RELISTENTOPhil Lesh and Friends
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Bands
Phil Lesh and Friends
RecentTopVenues
Today In History
June 15th
4 shows
9 tapes
Years
2025
144
PlaybackListensHours
48h294
7d283
30d14420
6 shows
12 tapes
2024
118
PlaybackListensHours
48h430m
7d112
30d11820
10 shows
44 tapes
2023
165
PlaybackListensHours
48h92
7d184
30d16528
14 shows
63 tapes
2022
470
PlaybackListensHours
48h112
7d18733
30d47080
26 shows
115 tapes
2021
65
PlaybackListensHours
48h00m
7d193
30d6510
15 shows
90 tapes
2020
3
PlaybackListensHours
48h00m
7d00m
30d325m
9 shows
9 tapes
2019
337
PlaybackListensHours
48h295
7d16829
30d33757
16 shows
64 tapes
2018
199
PlaybackListensHours
48h213
7d225
30d19937
30 shows
74 tapes
2017
282
PlaybackListensHours
48h71
7d163
30d28246
30 shows
67 tapes
2016
281
PlaybackListensHours
48h7513
7d539
30d28148
21 shows
79 tapes
2015
58
PlaybackListensHours
48h102
7d92
30d589
12 shows
74 tapes
2014
858
PlaybackListensHours
48h71
7d396
30d858122
41 shows
161 tapes
2013
401
PlaybackListensHours
48h306
7d8316
30d40168
42 shows
114 tapes
2012
383
PlaybackListensHours
48h437
7d549
30d38365
49 shows
104 tapes
2011
22
PlaybackListensHours
48h00m
7d00m
30d223
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
626
PlaybackListensHours
48h476
7d18424
30d62688
63 shows
255 tapes
2007
402
PlaybackListensHours
48h204
7d426
30d40265
36 shows
158 tapes
2006
848
PlaybackListensHours
48h499
7d9316
30d848142
38 shows
128 tapes
2005
312
PlaybackListensHours
48h653m
7d335
30d31250
28 shows
109 tapes
2004
133
PlaybackListensHours
48h422m
7d506
30d13319
4 shows
26 tapes
2003
322
PlaybackListensHours
48h588
7d375
30d32249
22 shows
90 tapes
2002
1.9k
PlaybackListensHours
48h6110
7d10119
30d1.9k311
55 shows
234 tapes
2001
2k
PlaybackListensHours
48h16831
7d50277
30d2k338
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h346
7d11420
30d1.1k194
77 shows
209 tapes
1999
4.4k
PlaybackListensHours
48h22046
7d606128
30d4.4k905
43 shows
194 tapes
1998
38
PlaybackListensHours
48h00m
7d00m
30d386
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
121
PlaybackListensHours
48h632m
7d121
30d12112
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
64
PlaybackListensHours
48h14m
7d303
30d646
4 shows
5 tapes
1975
5
PlaybackListensHours
48h251m
7d00m
30d52
1 show
1 tape
1970
9
PlaybackListensHours
48h00m
7d00m
30d91
1 show
1 tape
1964
7
PlaybackListensHours
48h00m
7d41
30d73
1 show
1 tape
1959
27
PlaybackListensHours
48h00m
7d418m
30d272
1 show
3 tapes
1994
9/24/94
intro
3:05
Walkin' Blues
6:36
Lazy River Road
6:56
K.C. Moan
2:25
Dupree's Diamond Blues
5:17
Childhood's End
4:00
When I Paint My Masterpiece
5:19
Attics Of My Life
4:47
Cassidy
6:45
Bird Song
10:20
Throwing Stones
8:48
FIN
View on archive.org
Sources
Taper: unknown
1:04:27
SBD
Rating:
8.00 / 5 ratings
Transferrer:
sbd: Michael Zelner & aud: Pat Volkerding
SHNID:
paf1994-09-24.matrix.sirmick.78005.flac16
Source:
sbd > dat(s) > cdr & scheops cmc4 > dat > za2 > wav > shn
Lineage:
matrix
Taper Notes:
View NotesThe scheops source has a cut at 4:09 in Lazy River Road with approximately 2.5 seconds missing, which hadn't previously been noted. The sbd has small sections of crowd/tuning missing. I've assumed that the sbd is at the correct speed and had to make some very small adjustments to the aud on most tracks. Thanks to Matt Vernon and Chris Ladner for getting these sources out there, of this beautiful show.
Source 2 of 8
1:01:57
SBD
Rating:
9.35 / 38 ratings
SHNID:
1994-09-24.paf.sbd.zelner-vernon.14071.sbeok.flacf
Source:
SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper Notes:
View NotesSBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper: Unknown
1:04:11
Transferrer:
From The Gastwirt Collection; Charlie Miller & Joe Noel
Source:
Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB - 9th row) Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48
Taper Notes:
View NotesNotes: - this is an upgrade to shnid 89660 - first Phil & Friends show - benefit for Berkeley School of Music - ever the iconoclast's * first & only acoustic Throwing Stones
Taper: Scott Medeiros
1:35:31
Rating:
9.00 / 3 ratings
Taper:
Scott Medeiros
Transferrer:
Scott Medeiros
SHNID:
PL1994-09-24.PhilLeshandFriendsBerkelyCenterforMusicNak300
Source:
Nakamichi CM300 CP4 > Sony D-8 ? > DAT >CASS >
Lineage:
Transfer SD > Adobe Audition > Flac
Taper Notes:
View NotesThis was the very First Phil Lesh and Friends Check me out on Youtube and please Subscribe https://www.youtube.com/channel/UCbLDkrWkBjNDP6-qzikPN5g Please check out my recording page on Facebook and give it a like ! https://www.facebook.com/pages/MuzikWize-Live-Recordings/681543778579073?ref=hl
Taper: Taper - Troy Morentin Row M (off center)
1:07:28
Taper:
Taper - Troy Morentin Row M (off center)
Transferrer:
Transferred by gsarchivist on 2019-08-03 Mastering by Jamie Waddell
SHNID:
paf1994-09-24.150154.morentin.waddell.flac1648
Source:
Neumann KM140s > Panasonic SV250 > Master DAT
Lineage:
Digital Transfer - Panasonic SV250 > Sound Devices 722 Transferred by gsarchivist on 2019-08-03
Taper Notes:
View Notes- some songs go right into the next one with applause over the first notes - hundreds of claps removed, crowd attenuated - very nice recording originally shared at www.shnflac.net on May 21, 2020 by Nicholas Meriwether On August 24, listeners in the San Francisco Bay Area tuned to KPFA for David Gans's syndicated radio show The Grateful Dead Hour heard an announcement too good to believe: there would be a benefit concert a week after the Shoreline Dead shows that would feature a set by the band minus the drummers, billed as "Phil Lesh and Friends." As the first acoustic Dead in the area since 1981, this was a significant event for fans. When tickets went on sale twelve days later, at 10 a.m. on a Monday morning, they sold out in twenty minutes. As the longest-running consistently touring major rock group, the Dead are known as a consummate electric band, but this mastery of their medium belies their fundamental fascination with the acoustic roots of American popular music. Bob Weir and Jerry Garcia had extensive experience in folk music before turning to rock, and Garcia made his own field recordings of Appalachian bluegrass to spur his banjo studies in the early Sixties. These influences are manifest in the band's repertoire today, and fans speculating on a dream set in the weeks before the show had to choose from a list of more than two dozen songs performed acoustically over the years. The purpose of the evening's show was a benefit for Berkeley High School's music program, which had graduated numerous jazz luminaries over the years, as well as two rock stars: Country Joe McDonald and Phil Lesh. In keeping with the band's long-standing tradition of benefit concerts -- they have played more than eighty over their twenty-nine year history -- tonight's performance was engineered by Lesh, who had been approached by a member of the Berkeley Public Education Foundation the previous May at a reception held for him following his performance as guest conductor with the Berkeley Symphony, in their guest conductors' program. Because of budget cuts, Berkeley had cut its school music program entirely a few months before. Since Lesh's parents had moved to Berkeley solely for the sake of their teen-ager's musical education -- they couldn't afford private lessons, and the program at Berkeley was renowned -- Lesh's response was "This is an outrage," and he promised to see what he could do. Shortly after, the Grateful Dead's charity arm, the Rex Foundation, gave a $10,000 dollar grant to help save the program. And Lesh called the Berkeley Public Education Foundation later that summer to say that he could also organize a benefit concert on their behalf, and provide the services of a majority of the Grateful Dead. With the guidance of Bill Graham Presents' Bob Barsotti -- as well as the work of many other members of the Dead and BGP -- the benefit was born. Berkeley Community Theater is on the campus of Berkeley High, and is clearly the showpiece for the school. A 3691 seat auditorium begun in 1941 and finished nine years later, BCT is a large Works Project Administration building designed by the team of Henry Gutterson and Will Corlett in the streamlined Deco style, with a beautiful interior, simply but tastefully decorated, excellent acoustics, and an ample balcony with an outdoor deck upstairs. Sight lines are good from almost anywhere inside, making it an ideal venue for acoustic music; it seems intimate, especially in contrast to the three concerts I saw the weekend before at the 20,000 seat Shoreline Amphitheatre in Mountain View... Enterzone Copyright © 1995 read the whole review here http://www.philzone.com/reviews/rev940924.html
Transferrer: Jason Sobel
1:04:18
Transferrer:
Jason Sobel
SHNID:
phil1994-09-24.89660.flac16
Source:
Schoeps mk4 > Reutelhuber > Sony TCD-D10 pro II (@ 44.1 kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (fades) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8)
Taper Notes:
View Notesrecorded from the 9th row
Source 7 of 8
1:03:57
Rating:
8.67 / 3 ratings
Source 8 of 8
1:04:07
Rating:
8.00 / 2 ratings
SHNID:
1994-09-24.paf.schoeps.volkerding.2379.sbeok.flacf
Source:
Recording information: Scheops CMC4>DAT>ZA2>WAV>SHNDAT>SHN transfer by Pat Volkerding <[email protected]>uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner <[email protected]>
Taper Notes:
View NotesRecording information: Scheops CMC4>DAT>ZA2>WAV>SHN DAT>SHN transfer by Pat Volkerding uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner