd used Bobby's set as their "social hour" and were barely paying attention to the music. :( Note Bobby's comment at the end of Lost Sailor "I can hardly hear myself" saying he couldn't play "Saint of Circumstance" because it was too loud and needed to go in a different direction. Luckily a few people who WERE paying attention yelled back and convinced him otherwise. :) This was the 2nd show at the newly-reopened Capitol Theatre. It was a benefit concert for <a href="http://www.headcount.org" rel="ugc nofollow">Headcount</a>. It was also Pete Shapiro's 40th birthday concert. Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/15-24/2012) Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="ugc nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="ugc nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a> The Roots (+ Friends) set from later on this same night is available for download here: <a href="https://archive.org/details/theroots2012-09-07" rel="ugc nofollow">https://archive.org/details/theroots2012-09-07</a>
Source 2 of 3
1:48:38
SBD
SHNID:
bw2012-09-07
Source:
SBD > flac file > TLH > WAV >
Lineage:
Sound Forge Pro 17.0 > CDWav > TLH > .flac files
Taper: Tom G
1:48:25
Rating:
9.00 / 3 ratings
Taper:
Tom G
Transferrer:
Tom G
SHNID:
bw2012-09-07.nak700
Source:
Nakamichi 700's w/cp701's>Naiant Tinybox>Sony M-10
Lineage:
M-10>Audacity>TLH>FLAC
Taper Notes:
View Notesclamped to loge rail, dead center, 3 feet out, 110 degrees/25cm