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Today In History
June 11th
Years
2025
97
PlaybackListensHours
48h831m
7d210m
30d978
11 shows
14 tapes
2024
28
PlaybackListensHours
48h314m
7d210m
30d282
20 shows
31 tapes
2023
18
PlaybackListensHours
48h00m
7d00m
30d181
15 shows
19 tapes
2022
9
PlaybackListensHours
48h00m
7d731m
30d937m
18 shows
29 tapes
2021
1
PlaybackListensHours
48h00m
7d00m
30d14m
1 show
1 tape
2019
3
PlaybackListensHours
48h00m
7d14m
30d311m
10 shows
14 tapes
2018
8
PlaybackListensHours
48h18m
7d212m
30d81
22 shows
31 tapes
2016
4
PlaybackListensHours
48h28m
7d320m
30d425m
12 shows
16 tapes
2015
16
PlaybackListensHours
48h00m
7d14m
30d161
19 shows
22 tapes
2014
10
PlaybackListensHours
48h121
7d00m
30d1050m
11 shows
15 tapes
2013
7
PlaybackListensHours
48h00m
7d00m
30d735m
20 shows
24 tapes
2012
6
PlaybackListensHours
48h00m
7d29m
30d624m
22 shows
29 tapes
2011
8
PlaybackListensHours
48h00m
7d112m
30d854m
15 shows
21 tapes
2010
3
PlaybackListensHours
48h00m
7d00m
30d316m
32 shows
45 tapes
2008
34
PlaybackListensHours
48h00m
7d323m
30d343
60 shows
95 tapes
2007
57
PlaybackListensHours
48h1039m
7d141
30d575
78 shows
178 tapes
2000
199
PlaybackListensHours
48h26m
7d1155m
30d19916
120 shows
264 tapes
1999
26
PlaybackListensHours
48h00m
7d00m
30d262
15 shows
41 tapes
1998
17
PlaybackListensHours
48h00m
7d15m
30d172
62 shows
128 tapes
1997
88
PlaybackListensHours
48h2159m
7d202
30d887
34 shows
77 tapes
1996
587
PlaybackListensHours
48h630m
7d928
30d58752
106 shows
168 tapes
1995
47
PlaybackListensHours
48h00m
7d133m
30d474
16 shows
32 tapes
1994
58
PlaybackListensHours
48h414m
7d1052m
30d585
59 shows
94 tapes
1993
269
PlaybackListensHours
48h232
7d504
30d26922
56 shows
86 tapes
1992
24
PlaybackListensHours
48h314m
7d524m
30d242
34 shows
59 tapes
1991
46
PlaybackListensHours
48h00m
7d943m
30d464
40 shows
68 tapes
1990
8
PlaybackListensHours
48h00m
7d00m
30d838m
4 shows
6 tapes
1989
3
PlaybackListensHours
48h00m
7d00m
30d36m
4 shows
5 tapes
1988
8
PlaybackListensHours
48h00m
7d00m
30d846m
5 shows
7 tapes
1999
4/14/99
Zero [cut in]
2:34
Pug
4:33
La Dolly Vita
4:31
Speed Kills
5:51
Stand Inside Your Love
4:00
Glass and the Ghost Children
11:11
Glass' Theme
2:36
The Imploding Voice
4:12
Dross
4:00
Wound
4:52
Cash Car Star
3:44
Ava Adore
5:29
Today
7:54
stage banter / Starla tease
1:12
Muzzle
5:12
Soma
6:42
Blue Skies Bring Tears
5:16
If There is a God
1:32
With Every Light
4:15
Geek U.S.A.
7:05
FIN
View on archive.org
Sources
Source 1 of 3
1:45:03
SBD
Rating:
10.00 / 1 rating
SHNID:
tsp1999-04-14.matrix.flac24
Lineage:
FLAC > WAV > Pro Tools > WAV > FLAC
Taper Notes:
View NotesA Matrix of SBD and AUD sources completed by B Beauchamp Sources: https://archive.org/details/ArisingTramps1999Soundboard And https://archive.org/details/sp1999-04-14.flac16 Lineage: FLAC > WAV > Pro Tools > WAV > FLAC Tagging: BB *a BB Remaster 2023* ** mastered at 24bit 48 khz** 01. I Am One 02. Zero 03. Pug 04. La Dolly Vita 05. Speed Kills 06. Stand Inside Your Love 07. Glass and the Ghost Children 08. Glass' Theme 09. Virex 10. Dross 11. Wound 12. Cash Car Star 13. Ava Adore 14. Today 15. Muzzle 16. Soma 17. Blue Skies Bring Tears 18. If There Is A God 19. With Every Light 20. Geek USA Total time: 1:45:05 Notes: Not my first (re)mastering for personal use but the first I'm attempting to share with the world. It's a great show from the short Arising! Club tour in 1999. The SBD source is lossy - it's the only SBD source I'm aware of in circulation. I tried to master the SBD source a handful of times over the years and could never get it done well enough. I only just stumbled upon the AUD source and decided to try my first matrix mix. I put a lot of effort into this - it is a true MIX of the two sources and not just one laid on top of the other, which wasn't possible. For one, The SBD source has dropouts and the AUD source has much of the between song banter cut out. In addition the two sources seem to run at slightly different speeds so that it required constant nudging and small edits as it went along. The SBD source is very dry and drum heavy and the audience source is pretty distorted but amazingly the two worked pretty well together. After EQ, Compressing, Limiting, etc. each source, much of my effort went into alignment and filling the gaps (usually missing between song banter). I tried to blend the SBD audience chatter with the AUD audience chatter, and lowered the audience chatter during quieter sections - since there was a ton of in your face screaming, howling, and singing along. I'm very proud of this and I really enjoy listening to it and I hope you do too.
Source 2 of 3
1:36:41
SHNID:
tsp1999-04-14.dat.flac16
Source:
AUD > DAT
Lineage:
DAT > CDR-1 > EAC > FLAC
Source 3 of 3
1:35:28
SHNID:
sp1999-04-14.flac16
Source:
AUD/ MD (master)>CDR
Lineage:
CDR>EAC>WAV>FLAC