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Today In History
June 6th
1 show
3 tapes
Years
2025
169
PlaybackListensHours
48h00m
7d1559m
30d16914
11 shows
14 tapes
2024
39
PlaybackListensHours
48h00m
7d00m
30d393
20 shows
31 tapes
2023
18
PlaybackListensHours
48h00m
7d00m
30d181
15 shows
19 tapes
2022
2
PlaybackListensHours
48h00m
7d00m
30d26m
18 shows
29 tapes
2021
1
PlaybackListensHours
48h00m
7d00m
30d14m
1 show
1 tape
2019
2
PlaybackListensHours
48h14m
7d00m
30d27m
10 shows
14 tapes
2018
8
PlaybackListensHours
48h00m
7d00m
30d81
22 shows
31 tapes
2016
1
PlaybackListensHours
48h00m
7d00m
30d15m
12 shows
16 tapes
2015
16
PlaybackListensHours
48h00m
7d00m
30d161
19 shows
22 tapes
2014
10
PlaybackListensHours
48h00m
7d00m
30d1050m
11 shows
15 tapes
2013
7
PlaybackListensHours
48h00m
7d00m
30d735m
20 shows
24 tapes
2012
4
PlaybackListensHours
48h00m
7d00m
30d415m
22 shows
29 tapes
2011
7
PlaybackListensHours
48h00m
7d00m
30d742m
15 shows
21 tapes
2010
12
PlaybackListensHours
48h00m
7d00m
30d1252m
32 shows
45 tapes
2008
33
PlaybackListensHours
48h312m
7d28m
30d333
60 shows
95 tapes
2007
46
PlaybackListensHours
48h00m
7d333
30d464
78 shows
178 tapes
2000
213
PlaybackListensHours
48h1150m
7d786
30d21317
120 shows
264 tapes
1999
26
PlaybackListensHours
48h00m
7d00m
30d262
15 shows
41 tapes
1998
16
PlaybackListensHours
48h533m
7d535m
30d162
62 shows
128 tapes
1997
69
PlaybackListensHours
48h141
7d202
30d695
34 shows
77 tapes
1996
540
PlaybackListensHours
48h545
7d969
30d54047
106 shows
168 tapes
1995
70
PlaybackListensHours
48h00m
7d00m
30d705
16 shows
32 tapes
1994
79
PlaybackListensHours
48h00m
7d834m
30d797
59 shows
94 tapes
1993
270
PlaybackListensHours
48h202
7d343
30d27023
56 shows
86 tapes
1992
22
PlaybackListensHours
48h00m
7d00m
30d222
34 shows
59 tapes
1991
48
PlaybackListensHours
48h00m
7d11m
30d483
40 shows
68 tapes
1990
13
PlaybackListensHours
48h00m
7d00m
30d1349m
4 shows
6 tapes
1989
3
PlaybackListensHours
48h00m
7d00m
30d36m
4 shows
5 tapes
1988
32
PlaybackListensHours
48h00m
7d00m
30d323
5 shows
7 tapes
1999
4/14/99
I Am One
4:36
Zero
3:37
Pug
4:42
La Dolly Vita
4:30
Speed Kills
5:46
Stand Inside Your Love
4:04
Glass and the Ghost Children
11:11
Glass' Theme
2:37
Virex
4:13
Dross
4:07
Wound
4:45
Cash Car Star
3:43
Ava Adore
5:28
Today
8:52
Muzzle
5:12
Soma
9:56
Blue Skies Bring Tears
5:09
If there is a God
1:32
With Every Light
4:38
Geek USA
6:25
FIN
View on archive.org
Sources
Source 1 of 3
1:45:03
SBD
Rating:
10.00 / 1 rating
SHNID:
tsp1999-04-14.matrix.flac24
Lineage:
FLAC > WAV > Pro Tools > WAV > FLAC
Taper Notes:
View NotesA Matrix of SBD and AUD sources completed by B Beauchamp Sources: https://archive.org/details/ArisingTramps1999Soundboard And https://archive.org/details/sp1999-04-14.flac16 Lineage: FLAC > WAV > Pro Tools > WAV > FLAC Tagging: BB *a BB Remaster 2023* ** mastered at 24bit 48 khz** 01. I Am One 02. Zero 03. Pug 04. La Dolly Vita 05. Speed Kills 06. Stand Inside Your Love 07. Glass and the Ghost Children 08. Glass' Theme 09. Virex 10. Dross 11. Wound 12. Cash Car Star 13. Ava Adore 14. Today 15. Muzzle 16. Soma 17. Blue Skies Bring Tears 18. If There Is A God 19. With Every Light 20. Geek USA Total time: 1:45:05 Notes: Not my first (re)mastering for personal use but the first I'm attempting to share with the world. It's a great show from the short Arising! Club tour in 1999. The SBD source is lossy - it's the only SBD source I'm aware of in circulation. I tried to master the SBD source a handful of times over the years and could never get it done well enough. I only just stumbled upon the AUD source and decided to try my first matrix mix. I put a lot of effort into this - it is a true MIX of the two sources and not just one laid on top of the other, which wasn't possible. For one, The SBD source has dropouts and the AUD source has much of the between song banter cut out. In addition the two sources seem to run at slightly different speeds so that it required constant nudging and small edits as it went along. The SBD source is very dry and drum heavy and the audience source is pretty distorted but amazingly the two worked pretty well together. After EQ, Compressing, Limiting, etc. each source, much of my effort went into alignment and filling the gaps (usually missing between song banter). I tried to blend the SBD audience chatter with the AUD audience chatter, and lowered the audience chatter during quieter sections - since there was a ton of in your face screaming, howling, and singing along. I'm very proud of this and I really enjoy listening to it and I hope you do too.
Source 2 of 3
1:36:41
SHNID:
tsp1999-04-14.dat.flac16
Source:
AUD > DAT
Lineage:
DAT > CDR-1 > EAC > FLAC
Source 3 of 3
1:35:28
SHNID:
sp1999-04-14.flac16
Source:
AUD/ MD (master)>CDR
Lineage:
CDR>EAC>WAV>FLAC