RELISTENTOPhil Lesh and Friends
Re
Bands
Featured
Bands
Phil Lesh and Friends
RecentTopVenues
Today In History
June 10th
1 show
4 tapes
Years
2025
144
PlaybackListensHours
48h142
7d213
30d14422
6 shows
12 tapes
2024
139
PlaybackListensHours
48h81
7d234
30d13923
10 shows
44 tapes
2023
193
PlaybackListensHours
48h227m
7d223
30d19333
14 shows
63 tapes
2022
333
PlaybackListensHours
48h142
7d418
30d33358
26 shows
115 tapes
2021
50
PlaybackListensHours
48h122
7d81
30d508
15 shows
90 tapes
2020
17
PlaybackListensHours
48h00m
7d00m
30d173
9 shows
9 tapes
2019
200
PlaybackListensHours
48h00m
7d234
30d20032
16 shows
64 tapes
2018
222
PlaybackListensHours
48h71
7d101
30d22240
30 shows
74 tapes
2017
290
PlaybackListensHours
48h558m
7d556m
30d29048
30 shows
67 tapes
2016
254
PlaybackListensHours
48h111m
7d335
30d25443
21 shows
79 tapes
2015
167
PlaybackListensHours
48h115m
7d172
30d16721
12 shows
74 tapes
2014
1.2k
PlaybackListensHours
48h341m
7d163
30d1.2k167
41 shows
161 tapes
2013
279
PlaybackListensHours
48h10720
7d688
30d27944
42 shows
114 tapes
2012
415
PlaybackListensHours
48h244
7d8815
30d41570
49 shows
104 tapes
2011
17
PlaybackListensHours
48h749m
7d00m
30d172
2 shows
14 tapes
2010
41
PlaybackListensHours
48h00m
7d00m
30d417
2 shows
2 tapes
2009
2
PlaybackListensHours
48h00m
7d00m
30d220m
1 show
1 tape
2008
766
PlaybackListensHours
48h355
7d314
30d766111
63 shows
255 tapes
2007
378
PlaybackListensHours
48h316
7d569
30d37861
36 shows
158 tapes
2006
798
PlaybackListensHours
48h366
7d15725
30d798132
38 shows
128 tapes
2005
412
PlaybackListensHours
48h183
7d519
30d41265
28 shows
109 tapes
2004
93
PlaybackListensHours
48h233
7d121
30d9314
4 shows
26 tapes
2003
423
PlaybackListensHours
48h122
7d7912
30d42362
22 shows
90 tapes
2002
2k
PlaybackListensHours
48h467
7d8914
30d2k318
55 shows
234 tapes
2001
1.8k
PlaybackListensHours
48h21130
7d27144
30d1.8k318
77 shows
330 tapes
2000
1.1k
PlaybackListensHours
48h579
7d20037
30d1.1k200
77 shows
209 tapes
1999
4.6k
PlaybackListensHours
48h27960
7d687138
30d4.6k953
43 shows
194 tapes
1998
56
PlaybackListensHours
48h00m
7d61
30d569
7 shows
15 tapes
1996
1
PlaybackListensHours
48h00m
7d00m
30d114m
1 show
2 tapes
1994
109
PlaybackListensHours
48h00m
7d161
30d10911
2 shows
9 tapes
1982
2
PlaybackListensHours
48h00m
7d00m
30d217m
1 show
1 tape
1976
48
PlaybackListensHours
48h322m
7d312m
30d485
4 shows
5 tapes
1975
8
PlaybackListensHours
48h00m
7d130m
30d84
1 show
1 tape
1970
24
PlaybackListensHours
48h00m
7d324m
30d243
1 show
1 tape
1964
4
PlaybackListensHours
48h124m
7d124m
30d42
1 show
1 tape
1959
26
PlaybackListensHours
48h29m
7d836m
30d262
1 show
3 tapes
1994
9/24/94
Introduction
2:57
Walkin' Blues
5:39
Lazy River Road
7:39
K.C. Moon
2:36
Dupree's Diamond Blues
4:47
Childhood's End
4:26
When I Paint My Masterpiece
5:18
Attics of My Life
4:28
Cassity
7:16
Bird Song
10:04
Throwing Stones
8:47
FIN
View on archive.org
Sources
Taper: unknown
1:04:27
SBD
Rating:
8.00 / 5 ratings
Transferrer:
sbd: Michael Zelner & aud: Pat Volkerding
SHNID:
paf1994-09-24.matrix.sirmick.78005.flac16
Source:
sbd > dat(s) > cdr & scheops cmc4 > dat > za2 > wav > shn
Lineage:
matrix
Taper Notes:
View NotesThe scheops source has a cut at 4:09 in Lazy River Road with approximately 2.5 seconds missing, which hadn't previously been noted. The sbd has small sections of crowd/tuning missing. I've assumed that the sbd is at the correct speed and had to make some very small adjustments to the aud on most tracks. Thanks to Matt Vernon and Chris Ladner for getting these sources out there, of this beautiful show.
Source 2 of 8
1:01:57
SBD
Rating:
9.35 / 38 ratings
SHNID:
1994-09-24.paf.sbd.zelner-vernon.14071.sbeok.flacf
Source:
SBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper Notes:
View NotesSBD > DAT(s) > CDR via Michael Zelner encoding Matt Vernon
Taper: Unknown
1:04:11
Transferrer:
From The Gastwirt Collection; Charlie Miller & Joe Noel
Source:
Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB - 9th row) Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48
Taper Notes:
View NotesNotes: - this is an upgrade to shnid 89660 - first Phil & Friends show - benefit for Berkeley School of Music - ever the iconoclast's * first & only acoustic Throwing Stones
Taper: Scott Medeiros
1:35:31
Rating:
9.00 / 3 ratings
Taper:
Scott Medeiros
Transferrer:
Scott Medeiros
SHNID:
PL1994-09-24.PhilLeshandFriendsBerkelyCenterforMusicNak300
Source:
Nakamichi CM300 CP4 > Sony D-8 ? > DAT >CASS >
Lineage:
Transfer SD > Adobe Audition > Flac
Taper Notes:
View NotesThis was the very First Phil Lesh and Friends Check me out on Youtube and please Subscribe https://www.youtube.com/channel/UCbLDkrWkBjNDP6-qzikPN5g Please check out my recording page on Facebook and give it a like ! https://www.facebook.com/pages/MuzikWize-Live-Recordings/681543778579073?ref=hl
Taper: Taper - Troy Morentin Row M (off center)
1:07:28
Taper:
Taper - Troy Morentin Row M (off center)
Transferrer:
Transferred by gsarchivist on 2019-08-03 Mastering by Jamie Waddell
SHNID:
paf1994-09-24.150154.morentin.waddell.flac1648
Source:
Neumann KM140s > Panasonic SV250 > Master DAT
Lineage:
Digital Transfer - Panasonic SV250 > Sound Devices 722 Transferred by gsarchivist on 2019-08-03
Taper Notes:
View Notes- some songs go right into the next one with applause over the first notes - hundreds of claps removed, crowd attenuated - very nice recording originally shared at www.shnflac.net on May 21, 2020 by Nicholas Meriwether On August 24, listeners in the San Francisco Bay Area tuned to KPFA for David Gans's syndicated radio show The Grateful Dead Hour heard an announcement too good to believe: there would be a benefit concert a week after the Shoreline Dead shows that would feature a set by the band minus the drummers, billed as "Phil Lesh and Friends." As the first acoustic Dead in the area since 1981, this was a significant event for fans. When tickets went on sale twelve days later, at 10 a.m. on a Monday morning, they sold out in twenty minutes. As the longest-running consistently touring major rock group, the Dead are known as a consummate electric band, but this mastery of their medium belies their fundamental fascination with the acoustic roots of American popular music. Bob Weir and Jerry Garcia had extensive experience in folk music before turning to rock, and Garcia made his own field recordings of Appalachian bluegrass to spur his banjo studies in the early Sixties. These influences are manifest in the band's repertoire today, and fans speculating on a dream set in the weeks before the show had to choose from a list of more than two dozen songs performed acoustically over the years. The purpose of the evening's show was a benefit for Berkeley High School's music program, which had graduated numerous jazz luminaries over the years, as well as two rock stars: Country Joe McDonald and Phil Lesh. In keeping with the band's long-standing tradition of benefit concerts -- they have played more than eighty over their twenty-nine year history -- tonight's performance was engineered by Lesh, who had been approached by a member of the Berkeley Public Education Foundation the previous May at a reception held for him following his performance as guest conductor with the Berkeley Symphony, in their guest conductors' program. Because of budget cuts, Berkeley had cut its school music program entirely a few months before. Since Lesh's parents had moved to Berkeley solely for the sake of their teen-ager's musical education -- they couldn't afford private lessons, and the program at Berkeley was renowned -- Lesh's response was "This is an outrage," and he promised to see what he could do. Shortly after, the Grateful Dead's charity arm, the Rex Foundation, gave a $10,000 dollar grant to help save the program. And Lesh called the Berkeley Public Education Foundation later that summer to say that he could also organize a benefit concert on their behalf, and provide the services of a majority of the Grateful Dead. With the guidance of Bill Graham Presents' Bob Barsotti -- as well as the work of many other members of the Dead and BGP -- the benefit was born. Berkeley Community Theater is on the campus of Berkeley High, and is clearly the showpiece for the school. A 3691 seat auditorium begun in 1941 and finished nine years later, BCT is a large Works Project Administration building designed by the team of Henry Gutterson and Will Corlett in the streamlined Deco style, with a beautiful interior, simply but tastefully decorated, excellent acoustics, and an ample balcony with an outdoor deck upstairs. Sight lines are good from almost anywhere inside, making it an ideal venue for acoustic music; it seems intimate, especially in contrast to the three concerts I saw the weekend before at the 20,000 seat Shoreline Amphitheatre in Mountain View... Enterzone Copyright © 1995 read the whole review here http://www.philzone.com/reviews/rev940924.html
Transferrer: Jason Sobel
1:04:18
Transferrer:
Jason Sobel
SHNID:
phil1994-09-24.89660.flac16
Source:
Schoeps mk4 > Reutelhuber > Sony TCD-D10 pro II (@ 44.1 kHz)
Lineage:
Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > WaveLab 5.01b (fades) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8)
Taper Notes:
View Notesrecorded from the 9th row
Source 7 of 8
1:03:57
Rating:
8.67 / 3 ratings
Source 8 of 8
1:04:07
Rating:
8.00 / 2 ratings
SHNID:
1994-09-24.paf.schoeps.volkerding.2379.sbeok.flacf
Source:
Recording information: Scheops CMC4>DAT>ZA2>WAV>SHNDAT>SHN transfer by Pat Volkerding <[email protected]>uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner <[email protected]>
Taper Notes:
View NotesRecording information: Scheops CMC4>DAT>ZA2>WAV>SHN DAT>SHN transfer by Pat Volkerding uploaded to easywind.etree.org and sativa.etree.org, 12/00 by Chris Ladner