RELISTENTOTHE Steve Kimock Band
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Steve Kimock Band
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Today In History
June 10th
1 show
2 tapes
Years
2022
35
PlaybackListensHours
48h00m
7d214
30d357
1 show
1 tape
2021
17
PlaybackListensHours
48h00m
7d132
30d173
2 shows
2 tapes
2019
2
PlaybackListensHours
48h00m
7d213m
30d213m
1 show
1 tape
2018
1
PlaybackListensHours
48h133
7d00m
30d117m
3 shows
4 tapes
2017
26
PlaybackListensHours
48h326
7d143
30d267
8 shows
11 tapes
2016
14
PlaybackListensHours
48h00m
7d00m
30d142
2 shows
2 tapes
2015
3
PlaybackListensHours
48h00m
7d00m
30d337m
5 shows
6 tapes
2013
20
PlaybackListensHours
48h71
7d00m
30d203
7 shows
10 tapes
2012
2
PlaybackListensHours
48h00m
7d00m
30d231m
4 shows
5 tapes
2006
110
PlaybackListensHours
48h00m
7d4010
30d11025
6 shows
10 tapes
2005
280
PlaybackListensHours
48h348m
7d6411
30d28057
53 shows
73 tapes
2004
125
PlaybackListensHours
48h41
7d92
30d12525
44 shows
56 tapes
2003
296
PlaybackListensHours
48h133
7d449
30d29668
72 shows
139 tapes
2002
273
PlaybackListensHours
48h153
7d10928
30d27366
52 shows
83 tapes
2001
261
PlaybackListensHours
48h359
7d194
30d26158
65 shows
91 tapes
2000
140
PlaybackListensHours
48h266
7d276
30d14032
45 shows
71 tapes
2002
7/3/02
Intro >
2:35
Thing One
15:48
You're the One
18:06
Bronx Experiment
9:48
A New Africa
12:29
fade out>
0:04
fade in<
0:04
Elmer's Revenge
22:55
Hillbillies on PCP
13:17
Band Intros
3:11
Electric Wildlife
11:07
High & Lonesome
15:51
fade out>
0:04
fade in<
0:04
Moon People
11:57
Ice Cream Factory
14:42
Sabertooth
15:39
Cole's Law
12:18
FIN
View on archive.org
Sources
Taper: Charlie Miller & Arielle Phares
2:54:23
Rating:
10.00 / 2 ratings
Taper:
Charlie Miller & Arielle Phares
Transferrer:
Charlie Miller
SHNID:
skb2002-07-03
Source:
{Stage} Rode NT2 > MP2 > SBM1 > Dat (Sony D8/48k)
Lineage:
Dat (Sony D8) > Sound Devices USB Pre > Sony Vaio GR270P > Samplitude 2496 v6.0 > SHN
Taper: Scott Brown
3:01:33
Rating:
9.00 / 2 ratings
Taper:
Scott Brown
Transferrer:
Scott Brown
SHNID:
skb2002-07-03.4022-onstage.shnf
Source:
(on-stage) DPA (B&K) 4022s > Sound Devices MP-2 > Audio Magic Sorcerer XLRs > Sonic AD2k+ @ 16NS3, +18, 48khz > Sony D8
Lineage:
Tascam DA-20mkii > Emagic Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > shntool 1.01
Taper Notes:
View NotesSource: DPA (B&K) 4022s > Sound Devices MP-2 > Audio Magic Sorcerer XLRs > Sonic AD2k+ @ 16NS3, +18, 48khz > Sony D8 Transfer: Tascam DA-20mkii > Emagic Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > shntool 1.01 Location: Onstage center, ORTF
Taper: Dan Heend
2:59:59
Rating:
10.00 / 1 rating
Taper:
Dan Heend
SHNID:
skb2002-07-03.mk4v.shnf
Source:
(onstage) Schoeps CMC6/MK4V ** 16 bit ** > Lunatec V2 > Benchmark AD2402-96 > DAARWIN-24 laptop > SoundForge > SHN
Taper Notes:
View NotesTrimmed, faded in and out of sets, and tracked into separate files with Sonic Foundry Sound Forge 5.0 using Markers, Special->Regions->Markers to Regions, and Tools->Extract Regions to files. No additional processing was performed on the 24/48 material. 16-bit, 44.1kHz mastering --------------------------- Using Sound Forge 5.0, Normalized first two songs of Set 2 from ~-7.1dB to ~-3.7dB in order to correct the balance. Applied Waves L2 Ultramaximizer DX Plugin (limiting with threshhold=-3.0dB, Out Ceiling=-0.2dB, quantization to 24bit with IDR Type 1 Dither and Normal Noise shaping) as substitute for normalization. SF 5.0 for sample rate conversion to 44.1 using anti-aliasing filter and highest quality setting, followed by another round of Waves L2 Ultramaximizer (Threshhold=0dB, Out Ceiling=0dB [no limiting or compression] for quantization to 16-bit with IDR TYpe 1 dither and Ultra noise-shaping). Resultant file was then truncated to 16-bit, and tracked into separate files with Sonic Foundry Sound Forge 5.0 using Markers, Special->Regions->Markers to Regions, and Tools->Extract Regions to files. Tracked files (by set) were run through SHNTOOL FIX for proper CD track boundaries. Fade tracks were then created using Sound Forge 5.0 on proper sector boundaries, and SHNTOOL FIX was again run on a per CD basis to ensure that the sector boundaries check out. SHNTOOL STRIP was then run to remove any extra RIFF info. The files were then SHN'd, seek tables appended, and MD5's were created. Comments from Dan: This show was nothing but fun. A fantastic "private party" hosted by Gary "Phunk1" Johnson. All the regular peeps from all over the universe seemed to be there. Great place, sound was excellent from the stage. Despite what some others have said about the show, I thought everyone was very well behaved and pretty quiet. Shouts out to fellow taper geeks: Gary, Charlie, Arielle, Alan, and Bill (the Artful Dodger). As for the 16-bit mastering, in the past I've generally taken a totally minimalistic approach to 16-bit mastering... No normalization, no EQ, no compression, no limiting, etc... But this time, I thought about normalizing to try to bring some of the extra resolution captured by the 24-bit recording into the 16-bit realm. Noting that there were only a couple of transient points in the music that reached over -3dB, the overall levels were more typically around 4dB below FSD or lower. I decided a little soft-knee limiting in the 24-bit domain wouldn't hurt, and would raise the levels a little without too much negative impact on the overall sound. That's why I ran the extra L2 process. Figuring that since the original 24-bit would be archived in it's pristine, unadulterated state, that the limiting process wouldn't be that bad for the 16-bit master. In fact, lately I'm rethinking my approach to my 16-bit mastering efforts in this manner, especially since I feel the 16-bit CD is a very temporary medium at this point. Because it is my personal opinion that the recording is flawless, the 16-bit mastering will not be first released to dankseeds for certification--unfortunately the dank review process lately has been taking a little too long for my taste, and I'd like to see this make its rounds a sooner than later. So enjoy it already! -Dan
Taper: Brian Abramson
2:55:48
Rating:
10.00 / 1 rating
Taper:
Brian Abramson
Transferrer:
Brian Abramson
SHNID:
skb2002-07-03-m300.shnf
Source:
(onstage) Gefell M300 > ART DPS/DIO > Tascam DAP1
Lineage:
Sony 2000ES (DAT) > WAV (WinNT) via toslink to ZA2 soundcard > SHN [no DAE]
Taper: Freddie G
2:59:29
Taper:
Freddie G
Transferrer:
Freddie G
SHNID:
skb2002-07-03.mg.flacf
Source:
Microtech Gefel 200>Aeta PSP3>SBM1>Sony D8>DAT
Lineage:
DAT>Sony R300>Audiophile 24/96>PC>CD Wave>Traders Little Helper>Flac (Level 8)
Taper: Scott Brown
3:01:33
Taper:
Scott Brown
Transferrer:
Scott Brown
SHNID:
skb2002-07-03.dpa4022.shnf
Source:
{onstage} DPA (B&K) 4022s (ORTF) > MP-2 > Sonic AD2k+ @ 16NS3, +18, 48khz > Sony D8 (DAT)
Lineage:
Tascam DA-20mkii (DAT) > Emagic Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > WAV; Encoding: WAV > SHN [no DAE]
Taper Notes:
View Notes{onstage} DPA (B&K) 4022s (ORTF) > MP-2 > Sonic AD2k+ @ 16NS3, +18, 48khz > Sony D8 (DAT); Transfer: Tascam DA-20mkii (DAT) > Emagic Audiowerk2 > PowerMac G4/733 > Coaster 1.1.3 > SoundEdit16 2.07 > WAV; Encoding: WAV > SHN [no DAE]