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Oteil and Friends
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Today In History
June 7th
0 shows
0 tapes
Years
2026
1.2k
PlaybackListensHours
48h316
7d15428
30d1.2k209
11 shows
13 tapes
2025
119
PlaybackListensHours
48h110m
7d376
30d11919
8 shows
15 tapes
2024
27
PlaybackListensHours
48h00m
7d00m
30d276
11 shows
22 tapes
2023
18 shows
32 tapes
2022
18
PlaybackListensHours
48h00m
7d00m
30d183
12 shows
27 tapes
2021
7 shows
17 tapes
2020
16
PlaybackListensHours
48h00m
7d00m
30d162
1 show
5 tapes
2019
1
PlaybackListensHours
48h00m
7d00m
30d19m
6 shows
12 tapes
2018
11 shows
25 tapes
2017
1
PlaybackListensHours
48h00m
7d19m
30d19m
7 shows
13 tapes
2016
1 show
1 tape
2000
1 show
1 tape
1999
1
PlaybackListensHours
48h00m
7d00m
30d115m
1 show
1 tape
1999
11/28/99
tuning
0:30
Watermelon Man
15:12
banter - band intros+tuning
1:41
Butter Biscuit
11:21
banter - bringing up Derek Trucks
0:11
The World Is A Ghetto
16:23
unknown
13:56
Just Look
11:04
banter - setbreak announce
0:35
tuning
1:09
Subterranea
16:28
banter - inviting up Topaz
2:42
Ankh
22:02
So What
16:15
The Chicken
16:44
Hang Up Your Hang Ups
11:03
banter - thanks
0:35
FIN
View on archive.org
Sources
Taper: Scott Bernstein
2:37:51
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
OBF1999-11-28.tlm170.flac16-44
Source:
On stage mics -> DAT
Lineage:
Mastered: Soundforge Pro 13.0 - *All file manipulation in Soundforge done at 24 bits*. File processed in Soundforge for some minor clap scrubbing; volume normalization;; 24 -> 16 bit dither using POW-r Dither with POW-r #3 noise shaping. Tracked in CDWav. Tagged in Tag&Rename 3.9.15
Taper Notes:
View NotesOteil Burbridge - bass Eric Krasno - guitar Adam Deitch - drums Jesse Gibbon - Rhodes piano * = w/Derek Trucks on guitar + = w/Topaz on tenor saxophone ^ = w/Sam Lipman on tenor saxophone $ = w/Fir Luca(?) on guitar @ = w/John Ginty on keys Thanks to Peter Costello for identifying Actual Proof after I initially posted this recording I hand scrubbed about 30 claps,whistles,yells, and one massive burst of bass feedback in set 2 from this recording for all of our enjoyment. Recorded, transferred (7/1/2012), tracked (10/11/2019), mastered (4/13/2020), and posted (4/14/2020) by Scott Bernstein Taper notes: For BARN213, I present to you a show that I've been talking about getting posted and out to the public for many many years. This show was part of a Soulive-related run at the tiny Izzy Bar. This place held maybe 100 people (max) -- and I think it was only about half full on this night. Around this time, the Soulive guys would do drop-ins at the Izzy Bar in various configurations and with various friends -- it was (if I recall) a late midnight start each time, and you never knew exactly who would be there. Sometimes it was the full Soulive trio...other times it was various members of the band with friends. On this particular night, the core lineup was Eric Krasno along with close friend Oteil Burbridge (he'd played with Soulive a few times before -- and he fits like a glove since the band doesn't have a bassist), and by this point in time he'd had some familiarity with their material, and they'd had some familiarity with his. Also in this night's band -- Eric's bandmade from Lettuce -- the incredible Adam Deitch, and friend from the prog rock jamband Schleigho Jesse Gibbon. Ok, not a bad way to start. I guess they invited their friends to come down, as we got sit ins from their friends Topaz (on sax), Sam Lipman (also on sax), Fir Luca (not sure of spelling, on guitar), and John Ginty (at the time, a member of Robert Randolph's Family Band). But that's not all -- on this night the music gods graced us with a drop-in at this TINY venue from none other than guitar god Derek Trucks (and Oteil's Allman Brothers bandmate) for 16 minutes and 23 seconds of jaw-dropping guitar work on a cover of War's "The World Is A Ghetto". He blew everyone's mind in that tiny room at the time -- and frankly, my mind has still never recovered from those 16+ minutes. The entire show is amazing, but if nothing else, drop what you're doing and listen to the one track with the Derek sit-in. Typically, I prefer to run my mics in a standard configuration in the middle of the audience so as to get a good mix of what the room sounds like. In this case, the room was so small and the room so shallow, I ran my mics in a split configuration at the front left and right corners of the stage -- so you're just getting the stage sound. Also, the room did not have much of a PA. This is exactly what you hope for when you go out to a jam session night in a small club in NYC. Killer music, incredible guests, and some mind-blowing sparks that still amaze nearly 21 years later. I hope everyone enjoys!!! Follow me on Twitter to track my postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>