Bands
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Bob Weir
Today In History
June 9th
Years
2025
662
PlaybackListensHours
48h314
7d233
30d66294
6 shows
7 tapes
2024
206
PlaybackListensHours
48h11m
7d212
30d20629
6 shows
13 tapes
2023
672
PlaybackListensHours
48h8514
7d24942
30d672105
38 shows
90 tapes
2022
970
PlaybackListensHours
48h233
7d8112
30d970147
29 shows
56 tapes
2021
190
PlaybackListensHours
48h28142
7d345
30d19032
8 shows
16 tapes
2020
72
PlaybackListensHours
48h00m
7d340m
30d7211
10 shows
12 tapes
2019
101
PlaybackListensHours
48h323m
7d442m
30d10114
20 shows
27 tapes
2018
262
PlaybackListensHours
48h416
7d264
30d26238
19 shows
28 tapes
2017
78
PlaybackListensHours
48h214m
7d221m
30d7811
7 shows
15 tapes
2016
333
PlaybackListensHours
48h00m
7d688
30d33340
10 shows
18 tapes
2014
16
PlaybackListensHours
48h101
7d210m
30d162
3 shows
4 tapes
2013
80
PlaybackListensHours
48h00m
7d19m
30d807
5 shows
11 tapes
2012
698
PlaybackListensHours
48h323m
7d556
30d69879
23 shows
38 tapes
2011
2
PlaybackListensHours
48h00m
7d00m
30d222m
4 shows
4 tapes
2010
8
PlaybackListensHours
48h00m
7d00m
30d855m
1 show
3 tapes
2002
31
PlaybackListensHours
48h00m
7d122
30d314
2 shows
2 tapes
2000
19
PlaybackListensHours
48h00m
7d111
30d192
2 shows
2 tapes
1998
15
PlaybackListensHours
48h00m
7d00m
30d152
3 shows
3 tapes
1997
32
PlaybackListensHours
48h00m
7d182
30d324
9 shows
15 tapes
1995
33
PlaybackListensHours
48h945m
7d750m
30d334
1 show
1 tape
1994
28
PlaybackListensHours
48h161
7d524m
30d282
1 show
1 tape
1993
33
PlaybackListensHours
48h00m
7d00m
30d333
2 shows
2 tapes
1992
15
PlaybackListensHours
48h00m
7d214m
30d151
3 shows
3 tapes
1991
151
PlaybackListensHours
48h00m
7d192
30d15113
10 shows
11 tapes
1990
73
PlaybackListensHours
48h00m
7d13m
30d736
5 shows
5 tapes
1989
105
PlaybackListensHours
48h00m
7d28m
30d1059
10 shows
14 tapes
1988
30
PlaybackListensHours
48h00m
7d00m
30d302
2 shows
3 tapes
1986
17
PlaybackListensHours
48h00m
7d12m
30d171
2 shows
4 tapes
1985
1
PlaybackListensHours
48h00m
7d00m
30d13m
1 show
1 tape
1984
51
PlaybackListensHours
48h318m
7d273
30d515
9 shows
10 tapes
1983
55
PlaybackListensHours
48h222m
7d524m
30d555
7 shows
13 tapes
1982
202
PlaybackListensHours
48h00m
7d283
30d20219
20 shows
33 tapes
1981
26
PlaybackListensHours
48h00m
7d00m
30d262
3 shows
5 tapes
1980
68
PlaybackListensHours
48h211m
7d445
30d687
7 shows
12 tapes
1978
152
PlaybackListensHours
48h00m
7d434
30d15214
12 shows
21 tapes
1975
231
PlaybackListensHours
48h00m
7d272
30d23117
7 shows
8 tapes
1972
19
PlaybackListensHours
48h00m
7d00m
30d196
1 show
1 tape
2012
Sources
Taper: Scott Bernstein
1:48:19
SBD
Rating:
8.00 / 1 rating
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
bw2012-09-07.tlm170.flac16
Source:
Audience
Lineage:
Neumann TLM-170s (cardoids, GA floor, just left of SBD) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Pro 10.0d (L/R channel time sync to compensate for being slightly off center in the room; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; major clap removal, targeted EQ to reduce feedback and a couple of whistles/yells) Tracked in CDWav.
Taper Notes:
View Notes* = w/Warren Haynes on guitar / vocals + = w/Grace Potter on Vocals # = w/Bobby Keys on saxophone ^ = w/o Bob Weir *** Note that I spent DAYS scrubbing tons of loud claps from this quiet performance from T3(27 claps, 1 burst of feedback), T4(14 claps), T5(24 claps + 1 burst of feedback), T6(57 claps), T7(28 claps), T8(61 claps + 3 bursts of feedback), T9(81 claps, EQ to reduce a whistle, a yell, and 3 bursts of feedback), T10(11 claps, 1 burst of bad feedback), T11(37 claps + 4 bursts of bad feedback), T13(106 claps!), T15(50 claps + EQ to minimize 2 whistles), T16(11 claps), T18(1 clap + 1 burst of feedback), T20(12 claps) *** Unfortunately there's nothing I could do about the extremely chatty crowd during this set. I was running on a very tall mic stand, so it's quite listenable, but still...The crowd used Bobby's set as their "social hour" and were barely paying attention to the music. :( Note Bobby's comment at the end of Lost Sailor "I can hardly hear myself" saying he couldn't play "Saint of Circumstance" because it was too loud and needed to go in a different direction. Luckily a few people who WERE paying attention yelled back and convinced him otherwise. :) This was the 2nd show at the newly-reopened Capitol Theatre. It was a benefit concert for <a href="http://www.headcount.org" rel="ugc nofollow">Headcount</a>. It was also Pete Shapiro's 40th birthday concert. Recorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/15-24/2012) Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="ugc nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="ugc nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a> The Roots (+ Friends) set from later on this same night is available for download here: <a href="https://archive.org/details/theroots2012-09-07" rel="ugc nofollow">https://archive.org/details/theroots2012-09-07</a>
Source 2 of 3
1:48:38
SBD
SHNID:
bw2012-09-07
Source:
SBD > flac file > TLH > WAV >
Lineage:
Sound Forge Pro 17.0 > CDWav > TLH > .flac files
Taper: Tom G
1:48:25
Rating:
9.00 / 3 ratings
Taper:
Tom G
Transferrer:
Tom G
SHNID:
bw2012-09-07.nak700
Source:
Nakamichi 700's w/cp701's>Naiant Tinybox>Sony M-10
Lineage:
M-10>Audacity>TLH>FLAC
Taper Notes:
View Notesclamped to loge rail, dead center, 3 feet out, 110 degrees/25cm