RELISTENTOTHE Smashing Pumpkins
Re
07
Bands
Featured
Bands
Smashing Pumpkins
1996
7/10/96
Mellon Collie and the Infinite Sadness
2:54
Tonight, Tonight
4:22
Zero
2:25
Fuck You
4:59
To Forgive
3:59
Today
3:08
Thru the Eyes of Ruby >
7:58
By Starlight
6:20
Disarm
3:13
Bullet with Butterfly Wings
4:33
Siva
6:25
Porcelina of the Vast Oceans > Beautiful > Rocket (tease)
13:08
Cherub Rock
4:32
In-A-Gadda-Da-Vida (tease)
3:58
X.Y.U.
9:20
1979
4:26
Silverfuck
34:09
FIN
View on archive.org
Sources
Source 2 of 2
1:59:49
SHNID:
tsp1996-07-10.dat.flac16
Source:
AUD > DAT
Lineage:
DAT > standalone burner (tracked on the fly) > CDR > SHN > dEdit > FLAC
Taper Notes:
View Notesthis had been circulating as an SHN fileset with the following lineage: 07.10.96 USAir Arena; Landover, MD, US - 2/ aud>dat D7/SS>DSM-6 [the original text file is included here for posterity] thanks to Deadmarsh for pointing out that despite carrying the same rig info, this version actually sounds better than the spoogles DSM-6S > D7 tape at http://www.archive.org/details/tsp1996-07-10.flac16 upon further examination I discovered differences in the crowd noise (notably right at the start of the show) and a tape pause after Cherub Rock that isn't present on the other version I cannot detect a tape flip at any of the usual spots (45, 50, 55, 60 minutes) so I do not believe this to be an analog recording, which rules out the CSB > D6 rig as being the source for this you can also hear skips / flutter as the taper's DAT runs out at the 120 minute mark, missing the bands final thank-you (missing roughly 60 seconds compared to the spoogles version) so, it's possible that this is the ECM-909A > D8 source, or there could also have been two people running DSM-6 > D7 rigs at this show (a pretty common stealth setup in the mid-90s) track splits were obviously done on the fly during the transfer, and a cut / repeat during dead air around the 72 minute mark (ie the CD change for 74 minute media) seems to confirm a standalone burner as the transfer device I recombined this into a single WAV file with Audacity, cleaned up the cut / repeat and retracked it with CDWave this is Jimmy's last performance with the band until April 10th, 1999 in Detroit. Jonathon Melvoin joins in on a second drum kit during Silverfuck thanks to the original taper, whoever they may be