RELISTENTOTHE Steve Kimock Band
Re
Bands
Featured
Bands
Steve Kimock Band
RecentTopVenues
Today In History
June 8th
2 shows
3 tapes
Years
2022
27
PlaybackListensHours
48h81
7d153
30d276
1 show
1 tape
2021
17
PlaybackListensHours
48h132
7d132
30d173
2 shows
2 tapes
2019
2
PlaybackListensHours
48h00m
7d213m
30d213m
1 show
1 tape
2018
4
PlaybackListensHours
48h00m
7d00m
30d41
3 shows
4 tapes
2017
23
PlaybackListensHours
48h00m
7d343m
30d236
8 shows
11 tapes
2016
14
PlaybackListensHours
48h00m
7d00m
30d142
2 shows
2 tapes
2015
3
PlaybackListensHours
48h00m
7d00m
30d337m
5 shows
6 tapes
2013
20
PlaybackListensHours
48h00m
7d00m
30d203
7 shows
10 tapes
2012
2
PlaybackListensHours
48h00m
7d00m
30d231m
4 shows
5 tapes
2006
100
PlaybackListensHours
48h113
7d308
30d10022
6 shows
10 tapes
2005
254
PlaybackListensHours
48h285
7d7013
30d25451
53 shows
73 tapes
2004
158
PlaybackListensHours
48h115m
7d92
30d15832
44 shows
56 tapes
2003
352
PlaybackListensHours
48h217m
7d5913
30d35281
72 shows
139 tapes
2002
233
PlaybackListensHours
48h5012
7d10126
30d23357
52 shows
83 tapes
2001
257
PlaybackListensHours
48h154
7d255
30d25757
65 shows
91 tapes
2000
135
PlaybackListensHours
48h331m
7d214
30d13531
45 shows
71 tapes
2002
2/5/02
Tuning and Steve NJ Rap
3:31
Cole's Law ->
13:52
Tangled Hangers
22:06
Better Get Hit In Your Soul
17:48
(Lead-out Track)
0:04
(Lead-in Track)
0:04
Incantation
15:51
Hillbillies on PCP
14:00
2nd set Tuning/Ambience
2:36
Arf She Cried
15:00
Long Form Part 1
21:43
(Lead-out Track)
0:04
(Lead-in Track)
0:04
Rainbow's Cadillac
14:04
Five Before Funk
18:12
E1: Tongue and Groove
17:56
E2: You're the One
9:26
FIN
View on archive.org
Sources
Taper: Dan Heend
3:06:21
Rating:
10.00 / 2 ratings
Taper:
Dan Heend
SHNID:
skb2002-02-05.schoeps.shnf
Source:
{onstage} Schoeps CMC6/MK4V > Lunatec V2 > AD2K+ > DAARWIN-24 Laptop > Soundforge > SHN
Taper Notes:
View Notes*Dankseed Certification received 2002-05-18* and posted at http://groups.yahoo.com/group/dankseeds/files/skb2002-02-05.mk4v-onstage/ Listening test performed by *5* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK Passes SHNTool- OK negative criteria met: DAE- NO Unecessary resampling- NO Diginoise- NO _________________________________________________________________________________ *24-bit/48kHz recording* From Left to right in stereo image and onstage: Steve Kimock - Guitars, steel table guitar [far left] Rodney Holmes - Drums, Percussion, techno-loop on laptop computer [just left of center by 2 feet] Alphonso Johnson - Bass guitar [between Rodney and Mitch on right] Mitch Stein - Guitar [far right] Recorded, mastered, and seeded by Dan Heend - [email protected] 16-bit mastering performed with Sound Forge 5.0 (in order: Fades at beginning and end of sets, downsampling to 44.1kHz with anti-alias on at level 4 [best quality], dithering and noise shaping applied with Waves L2 Ultramaximizer Type 1 dither with Ultra Noise shaping, truncation to 16-bit). All files were SHNTOOLed for proper CD sector boundaries. Overlapping fade tracks were created after SHNTOOLing. SHN files were then created. Drop fade (lead-in/out tracks) tracks & concatenate all remaining waves to achieve seamless recreation of original recording. There are MD5's of both the .wav files and the resultant .shn files. SHN seek files were appended. 24-bit .WAVs = 2.80GB 24-bit .APEs = 1.90GB 16-bit .WAVs = 1.84GB 16-bit .SHNs = 980MB Burned onto 4x74 minute Data CD's or 1xDVD-R in 24-bit/48kHz .APE format, 3x74min Audio CD's, or 2x74min 16-bit 44.1kHz SHN CD's. Submitted to Dankseeds for certification on 3/3/2002. **Note the 4 fade tracks on this seed. To play the show continuously in shnamp, the following files should not be loaded: d1t05 d2t01 d2t07 d3t01 Comments from Dan: Strange but pleasant venue. Stage about 4' high, packed underneath with giant loud-ass subwoofers. Steve's white road case was in the middle between the two guitarists, almost blocking Rodney's kick drum. They left the case there the whole show. Might have had something to do with gaining better separation onstage for the musicians. Mics were placed a foot or two left of the case, about Kimock's knee high to avoid being blocked in the center. Can't really tell if the box had an effect on the quality of the recording. There weren't that many people patched out of me that night, so that's why I did this mastering. No problems with the equipment. Rowdy crowd. Very experimental evening for the band.