RELISTENTOPhil Lesh and Friends
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Phil Lesh and Friends
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Today In History
June 5th
Years
2025
178
PlaybackListensHours
48h223
7d365
30d17829
6 shows
12 tapes
2024
167
PlaybackListensHours
48h112m
7d245
30d16728
10 shows
44 tapes
2023
200
PlaybackListensHours
48h213m
7d750m
30d20034
14 shows
63 tapes
2022
344
PlaybackListensHours
48h377
7d10017
30d34459
26 shows
115 tapes
2021
47
PlaybackListensHours
48h00m
7d81
30d478
15 shows
90 tapes
2020
23
PlaybackListensHours
48h00m
7d214m
30d234
9 shows
9 tapes
2019
193
PlaybackListensHours
48h203
7d132
30d19331
16 shows
64 tapes
2018
245
PlaybackListensHours
48h132
7d142
30d24545
30 shows
74 tapes
2017
302
PlaybackListensHours
48h111m
7d579
30d30250
30 shows
67 tapes
2016
231
PlaybackListensHours
48h132
7d346
30d23140
21 shows
79 tapes
2015
155
PlaybackListensHours
48h00m
7d00m
30d15521
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h183
7d14922
30d1.2k173
41 shows
161 tapes
2013
262
PlaybackListensHours
48h8314
7d9015
30d26245
42 shows
114 tapes
2012
459
PlaybackListensHours
48h438m
7d7814
30d45977
49 shows
104 tapes
2011
18
PlaybackListensHours
48h00m
7d61
30d183
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d330m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
938
PlaybackListensHours
48h517
7d558
30d938136
63 shows
255 tapes
2007
422
PlaybackListensHours
48h598
7d16829
30d42269
36 shows
158 tapes
2006
745
PlaybackListensHours
48h5910
7d22939
30d745126
38 shows
128 tapes
2005
438
PlaybackListensHours
48h163
7d468
30d43867
28 shows
109 tapes
2004
103
PlaybackListensHours
48h655m
7d342m
30d10316
4 shows
26 tapes
2003
418
PlaybackListensHours
48h6510
7d6611
30d41861
22 shows
90 tapes
2002
2.1k
PlaybackListensHours
48h478
7d717122
30d2.1k326
55 shows
234 tapes
2001
1.9k
PlaybackListensHours
48h6611
7d36565
30d1.9k349
77 shows
330 tapes
2000
1k
PlaybackListensHours
48h8916
7d15427
30d1k188
77 shows
209 tapes
1999
4.7k
PlaybackListensHours
48h588117
7d721154
30d4.7k986
43 shows
194 tapes
1998
70
PlaybackListensHours
48h71
7d328m
30d7012
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d114m
30d114m
1 show
2 tapes
1994
104
PlaybackListensHours
48h141
7d141
30d10411
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d18m
30d217m
1 show
1 tape
1976
45
PlaybackListensHours
48h00m
7d110m
30d455
4 shows
5 tapes
1975
7
PlaybackListensHours
48h00m
7d130m
30d73
1 show
1 tape
1970
21
PlaybackListensHours
48h433m
7d646m
30d213
1 show
1 tape
1964
3
PlaybackListensHours
48h124m
7d124m
30d31
1 show
1 tape
1959
19
PlaybackListensHours
48h00m
7d14m
30d191
1 show
3 tapes
1994
9/24/94
Bob Weir intro and sound problems
3:05
Walking Blues
6:43
Lazy River Road
6:48
K.C. Moan
2:25
Dupree's Diamond Blues
5:17
Childhood's End
4:02
When I Paint My Masterpiece
5:17
Attics Of My Life
4:47
Cassidy >
6:34
Bird Song >
10:25
Throwing Stones
9:04
FIN
View on archive.org
Sources
Taper: unknown
1:04:27
SBD
Rating:
8.00 / 5 ratings
Transferrer:
sbd: Michael Zelner & aud: Pat Volkerding
SHNID:
paf1994-09-24.matrix.sirmick.78005.flac16
Source:
sbd > dat(s) > cdr & scheops cmc4 > dat > za2 > wav > shn
Lineage:
matrix
Taper Notes:
View NotesThe scheops source has a cut at 4:09 in Lazy River Road with approximately 2.5 seconds missing, which hadn't previously been noted. The sbd has small sections of crowd/tuning missing. I've assumed that the sbd is at the correct speed and had to make some very small adjustments to the aud on most tracks. Thanks to Matt Vernon and Chris Ladner for getting these sources out there, of this beautiful show.
Source 2 of 8
1:01:57
SBD
Rating:
9.35 / 38 ratings
SHNID:
1994-09-24.paf.sbd.zelner-vernon.14071.sbeok.flacf
Source:
SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper Notes:
View NotesSBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper: Unknown
1:04:11
Transferrer:
From The Gastwirt Collection; Charlie Miller & Joe Noel
Source:
Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB - 9th row) Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48
Taper Notes:
View NotesNotes: - this is an upgrade to shnid 89660 - first Phil & Friends show - benefit for Berkeley School of Music - ever the iconoclast's * first & only acoustic Throwing Stones
Taper: Scott Medeiros
1:35:31
Rating:
9.00 / 3 ratings
Taper:
Scott Medeiros
Transferrer:
Scott Medeiros
SHNID:
PL1994-09-24.PhilLeshandFriendsBerkelyCenterforMusicNak300
Source:
Nakamichi CM300 CP4 > Sony D-8 ? > DAT >CASS >
Lineage:
Transfer SD > Adobe Audition > Flac
Taper Notes:
View NotesThis was the very First Phil Lesh and Friends Check me out on Youtube and please Subscribe https://www.youtube.com/channel/UCbLDkrWkBjNDP6-qzikPN5g Please check out my recording page on Facebook and give it a like ! https://www.facebook.com/pages/MuzikWize-Live-Recordings/681543778579073?ref=hl
Taper: Taper - Troy Morentin Row M (off center)
1:07:28
Taper:
Taper - Troy Morentin Row M (off center)
Transferrer:
Transferred by gsarchivist on 2019-08-03 Mastering by Jamie Waddell
SHNID:
paf1994-09-24.150154.morentin.waddell.flac1648
Source:
Neumann KM140s > Panasonic SV250 > Master DAT
Lineage:
Digital Transfer - Panasonic SV250 > Sound Devices 722 Transferred by gsarchivist on 2019-08-03
Taper Notes:
View Notes- some songs go right into the next one with applause over the first notes - hundreds of claps removed, crowd attenuated - very nice recording originally shared at www.shnflac.net on May 21, 2020 by Nicholas Meriwether On August 24, listeners in the San Francisco Bay Area tuned to KPFA for David Gans's syndicated radio show The Grateful Dead Hour heard an announcement too good to believe: there would be a benefit concert a week after the Shoreline Dead shows that would feature a set by the band minus the drummers, billed as "Phil Lesh and Friends." As the first acoustic Dead in the area since 1981, this was a significant event for fans. When tickets went on sale twelve days later, at 10 a.m. on a Monday morning, they sold out in twenty minutes. As the longest-running consistently touring major rock group, the Dead are known as a consummate electric band, but this mastery of their medium belies their fundamental fascination with the acoustic roots of American popular music. Bob Weir and Jerry Garcia had extensive experience in folk music before turning to rock, and Garcia made his own field recordings of Appalachian bluegrass to spur his banjo studies in the early Sixties. These influences are manifest in the band's repertoire today, and fans speculating on a dream set in the weeks before the show had to choose from a list of more than two dozen songs performed acoustically over the years. The purpose of the evening's show was a benefit for Berkeley High School's music program, which had graduated numerous jazz luminaries over the years, as well as two rock stars: Country Joe McDonald and Phil Lesh. In keeping with the band's long-standing tradition of benefit concerts -- they have played more than eighty over their twenty-nine year history -- tonight's performance was engineered by Lesh, who had been approached by a member of the Berkeley Public Education Foundation the previous May at a reception held for him following his performance as guest conductor with the Berkeley Symphony, in their guest conductors' program. Because of budget cuts, Berkeley had cut its school music program entirely a few months before. Since Lesh's parents had moved to Berkeley solely for the sake of their teen-ager's musical education -- they couldn't afford private lessons, and the program at Berkeley was renowned -- Lesh's response was "This is an outrage," and he promised to see what he could do. Shortly after, the Grateful Dead's charity arm, the Rex Foundation, gave a $10,000 dollar grant to help save the program. And Lesh called the Berkeley Public Education Foundation later that summer to say that he could also organize a benefit concert on their behalf, and provide the services of a majority of the Grateful Dead. With the guidance of Bill Graham Presents' Bob Barsotti -- as well as the work of many other members of the Dead and BGP -- the benefit was born. Berkeley Community Theater is on the campus of Berkeley High, and is clearly the showpiece for the school. A 3691 seat auditorium begun in 1941 and finished nine years later, BCT is a large Works Project Administration building designed by the team of Henry Gutterson and Will Corlett in the streamlined Deco style, with a beautiful interior, simply but tastefully decorated, excellent acoustics, and an ample balcony with an outdoor deck upstairs. Sight lines are good from almost anywhere inside, making it an ideal venue for acoustic music; it seems intimate, especially in contrast to the three concerts I saw the weekend before at the 20,000 seat Shoreline Amphitheatre in Mountain View... Enterzone Copyright © 1995 read the whole review here http://www.philzone.com/reviews/rev940924.html
Transferrer: Jason Sobel
1:04:18
Transferrer:
Jason Sobel
SHNID:
phil1994-09-24.89660.flac16
Source:
Schoeps mk4 > Reutelhuber > Sony TCD-D10 pro II (@ 44.1 kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (fades) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8)
Taper Notes:
View Notesrecorded from the 9th row
Source 7 of 8
1:03:57
Rating:
8.67 / 3 ratings
Source 8 of 8
1:04:07
Rating:
8.00 / 2 ratings
SHNID:
1994-09-24.paf.schoeps.volkerding.2379.sbeok.flacf
Source:
Recording information: Scheops CMC4>DAT>ZA2>WAV>SHNDAT>SHN transfer by Pat Volkerding <[email protected]>uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner <[email protected]>
Taper Notes:
View NotesRecording information: Scheops CMC4>DAT>ZA2>WAV>SHN DAT>SHN transfer by Pat Volkerding uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner