Taper:
Scott Bernstein, Bill Mulvey, and possibly the late, great Jim Crichton
Lineage:
Original Master Recording: Neumann TLM-170 (cardoid) -> Apogee AD1000 -> Teac DAP1 (digital dub soon after the show @ 16/48, as my deck was running downstairs for Miracle Orchestra) DAT playback: Sony R-500 -> Sound Devices 722 digital input (@24/48) Mastered: Soundforge Pro 10.0c - *All file manipulation in Soundforge done at 24 bits*. Volume normalization and a bit of clap removal; some targeted "clipped peak restoration" in T21; sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. Dithered to 16 bits using using iZotope MBIT+ with Ultra noise shaping, with high dither settings. Tracked in CDWav.