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June 10th
0 shows
0 tapes
Years
2002
502
PlaybackListensHours
48h516
7d618
30d50262
23 shows
70 tapes
2001
1 show
1 tape
2000
178
PlaybackListensHours
48h324
7d121
30d17825
25 shows
50 tapes
1998
1k
PlaybackListensHours
48h5710
7d25043
30d1k176
28 shows
132 tapes
1997
45
PlaybackListensHours
48h00m
7d335m
30d458
1 show
1 tape
1998
7/19/98
Crowd/Tuning
2:06
Playin' In The Band>
9:56
All Along The Watchtower
9:54
Scarlet Begonias>
11:13
Fire On The Mountain
13:54
Jack A Roe
7:09
Minglewood Blues
8:40
Down The Road
8:58
White Wheeled Limousine
10:12
Bird Song>
10:47
Samson And Delilah>
9:33
Drums>
9:53
Space>Banyan Tree>
10:18
Space>
7:48
Playin Reprise>
2:45
Wharf Rat>
8:26
Throwing Stones>
11:08
Not Fade Away/NFA Chant
11:19
Ripple
8:35
FIN
View on archive.org
Sources
Transferrer: Dave Cohen
2:48:19
SBD
Rating:
6.00 / 4 ratings
Transferrer:
Dave Cohen
SHNID:
too1998-07-19.dsbd.cohen.102965.flac16
Source:
DAT Master (Panasonic SV3700)>DAT Clone(Panasonic SV3700)
Lineage:
Played back on Tascam DA20MKII>LynxOne Digital In>Wavelab 6.0 Edited in Bias Peak Pro 6, Flac'd in Sample Manager
Taper Notes:
View NotesFirst All Along The Watchtower Jorma Kaukonen on Samson and Delilah Happy Trails on PA System while audience was leaving the venue
Source 2 of 7
2:47:50
SBD
SHNID:
too1998-07-19.sbd.serafin.10954.shnf
Source:
SBD > D > ? > CD-R (W/PRE-EMPHASIS) > SSSB
Lineage:
???
Taper Notes:
View Notesthis is a jay serafin source, so, there is pleasure in reading the text file, especially if you live in the united kingdom
Taper: Dolphinsmile
2:46:55
Taper:
Dolphinsmile
Transferrer:
Dolphinsmile
SHNID:
too1998-07-19.143012.dolphinsmile.flac1644
Source:
Schoeps>Dat>Clone to me> File cloned in Microtrack with Tascam Dat deck>TLH8
Taper Notes:
View Notessome wind noise but otherwise EXC sound.
Taper: Mike Darby
2:52:34
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
too1998-07-19.AKG451.Darby.119278.Flac1648
Source:
Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/Edge Of Lawn/8 Feet High) Tascam DA-P1 @ 16/48
Lineage:
Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:A HUGE HUGE Thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:52:34
Rating:
10.00 / 1 rating
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
too1998-07-19.AKG451.Darby.119277.Flac1644
Source:
Master Audience Recorded By Mr. Darby AKG451EB/CK1's (DIN/DFC/Edge Of Lawn/8 Feet High) Tascam DA-P1 @ 16/48
Lineage:
Transfer Information:Fostex D-5>Tascam HD-P2 @ 16/48> HDD>Audacity (Tracking/Fades)>xACT (FLAC6) Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A HUGE HUGE Thanks out to Mr. Darby for recording and sharing his source for this show! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: WheelToTheStorm
1:59:07
Taper:
WheelToTheStorm
Transferrer:
Robb McKeever
SHNID:
too1998-07-19._at-822.flac16
Source:
AUD > AT 822-> Sony D8
Lineage:
Sony DTC-670 > s/pdif out > Monster Datalink 100 > Yamaha DP-U50 > Sony VAIO XG700 > ProTracks (resampled 16 bit: 48kHz->44.1kHz) > Wav 16bit 44.1kHz Flac Transfer: Frontend FLAC16 (level 6); MDsummer v1.02.05 MD5 Generation
Taper Notes:
View NotesTech Notes: This is the first show I have ever recorded. The quality reflects this fact. I was in the tapers section this night and had to have looked like quite the fool. First off I had an at-822 mic, which is a stereo microphone. Pushy salesman that really had no idea what my application was going to be. I might as well of gotten a mic from Radio Shack for $1.00 and I would have the same quality, basically. Second mistake, only having the D8 handle the mic preamp duties (also plugged into the line in not the mic in), and what is a wind screen, never heard of that. So the gear is sub standard and my idea of taping is quite off. I lined up way off center, and the whole night I'm messing with the height of the mic stand, not knowing that everytime you move the mic a horrible sound results. Here I am with the most prolific and professional tapers, The Grateful Dead Tapers Section, with bad equipment and moving the mic constantly. What a fool I must of looked like. For audiophiles this recording is impossible to listen to, but I still archived it because, well, it's my first recording, and that deserves it's spot in the archive for that reason alone. Normalized +15.63dB; resampled from 48kHz to 44.1 kHz. The rain began with "Jack-A-Roe" and with that begins the up and down of the mic stand, causing major booming sounds. It continues through "Minglewood". "Down The Road Again" is cut. Bird Song has stand movement throughout, and it is cut at the end because of excessive movement of the mic stand. Playin' thru Fire and Drumz thru Playin' are decent, the rest is horrible. Show Notes: Besides the fact that I really had no business in the tapers section that night, It was nice to see the old crowd again. The scene was still about the same in 1998 as it had been in 1995, granted scaled down. I actually was able to talk to people I haven't scene since 1995 or before. However that's were the simularities end. Inside a guy I was standing next to at one point had a girlfriend with him, and he actually said to her, "This is just like a Dead Show". Naturally I didn't say anything to him, but he was way off the mark. Sorry boys, but the local dead cover band does better covers, than this incarnation did all tour. Still, music aside, getting all back together with fellow deadheads was a real treat.
Taper: Chuck Miller
2:09:10
Taper:
Chuck Miller
Transferrer:
Chuck Miller
SHNID:
too1998-07-19.aud.miller.116165.flac16
Lineage:
Sony TC-WE635 (analog out) > Tascam DR-680 (S/PDIF out - pass through @ 44.1kHz, 16 bit, stereo) > M-Audio Delta 2496 > PC > WaveLab 5
Taper Notes:
View NotesThis recording is a mess... Jack-A-Roe, New Minglewood Blues, Down the Road, the beginning of White Wheeled Limosine, the middle of Banyon Tree, some of Playing in the Band and all of Ripple are missing. There is lots of overload distortion on this recording. Especially during Samson & Delilah, where the taper boosted the gain resulting in heavy clipping briefly. FWIW, I didn't plan to seed this recording because of all the problems. But, there are no other audience sources in the archive. Released: 09-27-2011