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moe.
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Today In History
June 8th
7 shows
15 tapes
Years
2026
4.8k
PlaybackListensHours
48h21031
7d61696
30d4.8k738
31 shows
63 tapes
2025
200
PlaybackListensHours
48h7412
7d7611
30d20030
59 shows
133 tapes
2024
128
PlaybackListensHours
48h00m
7d387
30d12820
43 shows
70 tapes
2023
345
PlaybackListensHours
48h00m
7d72
30d34556
65 shows
145 tapes
2022
68
PlaybackListensHours
48h00m
7d449m
30d6815
18 shows
33 tapes
2021
11
PlaybackListensHours
48h00m
7d00m
30d112
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
115
PlaybackListensHours
48h00m
7d183
30d11520
40 shows
76 tapes
2018
119
PlaybackListensHours
48h335m
7d949m
30d11921
53 shows
114 tapes
2017
177
PlaybackListensHours
48h121
7d295
30d17727
32 shows
66 tapes
2016
155
PlaybackListensHours
48h292
7d213
30d15523
40 shows
105 tapes
2015
105
PlaybackListensHours
48h92
7d578
30d10516
40 shows
115 tapes
2014
100
PlaybackListensHours
48h00m
7d102
30d10015
76 shows
192 tapes
2013
110
PlaybackListensHours
48h00m
7d72
30d11017
62 shows
179 tapes
2012
137
PlaybackListensHours
48h183
7d224
30d13724
73 shows
210 tapes
2011
77
PlaybackListensHours
48h82
7d194
30d7713
59 shows
167 tapes
2010
219
PlaybackListensHours
48h385
7d14727
30d21939
68 shows
203 tapes
2009
299
PlaybackListensHours
48h284
7d9114
30d29949
61 shows
177 tapes
2008
79
PlaybackListensHours
48h112
7d91
30d7914
62 shows
154 tapes
2007
143
PlaybackListensHours
48h123
7d225
30d14325
77 shows
180 tapes
2006
171
PlaybackListensHours
48h6311
7d478
30d17128
73 shows
193 tapes
2005
230
PlaybackListensHours
48h347m
7d317
30d23044
78 shows
199 tapes
2004
294
PlaybackListensHours
48h426
7d488
30d29445
83 shows
199 tapes
2003
210
PlaybackListensHours
48h194
7d468
30d21043
90 shows
206 tapes
2002
555
PlaybackListensHours
48h5815
7d10425
30d555133
67 shows
175 tapes
2001
277
PlaybackListensHours
48h215
7d337
30d27762
98 shows
184 tapes
2000
155
PlaybackListensHours
48h1456m
7d82
30d15532
70 shows
122 tapes
1999
277
PlaybackListensHours
48h397
7d529
30d27752
94 shows
170 tapes
1998
201
PlaybackListensHours
48h468
7d467
30d20135
68 shows
120 tapes
1997
473
PlaybackListensHours
48h354
7d9814
30d47368
138 shows
245 tapes
1996
191
PlaybackListensHours
48h00m
7d549
30d19133
75 shows
126 tapes
1995
106
PlaybackListensHours
48h172
7d435
30d10613
40 shows
46 tapes
1994
61
PlaybackListensHours
48h548m
7d223
30d616
8 shows
9 tapes
1993
1 show
1 tape
1992
25
PlaybackListensHours
48h00m
7d00m
30d253
4 shows
4 tapes
2008
6/16/08
tuning/banter
1:18
Shoot First
6:04
banter - crazy day for us
0:57
New York City
5:14
banter - Headcount support
1:29
Can't Seem To Find
6:44
tuning
0:44
Okayalright ->
5:06
Time Again
8:57
thanks
0:34
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein