RELISTENTOmoe.
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moe.
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Today In History
June 13th
6 shows
15 tapes
Years
2026
4.4k
PlaybackListensHours
48h23733
7d46766
30d4.4k667
31 shows
65 tapes
2025
226
PlaybackListensHours
48h243
7d11218
30d22636
59 shows
133 tapes
2024
115
PlaybackListensHours
48h00m
7d16m
30d11518
43 shows
70 tapes
2023
425
PlaybackListensHours
48h173
7d9715
30d42568
65 shows
145 tapes
2022
41
PlaybackListensHours
48h00m
7d00m
30d419
18 shows
33 tapes
2021
13
PlaybackListensHours
48h112
7d336m
30d133
23 shows
40 tapes
2020
1
PlaybackListensHours
48h00m
7d00m
30d17m
9 shows
20 tapes
2019
114
PlaybackListensHours
48h00m
7d00m
30d11420
40 shows
76 tapes
2018
122
PlaybackListensHours
48h132
7d81
30d12222
53 shows
114 tapes
2017
220
PlaybackListensHours
48h112
7d447
30d22034
32 shows
66 tapes
2016
137
PlaybackListensHours
48h122
7d584
30d13717
40 shows
105 tapes
2015
131
PlaybackListensHours
48h134m
7d285
30d13121
40 shows
115 tapes
2014
107
PlaybackListensHours
48h210m
7d740m
30d10715
76 shows
192 tapes
2013
109
PlaybackListensHours
48h00m
7d00m
30d10917
62 shows
179 tapes
2012
133
PlaybackListensHours
48h00m
7d82
30d13324
73 shows
210 tapes
2011
145
PlaybackListensHours
48h468
7d7011
30d14524
59 shows
167 tapes
2010
251
PlaybackListensHours
48h00m
7d589
30d25143
68 shows
203 tapes
2009
296
PlaybackListensHours
48h121
7d82
30d29649
61 shows
177 tapes
2008
121
PlaybackListensHours
48h81
7d6911
30d12121
62 shows
154 tapes
2007
107
PlaybackListensHours
48h00m
7d164
30d10721
77 shows
180 tapes
2006
270
PlaybackListensHours
48h325
7d11519
30d27044
73 shows
193 tapes
2005
233
PlaybackListensHours
48h72
7d245
30d23346
78 shows
199 tapes
2004
288
PlaybackListensHours
48h435m
7d487
30d28844
83 shows
199 tapes
2003
220
PlaybackListensHours
48h217m
7d397
30d22045
90 shows
206 tapes
2002
567
PlaybackListensHours
48h4111
7d8822
30d567133
67 shows
175 tapes
2001
259
PlaybackListensHours
48h72
7d277
30d25959
98 shows
184 tapes
2000
198
PlaybackListensHours
48h114m
7d8115
30d19839
70 shows
122 tapes
1999
225
PlaybackListensHours
48h257
7d488
30d22542
94 shows
170 tapes
1998
242
PlaybackListensHours
48h376
7d6411
30d24241
68 shows
120 tapes
1997
471
PlaybackListensHours
48h112
7d315
30d47167
138 shows
245 tapes
1996
199
PlaybackListensHours
48h233
7d223
30d19933
75 shows
126 tapes
1995
54
PlaybackListensHours
48h00m
7d00m
30d547
40 shows
46 tapes
1994
30
PlaybackListensHours
48h00m
7d00m
30d304
8 shows
9 tapes
1993
1 show
1 tape
1992
28
PlaybackListensHours
48h00m
7d319m
30d283
4 shows
4 tapes
2008
6/16/08
tuning/banter
1:18
Shoot First
6:04
banter - crazy day for us
0:57
New York City
5:14
banter - Headcount support
1:29
Can't Seem To Find
6:44
tuning
0:44
Okayalright ->
5:06
Time Again
8:57
thanks
0:34
FIN
View on archive.org
Sources
Taper: T.J. Samulis
2:38:53
SBD
Taper:
T.J. Samulis
Transferrer:
T.J. Samulis
SHNID:
moe2008-06-16.mk4.nbox.r09.16bit
Source:
Schoeps mk4(FOH@SBD/DFC/DIN) > actives > Nbox+ > Edirol R-09(24/48) > SDHC
Lineage:
SDHC > USB > Wavelab 5.0a(+3.1dB Gain/Fades/Resampler 192/UV22HR Dither) > CD Wave > flac16(level 8) > tagged using Foobar2000/Tag&Rename
Taper Notes:
View NotesNOTES Set I was an acoustic show benefiting the Headcount Organization
Taper: Jon Merin
2:42:10
Rating:
9.71 / 8 ratings
Taper:
Jon Merin
Transferrer:
Jon Merin
SHNID:
moe2008-06-16.flac16
Source:
Schoeps MK41(DINA)>kcy>Sonosax SX-M2/LS>Hydra Silver XLR Interconnects >Sound Devices 722(24/96)
Lineage:
wave editor (resample/Dither)>Sound Studio (Track)> Xact(Flac)
Taper: Scott Bernstein
37:07
Rating:
10.00 / 2 ratings
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac16
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (volume normalization; L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ with Ultra noise shaping, High dither settings); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which benefitted HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering in SoundForge 10, which has improved Izotope resampling and MBit+ Dithering over SoundForge 9 which I was using at the time, as well as the knoweldge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second), but I did it just because I care and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a higher quality 24 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac24</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac16</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein
Taper: Scott Bernstein
37:07
Taper:
Scott Bernstein
Transferrer:
Scott Bernstein
SHNID:
moe2008-06-16.tlm170.early.balcony.split.flac24
Source:
Audience
Lineage:
Neumann TLM-170 (card, split 30" in balcony)->Sound Devices 722(@24/96). FLAC File processing in SoundForge Audio Studio 10.0b (L/R channel time alignment, removing 20 samples from the right channel at the beginning of the recording); Tracked in CDWav.
Taper Notes:
View NotesThis was an early, acoustic set, which was open to a very limited number people who purchased VIP tickets which were to benefit HeadCount. <a href="http://www.headcount.org" rel="nofollow">Click for more information on Headcount or to register to vote</a> No taping was allowed at this show, but I did anyway and just recently got permission from Jon Topper, moe.'s manager to post this recording. You get the benefit of an April 2010 mastering with only the slightest tweak to this 24 bit recording, using the knowledge which I didn't have almost 2 years ago that when you run split mics you might need to time align the channels (in this case it was extremely minor -- 20 samples or 1/4,800th of a second). It's probably not audible, but I did it anyway and hope you appreciate. Happy Birthday to Eric Vandercar who got to do the "...but To fly?" part of Moth. In my opinion, this recording sounds spectacular -- the balcony split resulted in great stereo separation, very crisp highs, minimal crowd noise, and is extremely dynamic -- it could be the best moe. recording I've ever made (and I've been taping them since 1995). There is a normal CD quality 16 bit version of this recording available at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.early.balcony.split.flac16</a> The electric sets of this show are available from the same recording set up at <a href="http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24" rel="nofollow">http://www.archive.org/details/moe2008-06-16.tlm170.balcony.split.flac24</a> Check out my photos from this show: <table style="width:194px;"><tr><td align="center" style="height:194px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" rel="nofollow"><img src="//web.archive.org/web/2im_/http://lh5.ggpht.com/_0mw6qNhGecI/SGFozdcjBBE/AAAAAAAAMXo/4wPdoxX73ak/s160-c/MoeHighlineBallroom20080616.jpg" width="160" height="160" style="margin:1px 0 0 4px;" alt="MoeHighlineBallroom20080616.jpg" /></a></td></tr><tr><td style="text-align:center;font-family:arial, sans-serif;font-size:11px;"><a href="http://picasaweb.google.com/scotthbernstein/MoeHighlineBallroom20080616?feat=embedwebsite" style="color:#4D4D4D;font-weight:bold;text-decoration:none;" rel="nofollow">moe. Highline Ballroom 20080616</a></td></tr></table> Recorded, Mastered, and Tracked by Scott Bernstein