Walkin' Blues | 1994-09-24 | Phil Lesh and Friends

Playback	Listens	Hours
48h	83.3k	10.8k
7d	246.2k	31.7k
30d	1.3M	173.2k

Playback	Listens	Hours
48h	17.7k	2.8k
7d	52.3k	8.1k
30d	294.9k	46.3k

Playback	Listens	Hours
48h	31	2
7d	194	12
30d	929	58

Playback	Listens	Hours
48h	5	34m
7d	10	1
30d	201	31

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48h	0	0m
7d	3	31m
30d	28	2

Playback	Listens	Hours
48h	30	6
7d	44	7
30d	371	48

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	3

Playback	Listens	Hours
48h	0	0m
7d	7	27m
30d	28	3

Playback	Listens	Hours
48h	1	4m
7d	26	2
30d	258	21

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48h	5	22m
7d	29	3
30d	360	30

Playback	Listens	Hours
48h	8	1
7d	62	8
30d	309	33

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48h	69	7
7d	255	30
30d	1.8k	228

Playback	Listens	Hours
48h	2	30m
7d	20	3
30d	139	25

Playback	Listens	Hours
48h	66	6
7d	152	14
30d	1.3k	132

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48h	20	5
7d	34	7
30d	168	38

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48h	49	6
7d	99	13
30d	612	79

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48h	2	22m
7d	13	1
30d	32	4

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48h	77	9
7d	268	32
30d	1.5k	179

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48h	0	0m
7d	1	5m
30d	30	2

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48h	32	4
7d	25	3
30d	223	31

Playback	Listens	Hours
48h	8	2
7d	3	35m
30d	39	7

Playback	Listens	Hours
48h	1	1
7d	6	24m
30d	82	11

Playback	Listens	Hours
48h	8	53m
7d	1	11m
30d	17	2

Playback	Listens	Hours
48h	67	8
7d	72	11
30d	337	46

Playback	Listens	Hours
48h	175	24
7d	359	46
30d	2.3k	298

Playback	Listens	Hours
48h	5.2k	549
7d	16.4k	1.7k
30d	90k	9k

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48h	75	5
7d	216	17
30d	1.7k	120

Playback	Listens	Hours
48h	2	12m
7d	3	8m
30d	54	6

Playback	Listens	Hours
48h	29	4
7d	37	4
30d	153	21

Playback	Listens	Hours
48h	4	30m
7d	11	2
30d	118	20

Playback	Listens	Hours
48h	5	52m
7d	22	4
30d	169	29

Playback	Listens	Hours
48h	11	2
7d	190	34
30d	473	81

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48h	0	0m
7d	19	3
30d	65	10

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48h	0	0m
7d	0	0m
30d	3	25m

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48h	40	7
7d	168	29
30d	337	57

Playback	Listens	Hours
48h	21	3
7d	36	7
30d	213	40

Playback	Listens	Hours
48h	7	1
7d	19	3
30d	285	47

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48h	106	17
7d	63	11
30d	291	50

Playback	Listens	Hours
48h	10	2
7d	9	2
30d	58	9

Playback	Listens	Hours
48h	6	1
7d	40	6
30d	859	122

Playback	Listens	Hours
48h	31	6
7d	85	17
30d	403	69

Playback	Listens	Hours
48h	44	7
7d	94	16
30d	423	72

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	3

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	41	7

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	20m

Playback	Listens	Hours
48h	48	7
7d	203	28
30d	645	92

Playback	Listens	Hours
48h	21	4
7d	43	7
30d	403	65

Playback	Listens	Hours
48h	52	9
7d	112	19
30d	867	145

Playback	Listens	Hours
48h	6	53m
7d	33	5
30d	312	50

Playback	Listens	Hours
48h	0	0m
7d	54	7
30d	137	19

1:07:28

Taper:

Taper - Troy Morentin Row M (off center)

Transferrer:

Transferred by gsarchivist on 2019-08-03 Mastering by Jamie Waddell

SHNID:

paf1994-09-24.150154.morentin.waddell.flac1648

Source:

Neumann KM140s > Panasonic SV250 > Master DAT

Lineage:

Digital Transfer - Panasonic SV250 > Sound Devices 722 Transferred by gsarchivist on 2019-08-03

Taper Notes:

View Notes- some songs go right into the next one with applause over the first notes
- hundreds of claps removed, crowd attenuated
- very nice recording

originally shared at www.shnflac.net on May 21, 2020

by Nicholas Meriwether
On August 24, listeners in the San Francisco Bay Area tuned to KPFA for David Gans's syndicated radio show The Grateful Dead Hour heard an announcement too good to believe: there would be a benefit concert a week after the Shoreline Dead shows that would feature a set by the band minus the drummers, billed as "Phil Lesh and Friends." As the first acoustic Dead in the area since 1981, this was a significant event for fans. When tickets went on sale twelve days later, at 10 a.m. on a Monday morning, they sold out in twenty minutes.

As the longest-running consistently touring major rock group, the Dead are known as a consummate electric band, but this mastery of their medium belies their fundamental fascination with the acoustic roots of American popular music. Bob Weir and Jerry Garcia had extensive experience in folk music before turning to rock, and Garcia made his own field recordings of Appalachian bluegrass to spur his banjo studies in the early Sixties. These influences are manifest in the band's repertoire today, and fans speculating on a dream set in the weeks before the show had to choose from a list of more than two dozen songs performed acoustically over the years.

The purpose of the evening's show was a benefit for Berkeley High School's music program, which had graduated numerous jazz luminaries over the years, as well as two rock stars: Country Joe McDonald and Phil Lesh. In keeping with the band's long-standing tradition of benefit concerts -- they have played more than eighty over their twenty-nine year history -- tonight's performance was engineered by Lesh, who had been approached by a member of the Berkeley Public Education Foundation the previous May at a reception held for him following his performance as guest conductor with the Berkeley Symphony, in their guest conductors' program. Because of budget cuts, Berkeley had cut its school music program entirely a few months before. Since Lesh's parents had moved to Berkeley solely for the sake of their teen-ager's musical education -- they couldn't afford private lessons, and the program at Berkeley was renowned -- Lesh's response was "This is an outrage," and he promised to see what he could do. Shortly after, the Grateful Dead's charity arm, the Rex Foundation, gave a $10,000 dollar grant to help save the program. And Lesh called the Berkeley Public Education Foundation later that summer to say that he could also organize a benefit concert on their behalf, and provide the services of a majority of the Grateful Dead. With the guidance of Bill Graham Presents' Bob Barsotti -- as well as the work of many other members of the Dead and BGP -- the benefit was born.

Berkeley Community Theater is on the campus of Berkeley High, and is clearly the showpiece for the school. A 3691 seat auditorium begun in 1941 and finished nine years later, BCT is a large Works Project Administration building designed by the team of Henry Gutterson and Will Corlett in the streamlined Deco style, with a beautiful interior, simply but tastefully decorated, excellent acoustics, and an ample balcony with an outdoor deck upstairs. Sight lines are good from almost anywhere inside, making it an ideal venue for acoustic music; it seems intimate, especially in contrast to the three concerts I saw the weekend before at the 20,000 seat Shoreline Amphitheatre in Mountain View...
Enterzone Copyright © 1995

read the whole review here
http://www.philzone.com/reviews/rev940924.html