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Taper: Eric McRoberts
2:15:50
SBD
Taper:
Eric McRoberts
Transferrer:
Eric McRoberts
SHNID:
nms2013-09-07.cmc621.sbd.matrix.flac24
Source:
On Stage Audience/SBD Matrix
Lineage:
Source 1: Schoeps mk21(On Stage DFC, Wide ORTF)/cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 744T (via XLR, @24/96); Transfer: WAVs -> Vegas Pro 11.0 (time align, mix/render) -> SoundForge Pro 10.0d (minor EQ, normalize, fades) -> CDWav -> FLAC
Taper Notes:
View NotesSource 1: Schoeps mk21(On Stage DFC, Wide ORTF)/cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 744T (via XLR, @24/96); Transfer: WAVs -> Vegas Pro 11.0 (time align, mix/render) -> SoundForge Pro 10.0d (minor EQ, normalize, fades) -> CDWav -> FLAC New Mastersounds: Eddie Roberts - guitar Simon Allen - drums Pete Shand - bass Joe Tatton - organ/keys This was the third night of a 3-night New Mastersounds run at Brooklyn Bowl. Eddie Roberts broke his foot a few weeks earlier and he played guitar with a cast on while sitting on a barstool. <a href="https://archive.org/details/motet2013-09-07.cmc621.sbd.matrix.flac24" rel="ugc nofollow">The Motet</a> played a late night set afterwards at Brooklyn Bowl. The normal 16 bit CD quality version of this recording is available for download and CD burning here: <a href="https://archive.org/details/nms2013-09-07.cmc621.sbd.matrix.flac16" rel="ugc nofollow">https://archive.org/details/nms2013-09-07.cmc621.sbd.matrix.flac16</a>
Taper: Eric McRoberts
2:15:37
SBD
Taper:
Eric McRoberts
Transferrer:
Eric McRoberts
SHNID:
nms2013-09-07.cmc621.sbd.matrix.flac16
Source:
On Stage Audience/SBD Matrix
Lineage:
Source 1: Schoeps mk21(On Stage DFC, Wide ORTF)/cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 744T (via XLR, @24/96); Transfer: WAVs -> Vegas Pro 11.0 (time align, mix/render) -> SoundForge Pro 10.0d (minor EQ, normalize, fades; 96->44.1kHz iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC
Taper Notes:
View NotesSource 1: Schoeps mk21(On Stage DFC, Wide ORTF)/cmc6xt -> Sonosax SX-M2 -> Apogee Mini-Me -> Sound Devices 744T -> WAV (@24/96); Source 2: SBD (Digidesign/Avid Profile) -> Sound Devices 744T (via XLR, @24/96); Transfer: WAVs -> Vegas Pro 11.0 (time align, mix/render) -> SoundForge Pro 10.0d (minor EQ, normalize, fades; 96->44.1kHz iZotope 64-Bit SRC at higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) -> CDWav -> FLAC Recorded, mixed, tracked and posted by Eric McRoberts - On stage mics by Eric McRoberts - FOH mix by Justin Ripley - Thanks to Pete Costello New Mastersounds: Eddie Roberts - guitar Simon Allen - drums Pete Shand - bass Joe Tatton - organ/keys This was the third night of a 3-night New Mastersounds run at Brooklyn Bowl. Eddie Roberts broke his foot a few weeks earlier and he played guitar with a cast on while sitting on a barstool. <a href="https://archive.org/details/motet2013-09-07.cmc621.sbd.matrix.flac16" rel="nofollow">The Motet</a> played a late night set afterwards at Brooklyn Bowl. There is a higher quality 24 bit version of this recording available here: <a href="https://archive.org/details/nms2013-09-07.cmc621.sbd.matrix.flac24" rel="nofollow">https://archive.org/details/nms2013-09-07.cmc621.sbd.matrix.flac24</a>
Taper: Scott Bernstein
2:15:32
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
nms2013-09-07.tlm170.flac16
Source:
FOB Audience
Lineage:
Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0e (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. IDv3 tagged in Tag&Rename 3.7.
Taper Notes:
View NotesRecorded, mastered, tracked, tagged, and posted by Scott Bernstein (9/17-22/2013) There is a higher quality 24 bit version of this recording available at <a href="http://archive.org/details/nms2013-09-07.tlm170.tlm170.flac24" rel="ugc nofollow">http://archive.org/details/nms2013-09-07.tlm170.flac24</a> Follow me on Twitter to track my near-daily postings of FREE live music and concert photography: <a href="http://www.twitter.com/scott_bernstein" rel="ugc nofollow">http://www.twitter.com/scott_bernstein</a> Or become a "fan" on Facebook here: <a href="https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451" rel="ugc nofollow">https://www.facebook.com/pages/Scott-Bernsteins-Live-Music-Photos-Page/166706713365451</a>