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Taper: ericv
1:38:25
Taper:
ericv
Transferrer:
ericv
SHNID:
NMS2013-08-17.DPA4021s-SD722.flac24
Source:
Source: B&K(DPA) 4021s (clamped to low mic stand center front lip of stage, ~1' height and 110 degrees) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files
Lineage:
CF card / WAV files > Desktop reader / SoundForge 10.0c (trim, fades, peak normalization) > CD Wave Audio Editor 1.98 (tracking) > WAV files
Taper Notes:
View Notes* with Jamal Watson # with Maceo Parker % with Eric Krasno Source: B&K(DPA) 4021s (clamped to low mic stand center front lip of stage, ~1' height and 110 degrees) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files CF card / WAV files > Desktop reader / SoundForge 10.0c (trim, fades, peak normalization) > CD Wave Audio Editor 1.98 (tracking) > WAV files Disclaimer: This and the 3 other recordings I made at Equifunk 2013 are far from my best. They evidence why I generally don't favor stereo mic at lip of stage recordings but given the circumstances (for which I'll spare the reader the details) this was the safest setup I could manage both nights. Bottom line, better to post and archive the shows for posterity sake as I believe I was the only taper. Recorded and mastered by ericv please share freely and never for commercial profit
Taper: ericv
1:38:25
Taper:
ericv
Transferrer:
ericv
SHNID:
NMS2013-08-17.DPA4021s-SD722.flac16
Source:
B&K(DPA) 4021s (clamped to low mic stand center front lip of stage, ~1' height and 110 degrees) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files
Lineage:
CF card / WAV files > Desktop reader / SoundForge 10.0c (trim, fades, peak normalization, resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter and dither 24bit > 16bit using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) > CD Wave Audio Editor 1.98 (tracking) > WAV files
Taper Notes:
View Notes* with Jamal Watson # with Maceo Parker % with Eric Krasno recommended disc breaks for CDR burning d1 t01-07 34:52 d2 t08-15 63:42 Source: B&K(DPA) 4021s (clamped to low mic stand center front lip of stage, ~1' height and 110 degrees) > Sound Devices 722 (v2.67, 24bit/96kHz) > CF card / WAV files CF card / WAV files > Desktop reader / SoundForge 10.0c (trim, fades, peak normalization, resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter and dither 24bit > 16bit using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings) > CD Wave Audio Editor 1.98 (tracking) > WAV files Disclaimer: This and the 3 other recordings I made at Equifunk 2013 are far from my best. They evidence why I generally don't favor stereo mic at lip of stage recordings but given the circumstances (for which I'll spare the reader the details) this was the safest setup I could manage both nights. Bottom line, better to post and archive the shows for posterity sake as I believe I was the only taper. Recorded and mastered by ericv please share freely and never for commercial profit